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E-raamat: History of Welsh Music

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Edited by (Royal College of Music, London), Edited by (The Open University, Milton Keynes), Edited by (The Open University, Milton Keynes)
  • Formaat: PDF+DRM
  • Ilmumisaeg: 29-Sep-2022
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781009041874
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History of Welsh MusicSuurem pilt
  • Formaat: PDF+DRM
  • Ilmumisaeg: 29-Sep-2022
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781009041874
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From early medieval bards to the bands of the 'Cool Cymru' era, this book looks at Welsh musical practices and traditions, the forces that have influenced and directed them, and the ways in which the idea of Wales as a 'musical nation' has been formed and embedded in popular consciousness in Wales and beyond. Beginning with early medieval descriptions of musical life in Wales, the book provides both an overarching study of Welsh music history and detailed consideration of the ideas, beliefs, practices and institutions that shaped it. Topics include the eisteddfod, the church and the chapel, the influence of the Welsh language and Welsh cultural traditions, the scholarship of the Celtic Revival and the folk song movement, the impacts of industrialization and digitization, and exposure to broader trends in popular culture, including commercial popular music and sport.

Ranging from early medieval musical bards to pop music in the twenty-first century, this book describes Welsh musical practices and traditions and the forces that have shaped and directed them, probing the reasons why the idea of Wales as a 'musical nation' arose and became embedded in popular consciousness.

Arvustused

'The book raises a number of questions for those seeking to understand the contextualisation of Methodism in non-English cultures. This book also provides a mine of detailed resources for scholars to work on or for those merely enjoying singing (but not too raucously!) in both religious worship and secular contexts to appreciate the cultural roots of such an expression of identity.' Tim MacQuiban, The Proceedings of the Wesley Historical Society

Muu info

The first broad overview of Welsh music history, examining practices, repertoires, institutions, and the idea of the 'musical nation'.
List of Figures
vii
List of Maps
x
List of Music Examples
xi
List of Contributors
xii
Preface xvii
Acknowledgements xxvi
Glossary xxvii
Maps
xxxi
1 Music in Welsh History
1(24)
Trevor Herbert
2 Words for Music: Describing Musical Practices in Medieval Welsh Literature
25(28)
Helen Fulton
3 Music in Worship before 1650
53(25)
John Harper
4 Secular Music before 1650
78(22)
Sally Harper
5 The Eisteddfod Tradition
100(21)
Rhidian Griffiths
6 Women and Welsh Folk Song
121(23)
Wyn Thomas
7 Instrumental Traditions after 1650
144(27)
Rhidian Griffiths
Trevor Herbert
Stephen P. Rees
8 The Celtic Revival
171(24)
Helen Barlow
9 Musical Communications in the Long Nineteenth Century
195(23)
Rhidian Griffiths
10 Nonconformists and Their Music
218(25)
Martin V. Clarke
11 Professionalisation in the Twentieth Century
243(21)
Lyn Davies
12 Composing Cymru: Art Music since 1940
264(27)
Nicholas Jones
13 Traditions and Interventions: Popular Music 1840--1940
291(24)
Trevor Herbert
14 New Traditions: Welsh Popular Music into the Twenty-First Century
315(17)
Sarah Hill
15 Singing Welshness: Sport, Music and the Crowd
332(23)
Helen Barlow
Martin V. Clarke
16 Postscript: Contemporary Wales, Devolution and Digitisation
355(11)
Trevor Herbert
Sally Harper
Sarah Hill
Appendix 1 Selective, Chronological List of Traditional Music Published up to 1920 366(17)
Appendix 2 Selective, Chronological List of Hymn Collections Published in Wales or for Use by Welsh Congregations from 1621 to 1900 383(14)
Appendix 3 Selective List of Major Published and Manuscript Sources Available in Open-Access Digitised Form 397(7)
Bibliography 404(33)
Index 437
Trevor Herbert has written extensively on the cultural history of instrumental music, especially brass instruments in various periods and social contexts, and co-edited the award-winning Cambridge Encyclopedia of Brass Instruments (2018). He has also written on the cultural history of music in Wales. He was co-editor of the seven-volume Welsh History and its Sources series. Martin V. Clarke has published widely on the relationships between music, theology and religious practice, including the monograph British Methodist Hymnody: Theology, Heritage, and Experience (2018) and the edited collection Music and Theology in Nineteenth-Century Britain (2012). He was a co-investigator on the AHRC-funded Listening Experience Database project. Helen Barlow researches around the intersections between history, music, literature and visual art. As a member of the Listening Experience Database project, she investigated the history of ordinary people's experiences of music. Her publications include Music and the British Military in the Long Nineteenth Century (2013), co-written with Trevor Herbert.
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