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E-raamat: From Sounds to Music and Emotions: 9th International Symposium CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers

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  • Formaat: PDF+DRM
  • Sari: Lecture Notes in Computer Science 7900
  • Ilmumisaeg: 12-Sep-2013
  • Kirjastus: Springer-Verlag Berlin and Heidelberg GmbH & Co. K
  • Keel: eng
  • ISBN-13: 9783642412486
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From Sounds to Music and Emotions: 9th International Symposium CMMR 2012, London, UK, June 19-22, 2012, Revised Selected PapersSuurem pilt
  • Formaat: PDF+DRM
  • Sari: Lecture Notes in Computer Science 7900
  • Ilmumisaeg: 12-Sep-2013
  • Kirjastus: Springer-Verlag Berlin and Heidelberg GmbH & Co. K
  • Keel: eng
  • ISBN-13: 9783642412486
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This book constitutes the thoroughly refereed post-conference proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval, CMMR 2012, held in London, UK, in June 2012. The 28 revised full papers presented were carefully reviewed and selected for inclusion in this volume. The papers have been organized in the following topical sections: music emotion analysis; 3D audio and sound synthesis; computer models of music perception and cognition; music emotion recognition; music information retrieval; film soundtrack and music recommendation; and computational musicology and music education. The volume also includes selected papers from the Cross-Disciplinary Perspectives on Expressive Performance Workshop held within the framework of CMMR 2012.
The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete
Emotional Responses to Music.- Emotion in Motion: A Study of Music and
Affective Response.- Psychophysiological Measures of Emotional Response to
Romantic Orchestral Music and Their Musical and Acoustic Correlates.-
Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of
Sound Source Attributes.- Perceptual Characteristic and Compression Research
in 3D Audio Technology.- Intuitive Control of Rolling Sound Synthesis.-
EarGram: An Application for Interactive Exploration of Concatenative Sound
Synthesis in Pure Data.- Reenacting Sensorimotor Features of Drawing
Movements from Friction Sounds.- Auditory Sketches: Sparse Representations of
Sounds Based on Perceptual.- The Role of Time in Music Emotion Recognition:
Modeling Musical Emotions from Time-Varying Music Features.- The
Intervalgram: An Audio Feature for Large-Scale Cover-Song.- Perceptual
Dimensions of Short Audio Clips and Corresponding Timbre Features.- Music
Emotion Recognition: From Content-to Context-Based Models.- Predictive
Modeling of Expressed Emotions in Music Using Pairwise Comparisons.-
Analyzing the Perceptual Salience of Audio Features for Musical Emotion
Recognition.- Sample Identification in Hip Hop Music.- Music Similarity
Evaluation Using the Variogram for MFCC.- Automatic String Detection for Bass
Guitar and Electric Guitar.- Using Oracle Analysis for Decomposition-Based
Automatic Music Transcription.- The Influence of Music on the Emotional
Interpretation of Visual Contexts: Designing Interactive Multimedia Tools for
Psychological Research.- The Perception of Auditory-Visual Looming in Film.-
Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Structural
Similarity Based on Time-Span Tree.- Subject and Counter Subject Detection
for Analysis of the Well-Tempered Clavier Fugues.- Market-Based Control in
Interactive Music Environments.- (Re)Shaping Musical Gesture: Modelling Voice
Balanceand Overall Dynamics Contour.- Multimodal Analysis of Piano
Performances Portraying Different Emotions.- Focal Impulses and Expressiv
Performance.- Learning to Make Feelings: Expressive Performance as a Part of
a Machine Learning Tool for Sound-Based Emotion Control.
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