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E-raamat: Extraordinary Aesthetes: Decadents, New Women, and Fin-de-Siecle Culture

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The fin de si cle not only designated the end of the Victorian epoch but also marked a significant turn towards modernism. Extraordinary Aesthetes critically examines literary and visual artists from England, Ireland, and Scotland whose careers in poetry, fiction, and illustration flourished during the concluding years of the nineteenth century.

This collection draws special attention to the exceptional contributions that artists, poets, and novelists made to the cultural world of the late 1880s and 1890s. The essays illuminate a range of established, increasingly acknowledged, and lesser-known figures whose contributions to this brief but remarkably intense cultural period warrant close attention. Such figures include the critically neglected Mabel Dearmer, whose stunning illustrations appear in Evelyn Sharp’s radical fairy tales for children. Equally noteworthy is the uncompromising short fiction of Ella D’Arcy, who played a pivotal role in editing the most famous journal of the 1890s, The Yellow Book. The discussion extends to a range of legendary writers, including Max Beerbohm, Oscar Wilde, and W.B. Yeats, whose works are placed in dialogue with authors who gained prominence during this period. Bringing women’s writing to the fore, Extraordinary Aesthetes rebalances the achievements of artists and writers during the rapidly transforming cultural world of the fin de si cle.



Extraordinary Aesthetes sheds light on English, Irish, and Scottish artists whose careers thrived during the nineteenth century.

Arvustused

"[ Extraordinary Aesthetes] is rich in material and interpretation and introduces the reader to aspects of cultural and literary life at the end of the nineteenth century, which will certainly enrich any previous studies and encourage further reading. Bristows mission to extend and transform his cited key texts is successfully achieved." - Miriam al Jamil (The Wildean)

List of Illustrations
vii
Acknowledgments xi
Introduction 3(70)
Joseph Bristow
Part I New Women, Female Aesthetes, and the Emergence of Decadence
1 Impressionistic Photography and the Fldneuse in Amy Levy's The Romance of a Shop
73(33)
S. Brooke Cameron
2 The Decay of Marriage in Ella D'Arcy's Decadent New Woman Fiction
106(19)
Kate Krueger
3 Mabel Dearmer's Decadent Way
125(30)
Diana Maltz
Part II Femininity, Masculinity, and Fin-de-Siecle Aesthetics
4 "So much too little": Alice Meynell, Walter Pater, and the Question of Influence
155(23)
Beth Newman
5 Richard Le Gallienne and the Rhymers: Masculine Minority in the 1890s
178(23)
Emily Harrington
6 Max Beerbohm's "Improved" Intentions and the Aesthetics of Cosmesis
201(34)
Megan Becker-Leckrone
Part III Women, Babies, Moons - 1890s Poetics
7 Dollie Radford and the Case of the Disappearing Babies
235(22)
Julie Wise
8 "She hath no air": Mary Coleridge's Moon
257(34)
Kasey Bass
Part IV Aestheticism, Decadence, and the Modern Age
9 Radical Empathy in Dora Sigerson's The Fairy Changeling (1898) and Broadside Poems of 1916-1917
291(26)
So Young Park
10 The Boom in Yellow: The Afterlife of the 1890s
317(24)
Kristin Mahoney
Contributors 341(4)
Index 345
Joseph Bristow is a distinguished professor of English at the University of California, Los Angeles.