Muutke küpsiste eelistusi

E-raamat: Fine Arts, Neurology, and Neuroscience: Neuro-Historical Dimensions

Volume editor (Genolier Swiss Medical Network,Switzerland), Volume editor (Washington University, St. Louis, MO, USA), Volume editor (University of California,U.S.A.), Volume editor (Professor of Neurology, George Washington University Medical School, Washington, DC, USA)
  • Formaat: PDF+DRM
  • Sari: Progress in Brain Research
  • Ilmumisaeg: 13-Sep-2013
  • Kirjastus: Elsevier Science Ltd
  • Keel: eng
  • ISBN-13: 9780444627360
  • Formaat - PDF+DRM
  • Hind: 238,88 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: PDF+DRM
  • Sari: Progress in Brain Research
  • Ilmumisaeg: 13-Sep-2013
  • Kirjastus: Elsevier Science Ltd
  • Keel: eng
  • ISBN-13: 9780444627360

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

This well-established international series examines major areas of basic and clinical research within neuroscience, as well as emerging and promising subfields. This volume explores the history and modern perspective on neurology and neuroscience.

This well-established international series examines major areas of basic and clinical research within neuroscience, as well as emerging and promising subfields. This volume explores the history and modern perspective on neurology and neuroscience.

Muu info

Brings together the history and modern perspectives on fine arts, neurology and neuroscience
Contributors v
Preface vii
PART 1 EARLY ARTISTIC CONTRIBUTIONS TO THE NEUROSCIENCES
Chapter 1 Vesalius and the Emergence of Veridical Representation in Renaissance Anatomy
3(30)
Gui A. Russell
1 A New Vision of Anatomy
5(5)
2 Revival of Classical Knowledge: Art and Anatomy
10(3)
3 The Concept of Original Source: A Textual Prelude to the Human Cadaver
13(1)
4 Seeing and Recording the Invisible: Rete Mirabile
14(4)
5 Ventricles: From Function to Structure: Circles to Cavities
18(7)
6 The Role of Illustrations
25(1)
6.1 Before the Renaissance: Visualizing "Humoral Function"
25(1)
7 The Need for Illustration: Vesalius
25(4)
8 Conclusions
29(4)
References
30(3)
Chapter 2 Medieval and Renaissance Anatomists: The Printing and Unauthorized Copying of Illustrations, and the Dissemination of Ideas
33(42)
Douglas J. Lanska
John Robert Lanska
1 Origins of Anatomical Illustration
34(10)
1.1 Theodoric Borgognoni
34(2)
1.2 Henri de Mondeville
36(3)
1.3 Johannes de Ketham and Hans von Gersdorff
39(1)
1.4 Jacopo Berengario da Carpi
40(4)
2 Andreas Vesalii
44(10)
3 Vesalian Compendia: Plagiarists, Imitators, and Disseminators
54(15)
3.1 Thomas Geminus (aka Thomas Lambrit)
54(4)
3.2 Juan Valverde de Hamusco
58(2)
3.3 Ambroise Pare
60(9)
4 Conclusion
69(6)
Acknowledgment
70(1)
References
70(5)
Chapter 3 Anna Morandi's Wax Self-Portrait with Brain
75(20)
Rebecca Messbarger
1 The Context
75(3)
2 The Anatomist
78(5)
3 Brain Power
83(4)
4 The Crankling Brain
87(3)
5 Conclusion
90(5)
References
91(4)
Chapter 4 David Ferrier: Brain Drawings and Brain Maps
95(20)
J. Wayne Lazar
1 Background
96(2)
2 Alexander Ecker
98(3)
3 John Galton
101(2)
4 Ernest Waterlow
103(2)
5 The Nature of Illustrations
105(3)
6 The Nature of Ferrier's Illustrations
108(3)
7 Concluding Remarks
111(4)
Acknowledgments
111(1)
References
112(3)
Chapter 5 Neura, Nerves, Nerve Fibers, Neurofibrils, Microtubules: Multidimensional Routes of Pain, Pleasure, and Voluntary Action in Images Across the Ages
115(48)
Eugenio Frixione
1 Our Subject
116(1)
2 In the Beginning: Routes of Life Power Across the Body
117(4)
3 Neura: Pathways of Sensation and Will
121(5)
4 Picturing Things as they Really Are: Nerves in the Renaissance
126(12)
5 Imagining the Invisible: Pipes Within Nerves
138(4)
6 Turning the Invisible into Visible: Nerve Fibers
142(3)
7 Lines for Electricity: Neurofibrils
145(9)
8 Microtubules: The Substratum of Consciousness?
154(2)
9 Concluding Words
156(7)
References
157(6)
PART 2 NEUROSCIENTISTS WITH ARTISTIC TALENTS AND ARTISTS ON THE NEUROSCIENCES
Chapter 6 John Bell (1763--1820): Brother Artist and Anatomist
163(22)
Christopher Gardner-Thorpe
1 Introduction
163(1)
2 The Bell Family
164(1)
3 John Bell, the Surgeon
165(5)
3.1 The Anatomy of the Bones, Muscles, & Joints in 1793
165(1)
3.2 Engravings, Explaining the Anatomy of the Bones, Muscles and Joints in 1794
166(1)
3.3 Discourses on the Nature and Cure of Wounds in 1795
166(3)
3.4 The Anatomy and Physiology of the Human Body in 1797
169(1)
4 War Wounds
170(1)
5 The Royal Infirmary of Edinburgh
170(1)
6 From 1800 John Bell the Anatomist Now Concentrates on Clinical Surgery and on his Writing
171(2)
6.1 The Principles of Surgery in 1801
171(1)
6.2 Engravings of the Bones, Muscles and Joints in 1804
172(1)
6.3 The Principles of Surgery in 1815
172(1)
7 The Final Years
173(6)
8 Charles Bell Remembers his Brother John
179(6)
Acknowledgments
181(1)
References
181(4)
Chapter 7 Jean-Martin Charcot and Art: Relationship of the "Founder of Neurology" with Various Aspects of Art
185(16)
Julien Bogousslavsky
Francois Boller
1 Charcot's Neurological Career
186(2)
2 Charcot's Artistic Skills
188(2)
3 Charcot's Taste in Art
190(7)
4 Art in Charcot's Medical Practice
197(4)
References
198(3)
Chapter 8 Cajal and the Discovery of a New Artistic World: The Neuronal Forest
201(22)
Javier DeFelipe
1 Introduction
202(1)
2 The Golgi Method
202(3)
3 Cajal Arrives on the Scene
205(3)
4 Drawing of Neural Elements: When Science was Art
208(4)
5 Scientific "Art" and Skepticism
212(1)
6 Interpretation of the Microscopic World
213(2)
7 The Brain as a Neuronal Forest
215(8)
Acknowledgments
218(1)
References
219(4)
PART 3 SOME GREAT ARTISTS AND THEIR NEUROLOGICAL DISORDERS
Chapter 9 The Lead-Poisoned Genius: Saturnism in Famous Artists Across Five Centuries
223(18)
Julio Montes-Santiago
1 Preindustrial Historical Perspective of Extraction and Lead Poisoning
223(6)
1.1 Ancient Times
224(3)
1.2 Epidemic and Modern Awareness
227(1)
1.3 Scientific Era and Saturnism
228(1)
2 Poisoned Painters
229(8)
2.1 The Beatos (ninth to Eleventh Centuries)
231(1)
2.2 Michelangelo Buonarrotti (Sixteenth Century; For Dating of Specific Artists, See Table 2)
231(1)
2.3 Raphael Sanzio
232(1)
2.4 Caravaggio
232(1)
2.5 Piero Delia Francesca
232(1)
2.6 Rembrandt van Rijn
232(1)
2.7 Francisco de Goya
232(2)
2.8 Mariano Fortuny
234(1)
2.9 Vincent Van Gogh
234(1)
2.10 Rubens (seventeenth Century), and Dufy, Renoir, von Jawlesnky, and Klee (Nineteenth to Twentieth Centuries)
235(1)
2.11 Frida Kahlo
235(1)
2.12 Candido Portinari
236(1)
3 Musician Connections
237(1)
3.1 Handel
237(1)
3.2 Beethoven
237(1)
4 Conclusions
238(3)
References
238(3)
Chapter 10 Frida Kahlo's Neurological Deficits and her Art
241(14)
Valmantas Budrys
1 Introduction
241(13)
1.1 Spina Bifida
242(1)
1.2 Poliomyelitis
243(2)
1.3 Spine Injury
245(3)
1.4 Pain
248(5)
1.5 Passion
253(1)
2 Conclusion
254(1)
References
254(1)
Chapter 11 Neurological Diseases in Famous Painters
255(22)
Bartlomiej Piechowski-Jozwiak
Julien Bogousslavsky
1 Stroke
256(8)
1.1 Right-Hemispheric Strokes
256(2)
1.2 Left-Hemispheric Stroke
258(4)
1.3 Posterior Circulation Strokes
262(2)
1.4 Conclusion
264(1)
2 Dementia
264(10)
2.1 Lewy Body Dementia
264(1)
2.2 Alzheimer Disease
265(1)
2.3 Frontotemporal Dementia
265(1)
2.4 Alcoholic Dementia
266(1)
2.5 Migraine
266(1)
2.6 Epilepsy
267(2)
2.7 Head Trauma
269(2)
2.8 Noncerebral Central Nervous System Disorders
271(3)
3 General Conclusions
274(3)
References
274(3)
Index 277(8)
Other volumes in Progress in Brain Research 285
François Boller, M.D., Ph.D. has been co-Series Editor of the Handbook of Clinical Neurology since 2002. He.is a board-certified neurologist currently Professor of Neurology at the George Washington University Medical School (GW) in Washington, DC. He was born in Switzerland and educated in Italy where he obtained a Medical Degree at the University of Pisa. After specializing in Neurology at the University of Milan, Dr. Boller spent several years at the Boston VA and Boston University Medical School, including a fellowship under the direction of Dr. Norman Geschwind. He obtained a Ph.D. in Experimental Psychology from Case Western Reserve University in Cleveland, Ohio where he was in charge of Neuroscience teaching at the Medical School and was nominated Teacher of the Year. In 1983, Dr. Boller became Professor of Neurology and Psychiatry at the University of Pittsburgh where he founded and directed one of the first NIH funded Alzheimer Disease Research Centers in the country. In 1989, he was put in charge of a Paris-based INSERM Unit dedicated to the neuropsychology and neurobiology of cerebral aging. He returned to the United States and joined the NIH in 2005, before coming to GW in July 2014.

Dr. Bollers initial area of interest was aphasia and related disorders; he later became primarily interested in cognitive disorders and dementia with emphasis on the correlates of cognitive disorders with pathology, neurophysiology and imaging. He was one of the first to study the relation between Parkinson and Alzheimer disease, two processes that were thought to be unrelated. His current area of interest is Alzheimers disease and related disorders with emphasis on the early and late stages of the disease. He is also interested in the history of Neurosciences and is Past President of the International Society for the History of Neurosciences. He was the founding Editor-in-Chief of the European Journal of Neurology, the official Journal of the European Federation of Neurological Societies (now European Academy of Neurology). He is a Fellow of the American Academy of Neurology and a member of the American Neurological Association. In addition, he has chaired Committees within the International Neuropsychological Society, the International Neuropsychology Symposium, and the World Federation of Neurology (WFN). He has authored over 200 papers and books including the Handbook of Neuropsychology (Elsevier).