The book explores how comics, manga, animated series and pop music influenced by comic books represent law, reflecting and shaping public perception. It uses a comparative international law approach, including diverse scholars, and extends beyond Anglo-American culture to enrich the legal debate. This innovative collection fills a critical gap in legal and cultural studies.
The approach of examining law through comics and other forms of popular culture has gained significant traction recently. The portrayal of phenomena in comics, TV series and movies reflects and shapes public perception, embedding these views in collective imagination. Popular culture, which mirrors and influences mainstream trends, plays a crucial role in how legal phenomena and figures – such as professors, students, lawyers, judges and police – are perceived by the public.
Comics are particularly effective in this context due to their popularity and imaginative nature. Legal reasoning itself often involves imaginative thinking, as illustrated by Justice Felix Frankfurter's advice to a young aspiring lawyer in 1954. He emphasised the importance of cultivating imagination through various forms of art, suggesting that engaging with pop culture can enrich legal understanding.
This collection seeks to utilise pop culture, specifically comics, to explain and teach complex legal concepts. This approach has been explored in fields such as law and film, and law and literature, but this book aims to be innovative by adopting a comparative and international approach.
By including scholars from diverse backgrounds and extending beyond Anglo-American perspectives, this book aims to provide a richer, more varied analysis of how law is depicted in graphic novels, manga and animated series, thereby filling an important gap in the literature.
Arvustused
Graphic Law and Drawn Justice is an essential collection of scholarly works exploring the intersection of comics and law. This book reveals how the law is understood and naturalised through a popular me-dia format and demonstrates how a generally maligned medium can actually be an important player in legal and cultural issues. Jeffrey A. Brown, PhD, Chair and Professor, Department of Popular Culture, Bowling Green State University
This book provides compelling evidence of the deep connections between graphic law and justice. The contributors reveal how different societies have expressed, envisioned, critiqued and debated legal, political and sociological themes through comics, cartoons and other graphic media. Martinico and Ruotolo, by taking comics seriously, demonstrate in this book why these materials are significant from both legal and educational perspectives. Antoni Abat i Ninet, Distinguished Researcher (Talent San-tander), Institut dEstudis Europeus - Universitat Autònoma de Barcelona.
It presents an innovative focus on themes related to international law in Afrobeat, Hip-hop, Alternative and Classic Rock, and heavy metal, complete with a playlist. It explores new ways of trial reporting that contrast and critique sensationalist journalism. Graphic Law and Drawn Justice demonstrates the extensive reach of law, touching every aspect of life. Liverpool Law Review
Muu info
Examines how comics, manga, animated series and pop music influenced by comic books represent law, using a comparative international law approach to enrich the legal debate and fill a critical gap in legal and cultural studies.
List of Contributors;
1. Introduction - Giuseppe Martinico and Gianpaolo
Maria Ruotolo;
2. Daredevil: Superheroes and Disability. Justice, Stigma and
Law - Paolo Addis and Maria Giulia Bernardini;
3. Law and Justice in Comics:
An Itinerary - Giuseppe Martinico;
4. From Pop Culture to Woke Culture? Law
and Politics in the X-Men Saga - Luca Pietro Vanoni;
5. References to
International Law in Harry Potters Wizarding World - Angela Maria Gallo;
6.
Doing International Law with Earbuds: Some Issues in Heavy Metal Music -
Gianpaolo Maria Ruotolo;
7. The Multiple Characters of Francisco Ibez
Talavera and the Law - Antoni Abat i Ninet;
8. Best Closer Beyond Rules
Between Legal Drama and Contemporary Public Ethics in Suits: Pop Culture
Theory vs. Legal Culture? - Giovanna Tieghi
9. Charlie Hebdos Graphic Trial
Reports (Cabu, Riss, Boucq) - Yasco Horsman;
10. Epilogue - Giuseppe
Martinico and Gianpaolo Maria Ruotolo; Index
Giuseppe Martinico is a Full Professor of Comparative Public Law at the SantAnna School of Advanced Studies, Pisa.
Gianpaolo Maria Ruotolo is Full Professor of International Law in the Department of Law of the University of Foggia, Italy, where he teaches international law, EU law, international trade law, private international law and international organisations law.
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