Editors' Preface |
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xi | |
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Eclectic Dichotomies in K. P. Moritz's Aesthetic, Pedagogical, and Therapeutic Worlds |
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1 | (16) |
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Sturm und Drang Comedy and the Enlightenment Tradition |
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17 | (16) |
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Heaven Help Us! Journals! Calendars!: Goethe and Schiller's Xenien as Circulatory Intervention |
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33 | (26) |
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Between Nanjing and Weimar: Goethe's Metaphysical Correspondences |
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59 | (30) |
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Projection and Concealment: Goethe's Introduction of the Mask to the Weimar Stage |
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89 | (18) |
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Embarrassment and Individual Identity in Goethe's Wahlverwandtschaften |
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107 | (18) |
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The Daisy Oracle: A New Gretchenfrage in Goethe's Faust |
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125 | (16) |
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Carrie Collenberg-Gonzalez |
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Goethes Der Zauberflote zweyter Theil als Bruch: Zur Semantik des Zauberbegriffs im ausgehenden 18. Jahrhundert |
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141 | (24) |
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"Acht antike Denkmale"?: Goethe and the Hemsterhuis Gem Collection |
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165 | (26) |
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Bestseller und Erlebniskultur: Neue medienasthetische Ansatze bei Gisbert Ter-Nedden und Robert Vellusig verdeutlicht an Romanadaptionen von Franz von Heufeld |
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191 | (18) |
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Papierdenken: Blasche, Frobel, and the Lessons of Nineteenth-Century Paper Modeling |
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209 | (16) |
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The Men Who Knew Too Much: Reading Goethe's "Erlkonig" in Light of Hitchcock |
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225 | (18) |
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Genius and Bloodsucker: Napoleon, Goethe, and Caroline de la Motte Fouque |
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243 | (20) |
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Instrument or Inspiration? Commemorating the 1949 Goethe Year in Argentina |
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263 | (22) |
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Media Inventories of the Nineteenth Century: A Report from Two Workshops |
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285 | (12) |
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Forum: (New) Directions in Eighteenth-Century German Studies |
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297 | (4) |
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Medical Humanities and the Eighteenth Century |
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301 | (6) |
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Disability Studies and New Directions in Eighteenth-Century German Studies |
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307 | (8) |
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Goethe's Talking Books: Print Culture and the Problem of Literary Orality |
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315 | (8) |
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Three Observations and Three Possible Directions: Musical and Eighteenth-Century Studies |
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323 | (6) |
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Lessing and Kotzebue: A Black Studies Approach to Reading the Eighteenth Century |
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329 | (8) |
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Law and Literature: Codes as Colonizing Texts and Legal Ideas in Anthropocene Works |
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337 | (8) |
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Johann Wolfgang Goethe, Migrant? or Debunking the Myth of 1955 |
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345 | (6) |
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"Goethe Boom" Films: Bildung Reloaded |
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351 | (8) |
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Johann Wolfgang von Goethe. West-Eastern Divan. Complete, Annotated New Translation, including the "Notes and Essays" & the Unpublished Poems. Translated by Eric Ormsby. Berkeley, CA: Gingko, 2019. xlii + 595 pp |
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359 | (3) |
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Barbara Schwepcke and Bill Swainson, eds. A New Divan: A Lyrical Dialogue Between East & West. Berkeley, CA: Gingko, 2019. xvii + 187 pp. (Elizabeth Powers) |
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Stefan Hajduk, Poetologie der Stimmung. Ein asthetisches Phanomen der fruhen Goethezeit. Bielefeld: transcript, 2016.513 pp. (Daniel Purdy) |
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362 | (4) |
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Sebastian Kaufmann. Heidegger liest Goethe. Ein vielstimmiges "Zwiegesprach" (ca. 1910-1976). Heidelberg: Universitatsverlag Winter, 2019. 100 pp. (Michael Saman) |
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366 | (2) |
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Mattias Pirholt. Grenzerfahrungen. Studien zu Goethes Asthetik. Heidelberg: Universitatsverlag Winter, 2018. 267 pp. (David E.WeUbery) |
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368 | (2) |
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Nora Ramtke. Anonymitat---Onymitat. Autorname und Autorschaft in Wilhelm Meisters "doppelten Wanderjahren." Heidelberg: Universitatsverlag Winter, 2016.423 pp. (Matthew H. Birkhold) |
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370 | (2) |
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George Santayana. Three Philosophical Poets: Lucretius, Dante, and Goethe. Coedited by Kellie Dawson and David E. Spiech. Introduced by James Seaton. Cambridge: MIT, 2019. xxxvi + 239 pp. (Daniel DiMassa) |
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372 | (2) |
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Bettina Brandt and Daniel Leonhard Purdy, eds. China in the German Enlightenment. Toronto: University of Toronto Press, 2016.224 pp. (Tanvi Solanki) |
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374 | (2) |
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Michel Chaouli. Thinking with Kant's Critique of Judgment. Cambridge, MA: Harvard University Press, 2017. xv + 312 pp. (Peter Gilgen) |
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376 | (3) |
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Laura Deiulio and John B. Lyon, eds. Gender, Collaboration, and Authorship in German Culture: Literary Joint Ventures 1750-1850. New Directions in German Studies, vol. 27. New York: Bloomsbury Academic, 2019.332 pp. (Karin Baumgartner) |
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379 | (2) |
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Sara Munson Deats. The Faust Legend: From Marlowe and Goethe to Contemporary Drama and Film. Cambridge: Cambridge University Press, 2019, 275 pp. (Katherine H. Paul) |
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381 | (2) |
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Lorna Fitzsimmons and Charles McKnight, eds. The Oxford Handbook of Faust in Music. Oxford: Oxford University Press, 2019. xxxi + 581 pp. (Peter Hoyng) |
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383 | (2) |
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Goldstein, Amanda Jo. Sweet Science: Romantic Materialism and the New Logics of Life. Chicago: University of Chicago Press, 2017.336 pp. (Bryan Norton) |
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385 | (1) |
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Claudia Hafner and Francesca Fabbri. Adele Schopenhauer |
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386 | (1) |
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Unbekanntes aus ihrem Nachlass in Weimar. Weimar: Weimarer Verlagsgesellschaft, 2019.96 pp. (Waltraud Maierhofer) |
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Rengenier C. Rittersma, Mytho-Poetics at Work: A Study of the Figure of Egmont, the Dutch Revolt and its Influence in Europe. Leiden: Brill, 2018. xiv + 416 pp. (Simon Richter) |
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387 | (2) |
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Steven Y. Wilkerson, A Most Mysterious Union: The Role of Alchemy in Goethe's Faust. Asheville, NC: Chiron, 2019.386 pp. (Frederick Amrine) |
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389 | (1) |
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W. Daniel Wilson. Der faustische Pakt. Goethe und die Goethe-Gesellschaft im Dritten Reich. Munich: dtv, 2018. 368 pp. (Katherine Arens) |
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390 | (1) |
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Paula Wojcik, Stefan Matuschek, Sophie Picard, and Monika Wolting, eds. Klassik als Kulturelle Praxis. Funktional, Intermedial, Transkulturell |
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391 | |
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Spectrum Literaturwissenschaft, vol. 62. Berlin: De Gruyter, 2019.577 pp. (Marissa Schoedel) |
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