Muutke küpsiste eelistusi

E-raamat: Grime, Glitter, and Glass: The Body and the Sonic in Contemporary Black Art

  • Formaat - PDF+DRM
  • Hind: 34,52 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of RenÉe Stout, Radcliffe Bailey, and MarÍa Magdalena Campos-Pons, Greene traces the intersection of the visuals sonic possibilities with the Black bodys physical, representational, and metaphorical use in art. She employs her concept of visual aesthetic musicality to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Baileys use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ras Afrofuturism to Stouts life-size cast of her own body that recalls funk musician Betty Davis to Campos-Ponss performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.

Arvustused

Nikki A. Greenes sonic linking of RenÉe Stout, Radcliffe Bailey, and MarÍa Magdalena Campos-Pons through the visual marks an important theoretical intervention and makes connections across the African diasporic world. Grime, Glitter, and Glass makes a remarkable contribution to the history of art. - Kellie Jones, author of (South of Pico: African American Artists in Los Angeles in the 1960s and 1970s) This groundbreaking book will expand how we look at contemporary art and artists who use the archive in multiple ways. Nikki A. Greene compellingly illuminates the commitment RenÉe Stout, Radcliffe Bailey, and MarÍa Magdalena Campos-Pons have to African American materials and to expressive and sonic culture. Grime, Glitter, and Glass will appeal to numerous audiences, from art historians and artists to general readers. This important book will have a lasting impact. - Deborah Willis, author of (The Black Civil War Soldier: A Visual History of Conflict and Citizenship) "Exploring the sonic grime via funk, glitter via shine, and glass via colonial histories of Black contemporary art through these selected artists, Greene adds a novel component to Black American cultural critique." - Nereya Otieno (Hyperallergic) "Grime, Glitter, and Glass is a must-read that is as delightful and prismatic as its magnificent title." - Alexandra M. Thomas (Hyperallergic)

List of Illustrations  vii
Acknowledgments  xiii
Prelude. The Cadences of Black Art  1
Verse One. RenÉe Stout. Fetishes
Fetish #2  20
I Can Heal  54
Point of View  68
Verse Two. Radcliffe Bailey. Soundscapes
Pullman  84
Transbluesency  104
Windward Coast  120
Verse Three. MarÍa Magdalena Campos-Pons. Identities
Habla Iamadre  137
Alchemy of the Soul  164
Identified  186
Coda. Drawn to this Blackness  197
Notes  211
Bibliography  233
Index
Nikki A. Greene is Associate Professor of Art History at Wellesley College.