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E-raamat: Game Audio Programming 3: Principles and Practices

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  • Formaat: 280 pages
  • Ilmumisaeg: 21-Sep-2020
  • Kirjastus: CRC Press
  • Keel: eng
  • ISBN-13: 9781000169621
  • Formaat - PDF+DRM
  • Hind: 74,09 €*
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  • Formaat: 280 pages
  • Ilmumisaeg: 21-Sep-2020
  • Kirjastus: CRC Press
  • Keel: eng
  • ISBN-13: 9781000169621

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Welcome to the third volume of Game Audio Programming: Principles and Practicesthe first series of its kind dedicated to the art and science of game audio programming. This volume contains 14 chapters from some of the top game audio programmers and sound designers in the industry. Topics range across game genres (ARPG, RTS, FPS, etc.), and from low-level topics such as DSP to high-level topics like using influence maps for audio.

The techniques in this book are targeted at game audio programmers of all abilities, from newbies who are just getting into audio programming to seasoned veterans. All of the principles and practices in this book have been used in real shipping games, so they are all very practical and immediately applicable. There are chapters about split-screen audio, dynamic music improvisation, dynamic mixing, ambiences, DSPs, and more.

This book continues the tradition of collecting modern, up-to-date knowledge and wisdom about game audio programming. So, whether youve been a game audio programmer for one year or ten years, or even if youve just been assigned the task and are trying to figure out what its all about, this book is for you!

Key Features











Cutting-edge advanced game audio programming concepts with examples from real game audio engines





Includes both high-level and low-level topics





Practical code examples, math, and diagrams that you can apply directly to your game audio engine.

Guy Somberg has been programming audio engines for his entire career. From humble beginnings writing a low-level audio mixer for slot machines, he quickly transitioned to writing game audio engines for all manner of games. He has written audio engines that shipped AAA games like Hellgate: London, Bioshock 2, The Sims 4, and Torchlight 3, as well as smaller titles like Minion Master, Tales from the Borderlands, and Game of Thrones. Guy has also given several talks at the Game Developer Conference, the Audio Developer Conference, and CppCon. When hes not programming or writing game audio programming books, he can be found at home reading, playing video games, and playing the flute.
Preface xi
Acknowledgments xv
Editor xvii
Contributors xix
Chapter 1 Sound Effect Categories
1(14)
Florian Fusslin
SECTION I DSP
Chapter 2 Complex Numbers: A Primer for DSP Programming
15(14)
Robert Bantin
Chapter 3 Building Dynamic Analog-Style Filters: Bi-Quadratic Cascades vs Digital Integrator Cascades
29(22)
Robert Bantin
Chapter 4 Modeling Atmospheric Absorption with a Low-Pass Filter
51(20)
Nic Taylor
SECTION II Voice
Chapter 5 Software Engineering Principles of Voice Pipelines
71(10)
Michael Filion
Chapter 6 A Stimulus-Driven Server Authoritative Voice System
81(12)
Tomas Neumann
SECTION III Audio Engines
Chapter 7 Building the Patch Cable
93(26)
Ethan Geller
Chapter 8 Split Screen and Audio Engines
119(14)
Aaron McLeran
Chapter 9 Voice Management and Virtualization
133(10)
Robert Cay
Chapter 10 Screen-Space Distance Attenuation
143(24)
Guy Somberg
Chapter 11 Under the Influence: Using Influence Maps for Audio
167(14)
Jon Mitchell
Chapter 12 An Importance-Based Mixing System
181(24)
Guy Somberg
Chapter 13 Voxel-Based Emitters: Approximating the Position of Ambient Sounds
205(30)
Nic Taylor
Chapter 14 Improvisational Music
235(16)
Charlie Huguenard
Index 251
Guy Somberg has been programming audio engines for his entire career. From humble beginnings writing a low-level audio mixer for slot machines, he quickly transitioned to writing game audio engines for all manner of games. He has written audio engines that shipped AAA games like Hellgate: London, Bioshock 2, The Sims 4, and Torchlight 3, as well as smaller titles like Minion Master, Tales from the Borderlands, and Game of Thrones. Guy has also given several talks at the Game Developer Conference, the Audio Developer Conference, and CppCon.

When hes not programming or writing game audio programming books, he can be found at home reading, playing video games, and playing the flute.