Muutke küpsiste eelistusi

E-raamat: Future of Memory: A History of Lossless Format Standards in the Moving Image Archive

  • Formaat - EPUB+DRM
  • Hind: 28,01 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

A new generation of video standards promises lossless storage of digital objects for future generations. Jimi Jones and Marek Jancovic document the development and adoption of JPEG 2000, FFV1, MXF, and Matroska while investigating the social and material aspects of their design and the forces driving their journeys from niche to ubiquity.

Drawing on interviews with archivists and developers, Jones and Jancovic reveal the archive as a dynamic space where deeply entrenched social practices produce disagreements but also resourceful collaborations. They contrast the unprecedented rise of archivist-driven standardization and controversies around non-standard technology with the historical dominance of the film and broadcast industries. Throughout, the authors clarify the role of tech companies, software developers, film pirates, hackers, and other players with poorly understood roles in the process.

A timely look at the state of audiovisual preservation, The Future of Memory provides a history of recent innovations alongside a snapshot of a field in the midst of profound technological change.

Arvustused

The first history of film was written in 1894, when cinema had not been born yet. A quarter of the twenty-first century has elapsed, and no global history of digital media is still in sight. It would be a daunting task, worthy of a Jorge Luis Borges story, but Jones and Jancovic have succeeded in writing a key chapter of it. Dont be deterred by its acronyms: you dont have to be a computer geek to enjoy getting lost in the labyrinth of media archives quixotic struggle against impermanence.--Paolo Cherchi Usai, George Eastman Museum

Acknowledgments

List of Acronyms

Introduction. So Many Standards, So Little Time: The People and Politics
Behind Archival Video Formats



Lossless: The Materiality of Archival Video Format Standards
Standards with a Capital S: The Making and Meaning of JPEG 2000 and MXF
Wild Formats: The History and Standardization of FFV1 and Matroska
Standards at Work: For-Profit, Nonprofit, and the Global and Social
Technopolitics of Standardization

Notes Works Cited

Index
Jimi Jones is an adjunct lecturer of library and information sciences for the School of Information Sciences at the University of Illinois Urbana-Champaign. Marek Jancovic is an assistant professor of media studies at Vrije Universiteit Amsterdam. He is the author of A Media Epigraphy of Video Compression: Reading Traces of Decay.