Editors' Preface |
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xiii | |
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Hypochondria, Sentimental Friendship, and Same-Sex Desire in Anton Reiser |
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1 | (24) |
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The Witch in His Head: Rupturing the Patriarchal Discourse in Eichendorff's Ballad "Waldgesprach" |
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25 | (18) |
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The Contemporary Legacy of Goethean Morphology: From Anschauende Urteilskraft to Algorithmic Pattern Recognition, Generation, and Exploration |
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43 | (30) |
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The Worldliness of Weltliteratur: Goethe's "Handelsverkehr" between China and Weimar |
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73 | (22) |
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Fleeting Hope in Foreboding Times: The 1932 Goethe Year in Argentina |
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95 | (24) |
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Special Section I Holderlin 2020 |
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Introduction to Special Section Holderlin 2020: Reading and Exhibiting |
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119 | (4) |
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Wie man Holderlin in einer Ausstellung lesen kann |
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123 | (26) |
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"Die Saitenspiele ergossen sich iiber mein Innres": Holderlin's Auditory Atmospheres |
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149 | (18) |
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Eine andere Klarheit: Holderlin, Philology, and the Idea of Rigor in Literary Study |
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167 | (12) |
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Holderlin's Hyperion as Eros: Between Symposiast and Hermit |
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179 | (18) |
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Articulate Precision and Ineffable Meaning in Holderlin: A Commentary |
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197 | (6) |
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Special Section II "Movement" |
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Introduction to Special Section "Movement": Movement and the Modern |
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203 | (6) |
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Medien- und Emotionspolitik der Running: Running im Brief und auf der Buhne bei Christian Furchtegott Gellert |
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209 | (20) |
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Discipline and Theatricality: Tableaux Vivants and the Vicissitudes of Movement in Goethe's Die Wahlverwandtschaften |
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229 | (18) |
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The Discovery of Self and Others through Movement in Goethe's Lehrjahre and Wanderjahre |
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247 | (16) |
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"Was bedeutet die Bewegung?": Authorship as Movement in Goethe's West-ostlicher Divan |
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263 | (22) |
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Translations and Editions |
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Johann Wolfgang von Goethe. Faust, A Tragedy, Part I: A New Translation with an Introduction and Notes. Translated and introduction by Eugene Stelzig. Lewisburg, PA: Bucknell University Press, 2019.231 pp. |
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285 | |
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Friedrich Holderlin. Hyperion, or the Hermit in Greece. Translated and with an afterword by Howard Gaskill. Cambridge, UK: Open Book Publishers, 2019. 221 pp., 1 map. |
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287 | (1) |
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J. M. R. Lenz. Selected Works by J. M. R. Lenz: Plays, Stories, Essays, and Poems. Edited and translated by Martin Wagner and Ellwood Wiggins. Rochester, NY: Camden House, 2019.372 pp. |
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288 | (3) |
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Friedrich Schiller. Fiesco's Conspiracy at Genoa. Translated by Flora Klmmich (Cambridge: Open Book Publishers, 2015). xviii + 132 p. |
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291 | (2) |
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Friedrich Schiller. Wallenstein: A Dramatic Poem |
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Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2017). 314 pp. |
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Friedrich Schiller. Don Carlos: Infante of Spain |
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Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2018). 204 pp. |
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Friedrich Schiller. Love and Intrigue. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2019). 117 pp. |
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Friedrich Schiller. Maria Stuart. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2020). 120 pp. |
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Jutta Heinz and Jochen Golz, eds. Das Journal von Tiefurt. "Es ward als eine Wochenblatt zum Scherze angefangen." Schriften der Goethe-Gesellschaft, vol. 74. Gottingen: Wallstein, 2011. 736 pp. |
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293 | (3) |
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Gerhard R. Kaiser. Tiefurt Literatur und Leben zu |
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Beginn von Weimars grofcer Zeit. Schriften der Goethe-Gesellschaft, vol. 79. Gottingen: Wallstein, 2020. 304 pp. |
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Monographs and Edited Volumes |
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Helmut Ammerlahn. Imagination & Meisterschaft / Mastery: Neue und fruhere Goethe-Studien plus Essays on Goethe written in English. Wiirzburg: Konigshausen & Neumann, 2021. 206 pp. |
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296 | (4) |
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Frederick Arnrine. Goethe and the Myth of the Bildungsroman: Rethinking the Wilhelm Meister Novels. New York: Cambridge University Press, 2020. 210 pp. |
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300 | (2) |
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Frederick Arnrine. The Perennial Alternative: Episodes in the Reception of Goethe's Scientific Work. Hillsdale, NY: Adonis, 2021. 279 pp. |
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302 | (1) |
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Barbara Becker-Cantarino, ed. Bettina von Arnim Handbuch. Berlin: De Gruyter, 2019, xvi + 724 pp. 6 illustrations |
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303 | (2) |
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Vance Byrd and Ervin Malakaj, eds. Market Strategies and German Literature in the Long Nineteenth Century. Berlin: De Gruyter, 2020. 393 pp. |
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305 | (1) |
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Christopher R. Clason, ed. E. T. A. Hoffmann: Transgressive Romanticism. Liverpool: Liverpool University Press, 2018. xiv + 254 pp., 9 illustrations |
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306 | (3) |
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Andreas Gailus. Forms of Life. Aesthetics and Biopolitics in German Culture. Ithaca, NY: Cornell University Press, 2020. 383 pp. |
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309 | (3) |
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Jason Groves. The Geological Unconscious: German Literature and the Mineral Imaginary. New York: Fordham University Press, 2020, 174 pp., 5 illustrations |
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312 | (2) |
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Wolfgang Hottner. Kristallisationen. Asthetik und Poetik des Anorganischen imspaten 18. Jahrhundert. Gottingen: Wallstein, 2020. 278 pp. |
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314 | (2) |
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Nicola Kaminski and Jens Ruchatz, eds. Das Pfennig-Magazin zur Journalliteratur. Hannover: Wehrhahn, 2017-.Nicola Kaminski and Jens Ruchatz. Journallliteratur---ein Avertissement. Das Pfennig-Magazin zur Journalliteratur, vol. 1. Hannover: Wehrhahn, 2017, 43 pp., 18 illustrations |
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316 | (2) |
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Volker Mergenthaler. Garderobenwechsel: "Das Fraulein von Scuderi" in Taschenbuch, Lieferungswerk und Journal (1819--1871). Das Pfennig-Magazin zur Journalliteratur, vol 2. Hannover: Wehrhahn, 2018, 75 pp., 29 illustrations. Moritz Doring. Grenzen uberschreiten. Rezipienten-, Text-, Format- und Variantenwanderungen im Taschenbuch zum geselligen Vergniigen auf das Jahr 1823. Das Pfennig-Magazin zur Journalliteratur, vol. 3. Hannover: Wehrhahn, 2018, 46 pp., 21 illustrations. Daniela Gretz, Marcus Krause, James Mussell, and Nicolas Pethes. Media (B)Orders between Periodicals and Books: Miscellaneity and Classification in Nineteenth Century Magazines and Literature. Das Pfennig-Magazin zur Journalliteratur, vol. 4. Hannover: Wehrhahn, 2019, 52 pp., 17 illustrations |
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Andreas Beck. Nicht alles glauben, was geschrieben steht! |
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Wie fruhe illustrierte Journale (nicht) uber sich Auskunft geben. Das Pfennig-Magazin zur Journalliteratur, vol. 5. Hannover: Wehrhahn, 2019, 72 pp., 18 illustrations. Kaminski, Nicola. "O ja. Entscheiden. Seht doch" Der "zerbrochne Krug" als Fall der Textkritik. Das Pfennig-Magazin zur Journalliteratur, vol. 6. Hannover: Wehrhahn, 2019, 48 pp., 10 illustrations |
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Krimmer, Elisabeth and Lauren Nossett, eds. Writing the Self, Creating Community: German Women Authors and the Literary Sphere, 1750-1850. Rochester, NY: Camden House, 2020, viii + 319 pp. |
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318 | (2) |
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Valery Leyh, Adelheid Muller and Vera Viehover, eds. Elisa von der Recke: Aufklarerische Konzepte und lebensweltliche Perspektiven. Heidelberg: Universitatsverlag, 2018. 391 pp., 7 illustrations |
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320 | (1) |
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Klaus Monig. Politische Freiheit und "europaische Literatur." Goethe, Schiller und Byron in Giuseppe Mazzinis kulturkritischen Essays. Heidelberg: Universitatsverlag Winter, 2020, 287 pp. |
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321 | (2) |
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Zachary Sng. Middling Romanticism: Reading in the Gaps, from Kant to Ashbery. New York: Fordham University Press |
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323 | (3) |
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Miranda Eva Stanyon. Resounding the Sublime: Music in English and German literature and Aesthetic Theory, 1670--1850. Philadelphia: University of Pennsylvania Press, 2021, 304 pp. + xi. |
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326 | (1) |
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Gabriela Stoicea. Fictions of Legibility: The Human Face and Body in Modern German Novels from Sophie von La Roche to Alfred Doblin. Bielefeld: transcript, 2020. 197 pp. |
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327 | (2) |
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Sean M.Williams. Pretexts for Writing: German Romantic Prefaces, Literature, and Philosophy. Lewisburg, PA: Bucknell University Press, 2019, 278 pp. |
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329 | |
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