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E-raamat: From Storeroom to Stage: Romanian Attire and the Politics of Folklore

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By examining how folk objects are mobilized in national ideologies, transmissions of personal and family memory, museological discourses, and artistic acts, From Storeroom to Stage explores the role that material culture plays in the production of value and meaning. Departing from a museum collection in London, the book traces in reverse the journey of these artefacts to the villages where they were made, as well as to other spaces. It also looks at the places where this movement of objects is halted, and the value of the artefacts is put to test.

Arvustused

A good book The authors ethnographic work brings a unique perspective on these issues. Adam Drazin, University College London

List of Figures
viii
Acknowledgements x
Part I Objects Defined
Introduction: Where a Collection Can Take You
3(12)
1 Framing the Object
15(16)
Part II Objects Kept
2 Unfolding the Past: The Context of the Archives
31(25)
3 Out of the Wardrobes
56(25)
Part III Objects in Place
4 Bringing It All Back Home
81(18)
5 Houses of Modernity
99(21)
6 Reconfigurations of the Public Space
120(19)
Part IV Objects on Stage
7 The Boundaries of Folclor
139(20)
8 Folklore Stars
159(19)
Conclusion: What Does `Folklore' Do? 178(7)
References 185(12)
Index 197
Alexandra Urdea is a Research Fellow at the University of Sussex. Her research interests include material culture, heritage and museum studies, and mobility studies.