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E-raamat: Fictions of Art History

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Fictions of Art History, the most recent addition to the Clark Studies in the Visual Arts series, addresses art historys complex relationships with fiction, poetry, and creative writing. Inspired by a 2010 conference, the volume examines art historians viewing practices and modes of writing. How, the contributors ask, are we to unravel the supposed facts of history from the fictions constructed in works of art? How do art historians employ or resist devices of fiction, and what are the effects of those choices on the reader? In styles by turns witty, elliptical, and plain-speaking, the essays in Fictions of Art History are fascinating and provocative critical interventions in art history.





Distributed for the Sterling and Francine Clark Art Institute
Introduction: Compelling Fictions vii
Michael Hatt
Mark Ledbury
Part One Entanglements
Weightless History: Faulkner, Bourke-White, and Eisenstaedt
3(18)
Alexander Nemerov
A Novelist among Artists: Gordon Burn and "Young British Art"
21(13)
Thomas Crow
Philip Marlowe Meets the Art Historian
34(10)
Paul Barolsky
The Case of the Errant Art Historian
44(27)
Gloria Kury
Part Two Not Who You Think I Am
Face to Face with Fiction: Portraiture and the Biographical Tradition
71(16)
Caroline Vout
"I Am Not Who You Think I Am": Attributing the Humanist Portrait, Identifying the Art-Historical Subject
87(17)
Maria H. Loh
Fictional Deceptions: A True Story
104(14)
Joanna Scott
The Art-Historical Photograph as Fiction: The Pretense of Objectivity
118(23)
Ralph Lieberman
Part Three Artists, Stories, Objects
"The Reality Bodily before Us": Picturing the Arabian Nights
141(21)
Marina Warner
The Ekphrastic
162(11)
Cole Swensen
Anecdotes and the Life of Art History
173(14)
Mark Ledbury
The Text is Present
187(16)
Marianna Torgovnick
Contributors 203(4)
Photography Credits 207
Mark Ledbury is Power Professor of Art History and Visual Culture and Director of the Power Institute at the University of Sydney.