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This volume offers eighteen studies linked together by a common focus on the circulation and reception of motifs and beliefs in the field of folklore, magic, and witchcraft.

The chapters traverse a broad spectrum both chronologically and thematically; yet together, their shared focus on cultural exchange and encounters emerges in an important way, revealing a valuable methodology that goes beyond the pure comparativism that has dominated historiography in recent decades. Several of the chapters touch on gender relations and contact between different religious faiths, using case studies to explore the variety of these encounters. Whilst the essays focus geographically on Europe, they prefer to investigate relationships over highlighting singular, local traits. In this way, the collection aims to respond to the challenge set by recent debates in cultural studies, for a global history that prioritises inclusivity, moving beyond biased or learned attachments toward broader and broadening foci and methods.

With analysis of sources from manuscripts and archival documents to iconography, and drawing on writings in Latin, Hebrew, Arabic, and other languages, this volume is essential reading for all students and scholars interested in cultural exchange and ideas about folklore, magic, and witchcraft in medieval and early modern Europe.



This volume offers eighteen studies linked together by a common focus on the circulation and reception of motifs and beliefs in the field of folklore, magic, and witchcraft.

Arvustused

WINNER OF THE KATHERINE BRIGGS AWARD 2022

A high-quality edited collection with a global scope and diverse set of contributors. The work transcends national and regional constraints to understand cultural expressions as part of a wider circulation of forms and meanings. Bringing a fresh approach with lively and well-constructed arguments, the book truly showcases the complexity and dynamic creativity of popular culture. For more details see here - https://folklore-society.com/blog-post/the-katharine-briggs-award-2022/

An engaging collection linking magical events and traditions from painting to shapeshifting, collecting to witch trials, fairies to astrology across time and location: surprising and informative.

Marion Gibson, University of Exeter, UK

Held together by the complex concept of cultural exchange, helpfully explored in the introduction, this collection of case-studies illuminates numerous aspects of folklore, magic and witchcraft, both medieval and early modern, from northern Scandinavia to the Islamic world, with a particular focus on Italy, bringing much new European scholarship into reach for an English-speaking audience.

Jonathan Barry, University of Exeter, UK

[ ...] the anthology looks beyond both the records of witchcraft trials and the notion of the magic-user as, exclusively, a witch, offering a diverse yet complementary set of perspectives on magical traditions as both substance and means of cultural exchange in Europe between the twelfth and eighteenth centuries.

Anna Milon, Folklore, 2022

List of illustrations
x
List of contributors
xii
Acknowledgements xv
Introduction 1(18)
Marina Montesano
PART I Interpreting folkloric beliefs
19(52)
1 The Tree of the Bourlemonts: Gendered beliefs in fairies and their transmission from old to young women in Joan of Arc's Domremy
21(12)
Andrea Maraschi
2 The rejuvenating blood: Marsilio Ficino and the witches
33(13)
Marina Montesano
3 The circulation and exchange of ideas, myths, legends, and oral traditions in the witchcraft trials of Italy
46(13)
Debora Moretti
4 Between Hell and Paradise: The legend of the soul of the Emperor Trajan
59(12)
Vincenzo Tedesco
PART II Cultural exchange among Christian, Islamic, and Jewish communities
71(46)
5 Artificial creation of human life: Ibn Wahsiyya as a source of the Futuhdt al-makkiyya
73(19)
Michele Petrone
6 Fragments of a Jewish magical tradition in the library of Giovanni Pico della Mirandola
92(12)
Flavia Buzzetta
7 Parallel beliefs: Cultural exchange between Jews and Christians on magic and witchcraft, and the concerns of the Inquisition
104(13)
Marina Caffiero
PART III Preachers as mediators
117(50)
8 Some reports of magic, superstition, and witchcraft in the medieval mirabilia literature
119(13)
Christa Agnes Tuczay
9 "Diabolical sorceries": Vicent Ferrer's preaching and the emergence of the witchcraft construct(s) in early fifteenth-century Europe
132(24)
Pau Castell Granados
10 Circulation of magic and folkloric traditions in the times of Antonino of Florence and Bernardino of Siena
156(11)
Fabrizio Conti
PART IV The cultural interpretation of objects
167(54)
11 The body of Christ: Exchanges and cultural upheavals in early-modern Italy
169(13)
Matteo Al Kalak
12 The natural and the supernatural: Collecting, interests, and trials of the nuncio Francesco Vitelli in Venice, 1632--1643
182(16)
Marco Albertoni
13 The witch unravelled: How Pieter Bruegel the Elder developed a visual code to depict witchcraft and sorcery
198(23)
Renilde Vervoort
PART V Trading ideas about witchcraft
221(74)
14 Ignorantia and superstitio: A discussion among theologians and inquisitors in the sixteenth century
223(12)
Michaela Valente
15 The MP and the astrologer: Rival cultures of witchcraft in the East Anglian witch-hunt
235(12)
Danny Buck
16 A witchcraft triangle: Transmitting witchcraft ideas across early modern Europe
247(18)
Liv Helene Willumsen
17 The shape of evil: Shapeshifting in the witchcraft trials of seventeenth-century Finnmark
265(16)
Amber R. Cederstrom
18 Circulating knowledge in European Enlightened discourses: Eberhard David Hauber and the Bibliotheca, sive Acta et Scripta Magica (1738--1745)
281(14)
Rita Voltmer
Index 295
Marina Montesano is Full Professor of Medieval History at the University of Messina, a fellow of Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, and a member of the scientific committee of the International Society for Cultural History (ISCH). Among her most recent monographs is Classical Culture and Witchcraft in Medieval and Renaissance Italy (2018).