Muutke küpsiste eelistusi

E-raamat: Hebdige and Subculture in the Twenty-First Century: Through the Subcultural Lens

Edited by , Edited by , Edited by , Edited by , Edited by , Edited by , Edited by , Edited by
  • Formaat - EPUB+DRM
  • Hind: 92,01 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

This book assesses the legacy of Dick Hebdige and his work on subcultures in his seminal work, Subculture: The Meaning of Style (1979). The volume interrogates the concept of subculture put forward by Hebdige, and asks if this concept is still capable of helping us understand the subcultures of the twenty-first century. The contributors to this volume assess the main theoretical trends behind Hebdige’s work, critically engaging with their value and how they orient a researcher or student of subculture, and also look at some absences in Hebdige’s original account of subculture, such as gender and ethnicity. The book concludes with an interview with Hebdige himself, where he deals with questions about his concept of subculture and the gestation of his original work in a way that shows his seriousness and humour in equal measure. This volume is a vital contribution to the debate on subculture from some of the best researchers and academics working in the field in the twenty-first century.
1 Introduction
1(10)
Peter Webb
Part I Theories and Debates
2 Hebdige, Punk and the Post-subcultural Meaning of Style
11(18)
Andy Bennett
3 Scavenger and Bricoleur: A Critical Analysis of Dick Hebdige's Repurposing of Subculture Through the Intersection of Biography and History
29(22)
Shane Blackman
4 Resuscitating the Subcultural Corpse: A Reflection on Subculture as Lived Experience and the Importance of Class and Ethnicity!
51(20)
Peter Webb
5 The Scholar and the Punk: Hebdige's Master Narrative and the Deceptive Self-Knowledge of the Subaltern
71(22)
Pete Dale
Part II Others, Absence and Identity
6 Where the (Untypical) Girls Are: Inscribing Women's Experiences into Dick Hebdige's Subculture: The Meaning of Style
93(20)
Christine Feldman-Barrett
7 Syncretic Youth: The Phantom Legacy of Hebdige's Subculture---The Meaning of Style
113(22)
Rehan Hyder
Part III Hebdige and Contemporary Subcultures
8 On the Meaning of Style: Black Metal's `Black'
135(34)
Edia Connole
9 There and Back Again: Linking Online and Offline Spaces in/of Czech Emo Subculture
169(38)
Martin Hefmansky
10 Under-Connected: Youth Subcultures, Resistance and Sociability in the Internet Age
207(24)
Paula Guerra
11 `Can You Really Get Away with That at Work?': Recent Experiences of Teaching and Learning Hebdige
231(22)
Lucy Robinson
Chris Warne
12 Collective Interview with Dick Hebdige After 35 Years of Subculture: The Meaning of Style
253(14)
Paula Guerra
Dick Hebdige
Andy Bennett
Carles Feixa
Pedro Quintela
Index 267
The Subcultures Network was formed as the Interdisciplinary Network for the Study of Subcultures, Popular Music and Social Change in 2011. The Networks steering committee comprises Keith Gildart (University of Wolverhampton), Anna Gough-Yates (University of Roehampton), Sian Lincoln (Liverpool John Moores University), Bill Osgerby (London Metropolitan University), Lucy Robinson (University of Sussex), John Street (University of East Anglia), Pete Webb (University of the West of England) and Matthew Worley (University of Reading).