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E-raamat: Globalization of Musics in Transit: Music Migration and Tourism

Edited by (Edge Hill University, UK), Edited by (Liverpool John Moores University, UK)
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This book traces the particularities of music migration and tourism in different global settings, and provides current, even new perspectives for ethnomusicological research on globalizing musics in transit. The dual focus on tourism and migration is central to debates on globalization, and their examination—separately or combined—offers a useful lens on many key questions about where globalization is taking us: questions about identity and heritage, commoditization, historical and cultural representation, hybridity, authenticity and ownership, neoliberalism, inequality, diasporization, the relocation of allegiances, and more. Moreover, for the first time, these two key phenomena—tourism and migration—are studied conjointly, as well as interdisciplinary, in order to derive both parallels and contrasts. While taking diverse perspectives in embracing the contemporary musical landscape, the collection offers a range of research methods and theoretical approaches from ethnomusicology, anthropology, cultural geography, sociology, popular music studies, and media and communication. In so doing, Musics in Transit provides a rich exemplification of the ways that all forms of musical culture are becoming transnational under post-global conditions, sustained by both global markets and musics in transit, and to which both tourists and diasporic cosmopolitans make an important contribution.

Arvustused

'The strong thematic focus and broad topic base mean this collection could be valuable to a range of research interests including popular music studies, cultural anthropology, diaspora studies and tourism studies.' - Garth Sheridan, RMIT University, Dancecult

List of Figures
ix
Acknowledgments xi
Introduction: Touristic and Migrating Musics in Transit 1(34)
Simone Kruger
Ruxandra Trandafoiu
PART I Music and Tourism
1 Heritage Rocks! Mapping Spaces of Popular Music Tourism
35(24)
Sara Cohen
Les Roberts
2 Negotiating Musical Boundaries and Frontiers: Tourism, Child Performers, and the Tourist-Ethnographer in Bali, Indonesia
59(27)
Jonathan Mcintosh
3 The Staged Desert: Tourist and Nomad Encounters at the Festival au Desert
86(15)
Marta Amico
4 The Golden Fleece: Music and Cruise Ship Tourism
101(14)
David Cashman
Philip Hayward
5 Mobilizing Music Festivals for Rural Transformation: Opportunities and Ambiguities
115(20)
John Connell
Chris Gibson
6 Branding the City: Music Tourism and the European Capital of Culture Event
135(25)
Simone Kruger
7 Goatrance Travelers: Psychedelic Trance and Its Seasoned Progeny
160(25)
Graham St John
PART II Music and Migration
8 Global Balkan Gypsy Music: Issues of Migration, Appropriation, and Representation
185(24)
Carol Silverman
9 From the Shtetl to the Gardens and Beyond: Identity and Symbolic Geography in Cape Town's Synagogue Choirs
209(21)
Stephen P.K. Muir
10 Reimagining the Caucasus: Music and Community in the Azerbaijani Asiq Tradition
230(21)
Anna Oldfield
11 From Burger Highlife to Gospel Highlife: Music, Migration, and the Ghanaian Diaspora
251(21)
Florian Carl
12 Transnational Samba and the Construction of Diasporic Musicscapes
272(26)
Natasha Pravaz
13 Music in Cyberspace: Transitions, Translations, and Adaptations on Romanian Diasporic Websites
298(20)
Ruxandra Trandafoiu
Afterword: Identities and Tourisms in Globalized Neoliberal Capitalism 318(9)
Timothy D. Taylor
Contributors 327(6)
Index 333
Simone Krüger is a Senior Lecturer in Music in the Popular Music Studies unit at Liverpool John Moores University, UK.









Ruxandra Trandafoiu is a Senior Lecturer in Communication at Edge Hill University, UK.