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E-raamat: Experimental Selves: Person and Experience in Early Modern Europe

  • Formaat: 448 pages
  • Ilmumisaeg: 11-Oct-2018
  • Kirjastus: University of Toronto Press
  • Keel: eng
  • ISBN-13: 9781487518516
  • Formaat - EPUB+DRM
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  • Formaat: 448 pages
  • Ilmumisaeg: 11-Oct-2018
  • Kirjastus: University of Toronto Press
  • Keel: eng
  • ISBN-13: 9781487518516

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Drawing on the generous semantic range the term enjoyed in early modern usage, the book argues that person as early moderns understood it was an "experimental" phenomenon--at once a given of experience and the self-conscious arena of that experience.



Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that ‘person,’ as early moderns understood this concept, was an ‘experimental’ phenomenon—at once a given of experience and the self-conscious arena of that experience. Person so conceived was discovered to be a four-dimensional creature: a composite of mind or 'inner' personality; of the body and outward appearance; of social relationship; and of time.

Through a series of case studies keyed to a wide variety of social and cultural contexts, including theatre, the early novel, the art of portraiture, pictorial experiments in vision and perception, theory of knowledge, and the new experimental science of the late-seventeenth and eighteenth centuries, the book examines the manifold shapes person assumed as an expression of the social, natural, and aesthetic ‘experiments’ or experiences to which it found itself subjected as a function of the mere contingent fact of just having them.

Arvustused

"Braiders command of literature, history of ideas, and his ability to make philosophers, scientists, and writers think together is definitely impressive and insightful."

- Christophe Schuwey, Yale University (University of Toronto Quarterly: Letters in Canada 2018) "Experimental Selves joins a growing number of studies of early modern personhood... Braider explores the idea that, as he puts it, 'person itself is experiment' at length in relation to early modern theatre."

- Charles T. Wolfe, CáFoscari University (Publishing Research Quarterly)

List of Illustrations
ix
Acknowledgments xiii
Introduction. Changing the Subject: Early Modern Persons and the Culture of Experiment 3(39)
1 The Shape of Knowledge: The Culture of Experiment and the Byways of Expression
42(37)
2 The Art of the Inside Out: Vision and Expression in Hoogstraten's Peepshow
79(55)
3 Persons and Portraits: The Vicissitudes of Burckhardts Individual
134(44)
4 Justice in the Marketplace: The Invisible Hand in Ben Jonson's Bartholomew Fayre
178(37)
5 Actor, Act, and Action: The Poetics of Agency in Corneille, Racine, and Moliere
215(39)
6 The Experiment of Beauty: Vraisemblance Extraordinaire in Lafayette's Princesse de Cleves
254(32)
7 Groping in the Dark: Aesthetics and Ontology in Diderot and Kant
286(45)
Conclusion. Person, Experiment, and the World They Made 331(4)
Notes 335(48)
Works Cited 383(22)
Index 405
Christopher Braider is a professor of French and Comparative Literature at the University of Colorado, Boulder.