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E-raamat: Hindustani Music

  • Formaat: PDF+DRM
  • Ilmumisaeg: 27-Oct-2025
  • Kirjastus: Manohar Publishers and Distributors
  • Keel: eng
  • ISBN-13: 9789004751361
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 27-Oct-2025
  • Kirjastus: Manohar Publishers and Distributors
  • Keel: eng
  • ISBN-13: 9789004751361

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During the Medieval period, Indian Music went through a metamorphosis, blending in itself beautifully the Arab, Persian, and Central Asian influences, and which gave birth to new forms and styles which continue to survive even today.

Dr Najma Perveen Ahmad has analysed the development of Hindustani Music during the seventeenth and eighteenth centuries ad and has studied such texts as Raag Darpan, Tohfat-ul-Hind, Usulun-Naghmat-e-Aasifi and Naadirat-e-Shahi. What she provides in the pages of the book is an authentic survey of music during the seventeenth and eighteenth centuries, and its impact on contemporary Hindustani Music.

Development of forms and styles like Dhruvapada, Khayal, and many Ragas have been gone into in their minutest details. Profiles of musicians during that time and their contemporary musical traditions add great value to this well researched study.

During the Medieval period, Indian Music went through a metamorphosis, blending in itself beautifully the Arab, Persian, and Central Asian influences, and which gave birth to new forms and styles which continue to survive even today.

Development of forms and styles like Dhruvapada, Khayal, and many Ragas have been gone into in their minutest details. Profiles of musicians during that time and their contemporary musical traditions add great value to this well researched study.
Preface
Foreword
Introduction and Historical Background
Section A
Import Manuscript and Books of the Seventeenth and Eighteenth Centuries
1 Raag Darpan
II Tohfat-ul-Hind
III Usulun-Naghmat-e-Asifi
IV Nadirat-e-Shahi and Other Manuscripts and Books
Section B
Development of Forms and Styles in Hindustani Music during Seventeenth and
Eighteenth Centuries
V Dhruvapad Its Origin and Development
VI Khayal Its Origin and Development
VII Other Forms and Styles
Section C
Musicians of the Seventeenth and Eighteenth Centuries
VIII Names and Description of Musicians and their Musicals Styles
Bibliography
Najma Perveen Ahmad, former Dean, Faculty of Music and Fine Arts, University of Delhi, and a UGC Emeritus Fellow has been deeply involved in teaching and research, and has guided a large number of PhD scholars. She belongs to the Delhi Gharana, and has obtained vocal music training from the renowned vocalist Ustad Naseer Ahmad Khan.