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E-raamat: Guide to Graphic Print Production

  • Formaat: PDF+DRM
  • Ilmumisaeg: 23-Feb-2012
  • Kirjastus: John Wiley & Sons Inc
  • Keel: eng
  • ISBN-13: 9781118184875
  • Formaat - PDF+DRM
  • Hind: 95,03 €*
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 23-Feb-2012
  • Kirjastus: John Wiley & Sons Inc
  • Keel: eng
  • ISBN-13: 9781118184875

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The fully revised edition of the most comprehensive and up-to-date reference on print production

All graphic designers and illustrators must be familiar with the steps involved in preparing their work for publication. Now completely revised to reflect the latest technology and trends, A Guide to Graphic Print Production, Third Edition is the complete guide to the entire process of print production, from the early stages of conception and planning, to the technical stages of manufacturing and off-press processing. Structured around the graphic print production flow, essential material is included for all aspects of the process including coverage of computers, color management, layouts, digital images, image editing, prepress, paper, printing, finishing and binding, legal issues, environmental issues, and more.

A practical reference to keep at your fingertips, this new edition:





Covers the entire production process, from conception to manufacturing to archiving Covers new topics, such as variable data printing, sustainability, large/wide format printing, inks, and color management Is full color throughout, with updated images and screenshots Includes sidebars offering design tips, troubleshooting hints, and key points to consider for every stage of design

Delivering information that reflects all aspects essential for understanding the ins and outs of digital printing, A Guide to Graphic Print Production, Third Edition is an ideal resource for students and professionals of graphic design, print production, production technology, and visual communication.
1 Graphic Print Production
The Graphic Print Production Flow
8(8)
What Affects Costs?
16(7)
Choosing a Service provider
23(2)
Planning Graphic Print Production
25(5)
2 The Computer
The Computer
30(1)
What Makes a Computer Fast?
31(2)
The Monitor
33(3)
Software
36(2)
Storage Media
38(4)
Communication
42(1)
Network
43(4)
The Internet
47(2)
Transferring Files
49(4)
3 Color Management
What is Color?
53(1)
The Eye and Color
54(1)
RGB: Additive Color Mixing
54(2)
CMYK: Subtractive Color Mixing
56(2)
Pantone and HKS: Two Spot Color Systems
58(3)
Why Are the Colors Never Right?
61(1)
CIE: A Device Independent Color System
61(1)
RGB Color Standards
62(5)
Color Management Systems
67(1)
How the ICC Profile Works
68(5)
Creating Effective Color Management
73(1)
Color Management in Practice
74(1)
Color Conversion
75(5)
Problems with Color Management
80(4)
4 Digital Images
Object Graphics
84(2)
Pixel Graphics
86(1)
Color Modes
86(6)
Resolution
92(1)
File Formats
93(7)
Compression
100(3)
Digital Cameras
103(7)
Digital Photography
110(3)
Scanners
113(6)
Scanning Images
119(9)
5 Image Editing
What is a Good Image?
128(1)
Discussing Image Quality and Images
129(1)
Proofing Images
130(10)
Adjusting Images
140(16)
Retouch and Photoshop Tools
156(9)
Naming and Tagging
165(1)
Adjusting the Image for Printing and the Web
166(2)
Editing Images Effectively
168(6)
6 Layout
Layout Work
174(2)
Text Manuscript
176(1)
Mounting Text
177(3)
Typefaces, Fonts, and Typography
180(4)
Font File Formats and Functions
184(3)
Pitfalls with Fonts
187(2)
Images in Layout
189(1)
Mounting Images
190(3)
Color in Layout
193(4)
Pitfalls in Managing Colors
197(2)
Pitfalls in the Layout Work
199(4)
Proofing
203(4)
Proofs
207(2)
Sending Documents to Print
209(2)
Structuring and Archiving
211(5)
7 Prepress
Postscript
216(3)
PDF
219(8)
JDF: Job Definition Format
227(3)
Adjusting for Printing
230(9)
Proofing and Contract Proofs
239(7)
Imposition
246(4)
Halftone Screening
250(16)
8 Paper
Coated or Uncoated
266(1)
Matte/Silk or Glossy
266(1)
Wood-free pulp and Wood-pulp
267(1)
Paper or Cardboard
267(1)
Plastics and Foils
267(1)
Paper Format
268(2)
Basis/Substance Weight
270(1)
Density and Bulk
270(1)
Surface Smoothness and Formation
271(1)
Brightness and Whiteness
271(1)
Opacity
271(1)
Grain Direction
272(1)
Dimensional Stability
273(1)
Strength
273(1)
Age-Resistant and Archival Paper
274(1)
Choosing a Paper
274(5)
Paper and the Environment
279(3)
Handling of the Paper
282(2)
What Paper is Made Of
284(8)
9 Printing
Different Printing Techniques
292(1)
Xerography
292(6)
Inkjet
298(3)
Sublimation
301(2)
Offset
303(15)
Letterpress
318(2)
Screen Printing
320(2)
Gravure Printing
322(3)
Flexographic Printing
325(4)
Print Makeready
329(1)
Checking Prints
330(6)
Printing Inks and Environmental Issues
336(6)
10 Finishing and Binding
Different Types of Finishing and Binding
342(1)
Before Finishing and Binding
342(2)
Varnishing
344(1)
Lamination
344(1)
Foiling
345(1)
Embossing
345(1)
Cropping
345(1)
Die-cutting
346(1)
Punching
347(1)
Folding
347(2)
Creasing
349(1)
Signatures and Sheet Order
350(1)
Metal Stitching
351(1)
Spiral Bindings
352(1)
Glue Binding
353(1)
Thread Sewing
353(1)
Thread Sealing
354(1)
Covering
354(2)
Casing in
356(3)
11 Glossary
A
359(2)
B
361(1)
C
362(5)
D
367(3)
E
370(1)
F
371(2)
G
373(1)
H
374(1)
I
375(3)
J
378(1)
K
378(1)
L
378(2)
M
380(1)
N
381(1)
O
382(1)
P
383(5)
Q
388(1)
R
388(2)
S
390(5)
T
395(2)
U
397(1)
V
398(1)
W
398(1)
X
399(1)
Z
399
KAJ JOHANSSON, PETER LUNDBERG, and ROBERT RYBERG all hold master's degrees in graphic arts technology from the Royal Institute of Technology in Stockholm, Sweden. They each have more than twenty years of experience managing printing, prepress, and web design production companies and studios. Together they run Kapero AB, a company that consults on the production of marketing communications for the advertising and graphic arts industries.