By presenting a rigorous philosophical argument for the authenticity of such images this book illustrates how digitization offers scholars innovative methods for comparing manuscripts of vernacular literature.
From Parchment to Cyberspace argues the case for studying high-resolution digital images of original manuscripts to analyze medieval literature. By presenting a rigorous philosophical argument for the authenticity of such images (a point disputed by digital skeptics) the book illustrates how digitization offers scholars innovative methods for comparing manuscripts of vernacular literature – such as The Romance of the Rose or texts by Christine de Pizan – that reveal aspects of medieval culture crucial to understanding the period.
Arvustused
«Overall, From Parchment to Cyberspace is a valuable (and, I might add, extravagantly illustrated) contribution to the growing critical conversation on the digitization of medieval manuscripts. Its unusual structure makes it an intriguing resource for teaching as well: individual chapters might teach well as standalone texts. Particularly in the ways that it demonstrates the positive impact of digital manuscripts on the broader study of medieval literature, this book is an intriguing and useful addition to the eld.»
«This book will be of great interest to the modern Medievalist and will likely spur on discussion between the different schools of Medieval thought, but it will also appeal to anyone interested in how digital can provide another model for textual transmission [ ...].»
(John Rodzvilla, Publishing Research Quarterly Volume 33, Issue 2/2017)
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xi | |
| Preface |
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xxi | |
| Introduction: Why I Wrote This Book, or Medieval Manuscripts Unchained |
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1 | (16) |
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PART ONE Technologies of the Medieval Book: The Manuscript Matrix |
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1 What Is a Manuscript Culture? |
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17 | (26) |
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2 Materiality and Mimesis: Anatomy of an Illusion |
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43 | (12) |
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3 No Fool of Time: The Paradox of Manuscript Transmission |
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55 | (42) |
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PART TWO Technologies of Manuscript Knowledge: How We Read Now in the Digital Middle Ages |
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97 | (10) |
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5 Variance as Dynamic Reading |
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107 | (36) |
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6 Synoptic Reading: Medieval Manuscripts as Text Networks |
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143 | (44) |
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PART THREE Coda The Anxiety of Irrelevance: Digital Humanities and Contemporary Critical Theory |
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187 | (14) |
| Notes |
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201 | (26) |
| Index |
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227 | |
Stephen G. Nichols, a medievalist, is James M. Beall Professor Emeritus of French and Humanities, and Research Professor at Johns Hopkins University. He has written or edited some 26 books on the Middle Ages, including Romanesque Signs: Early Medieval Narrative and Iconography, for which he received the MLAs James Russell Lowell Prize. He holds an honorary Docteur ès Lettres, from the University of Geneva, and was decorated Officier de lOrdre des Arts et Lettres by the French government. The Alexander von Humboldt Foundation awarded him its Research Prize in 2008 and again in 2015. Nichols co-directs JHUs Digital Library of Medieval Manuscripts (www.romandelarose.org), and co-founded the electronic journal, Digital Philology, A Journal of Medieval Culture, published by the Johns Hopkins University Press. He chaired the Board of the Council of Library Information Resources from 2008 to 2013, and is a Fellow of the American Academy of Arts and Sciences, as well as of the Medieval Academy of America.
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