Contributors |
|
v | |
Preface |
|
vii | |
|
PART 1 EARLY ARTISTIC CONTRIBUTIONS TO THE NEUROSCIENCES |
|
|
|
Chapter 1 Vesalius and the Emergence of Veridical Representation in Renaissance Anatomy |
|
|
3 | (30) |
|
|
1 A New Vision of Anatomy |
|
|
5 | (5) |
|
2 Revival of Classical Knowledge: Art and Anatomy |
|
|
10 | (3) |
|
3 The Concept of Original Source: A Textual Prelude to the Human Cadaver |
|
|
13 | (1) |
|
4 Seeing and Recording the Invisible: Rete Mirabile |
|
|
14 | (4) |
|
5 Ventricles: From Function to Structure: Circles to Cavities |
|
|
18 | (7) |
|
6 The Role of Illustrations |
|
|
25 | (1) |
|
6.1 Before the Renaissance: Visualizing "Humoral Function" |
|
|
25 | (1) |
|
7 The Need for Illustration: Vesalius |
|
|
25 | (4) |
|
|
29 | (4) |
|
|
30 | (3) |
|
Chapter 2 Medieval and Renaissance Anatomists: The Printing and Unauthorized Copying of Illustrations, and the Dissemination of Ideas |
|
|
33 | (42) |
|
|
|
1 Origins of Anatomical Illustration |
|
|
34 | (10) |
|
|
34 | (2) |
|
|
36 | (3) |
|
1.3 Johannes de Ketham and Hans von Gersdorff |
|
|
39 | (1) |
|
1.4 Jacopo Berengario da Carpi |
|
|
40 | (4) |
|
|
44 | (10) |
|
3 Vesalian Compendia: Plagiarists, Imitators, and Disseminators |
|
|
54 | (15) |
|
3.1 Thomas Geminus (aka Thomas Lambrit) |
|
|
54 | (4) |
|
3.2 Juan Valverde de Hamusco |
|
|
58 | (2) |
|
|
60 | (9) |
|
|
69 | (6) |
|
|
70 | (1) |
|
|
70 | (5) |
|
Chapter 3 Anna Morandi's Wax Self-Portrait with Brain |
|
|
75 | (20) |
|
|
|
75 | (3) |
|
|
78 | (5) |
|
|
83 | (4) |
|
|
87 | (3) |
|
|
90 | (5) |
|
|
91 | (4) |
|
Chapter 4 David Ferrier: Brain Drawings and Brain Maps |
|
|
95 | (20) |
|
|
|
96 | (2) |
|
|
98 | (3) |
|
|
101 | (2) |
|
|
103 | (2) |
|
5 The Nature of Illustrations |
|
|
105 | (3) |
|
6 The Nature of Ferrier's Illustrations |
|
|
108 | (3) |
|
|
111 | (4) |
|
|
111 | (1) |
|
|
112 | (3) |
|
Chapter 5 Neura, Nerves, Nerve Fibers, Neurofibrils, Microtubules: Multidimensional Routes of Pain, Pleasure, and Voluntary Action in Images Across the Ages |
|
|
115 | (48) |
|
|
|
116 | (1) |
|
2 In the Beginning: Routes of Life Power Across the Body |
|
|
117 | (4) |
|
3 Neura: Pathways of Sensation and Will |
|
|
121 | (5) |
|
4 Picturing Things as they Really Are: Nerves in the Renaissance |
|
|
126 | (12) |
|
5 Imagining the Invisible: Pipes Within Nerves |
|
|
138 | (4) |
|
6 Turning the Invisible into Visible: Nerve Fibers |
|
|
142 | (3) |
|
7 Lines for Electricity: Neurofibrils |
|
|
145 | (9) |
|
8 Microtubules: The Substratum of Consciousness? |
|
|
154 | (2) |
|
|
156 | (7) |
|
|
157 | (6) |
|
PART 2 NEUROSCIENTISTS WITH ARTISTIC TALENTS AND ARTISTS ON THE NEUROSCIENCES |
|
|
|
Chapter 6 John Bell (1763--1820): Brother Artist and Anatomist |
|
|
163 | (22) |
|
Christopher Gardner-Thorpe |
|
|
|
163 | (1) |
|
|
164 | (1) |
|
|
165 | (5) |
|
3.1 The Anatomy of the Bones, Muscles, & Joints in 1793 |
|
|
165 | (1) |
|
3.2 Engravings, Explaining the Anatomy of the Bones, Muscles and Joints in 1794 |
|
|
166 | (1) |
|
3.3 Discourses on the Nature and Cure of Wounds in 1795 |
|
|
166 | (3) |
|
3.4 The Anatomy and Physiology of the Human Body in 1797 |
|
|
169 | (1) |
|
|
170 | (1) |
|
5 The Royal Infirmary of Edinburgh |
|
|
170 | (1) |
|
6 From 1800 John Bell the Anatomist Now Concentrates on Clinical Surgery and on his Writing |
|
|
171 | (2) |
|
6.1 The Principles of Surgery in 1801 |
|
|
171 | (1) |
|
6.2 Engravings of the Bones, Muscles and Joints in 1804 |
|
|
172 | (1) |
|
6.3 The Principles of Surgery in 1815 |
|
|
172 | (1) |
|
|
173 | (6) |
|
8 Charles Bell Remembers his Brother John |
|
|
179 | (6) |
|
|
181 | (1) |
|
|
181 | (4) |
|
Chapter 7 Jean-Martin Charcot and Art: Relationship of the "Founder of Neurology" with Various Aspects of Art |
|
|
185 | (16) |
|
|
|
1 Charcot's Neurological Career |
|
|
186 | (2) |
|
2 Charcot's Artistic Skills |
|
|
188 | (2) |
|
|
190 | (7) |
|
4 Art in Charcot's Medical Practice |
|
|
197 | (4) |
|
|
198 | (3) |
|
Chapter 8 Cajal and the Discovery of a New Artistic World: The Neuronal Forest |
|
|
201 | (22) |
|
|
|
202 | (1) |
|
|
202 | (3) |
|
3 Cajal Arrives on the Scene |
|
|
205 | (3) |
|
4 Drawing of Neural Elements: When Science was Art |
|
|
208 | (4) |
|
5 Scientific "Art" and Skepticism |
|
|
212 | (1) |
|
6 Interpretation of the Microscopic World |
|
|
213 | (2) |
|
7 The Brain as a Neuronal Forest |
|
|
215 | (8) |
|
|
218 | (1) |
|
|
219 | (4) |
|
PART 3 SOME GREAT ARTISTS AND THEIR NEUROLOGICAL DISORDERS |
|
|
|
Chapter 9 The Lead-Poisoned Genius: Saturnism in Famous Artists Across Five Centuries |
|
|
223 | (18) |
|
|
1 Preindustrial Historical Perspective of Extraction and Lead Poisoning |
|
|
223 | (6) |
|
|
224 | (3) |
|
1.2 Epidemic and Modern Awareness |
|
|
227 | (1) |
|
1.3 Scientific Era and Saturnism |
|
|
228 | (1) |
|
|
229 | (8) |
|
2.1 The Beatos (ninth to Eleventh Centuries) |
|
|
231 | (1) |
|
2.2 Michelangelo Buonarrotti (Sixteenth Century; For Dating of Specific Artists, See Table 2) |
|
|
231 | (1) |
|
|
232 | (1) |
|
|
232 | (1) |
|
2.5 Piero Delia Francesca |
|
|
232 | (1) |
|
|
232 | (1) |
|
|
232 | (2) |
|
|
234 | (1) |
|
|
234 | (1) |
|
2.10 Rubens (seventeenth Century), and Dufy, Renoir, von Jawlesnky, and Klee (Nineteenth to Twentieth Centuries) |
|
|
235 | (1) |
|
|
235 | (1) |
|
|
236 | (1) |
|
|
237 | (1) |
|
|
237 | (1) |
|
|
237 | (1) |
|
|
238 | (3) |
|
|
238 | (3) |
|
Chapter 10 Frida Kahlo's Neurological Deficits and her Art |
|
|
241 | (14) |
|
|
|
241 | (13) |
|
|
242 | (1) |
|
|
243 | (2) |
|
|
245 | (3) |
|
|
248 | (5) |
|
|
253 | (1) |
|
|
254 | (1) |
|
|
254 | (1) |
|
Chapter 11 Neurological Diseases in Famous Painters |
|
|
255 | (22) |
|
Bartlomiej Piechowski-Jozwiak |
|
|
|
|
256 | (8) |
|
1.1 Right-Hemispheric Strokes |
|
|
256 | (2) |
|
1.2 Left-Hemispheric Stroke |
|
|
258 | (4) |
|
1.3 Posterior Circulation Strokes |
|
|
262 | (2) |
|
|
264 | (1) |
|
|
264 | (10) |
|
|
264 | (1) |
|
|
265 | (1) |
|
2.3 Frontotemporal Dementia |
|
|
265 | (1) |
|
|
266 | (1) |
|
|
266 | (1) |
|
|
267 | (2) |
|
|
269 | (2) |
|
2.8 Noncerebral Central Nervous System Disorders |
|
|
271 | (3) |
|
|
274 | (3) |
|
|
274 | (3) |
Index |
|
277 | (8) |
Other volumes in Progress in Brain Research |
|
285 | |