Muutke küpsiste eelistusi

E-raamat: House of Broken Things

  • Formaat: EPUB+DRM
  • Ilmumisaeg: 23-Apr-2026
  • Kirjastus: Corsair
  • Keel: eng
  • ISBN-13: 9781472160478
Teised raamatud teemal:
  • Formaat - EPUB+DRM
  • Hind: 9,49 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 23-Apr-2026
  • Kirjastus: Corsair
  • Keel: eng
  • ISBN-13: 9781472160478
Teised raamatud teemal:

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

She's sleeping like a fairy-tale girl, before the story teaches girls like her a lesson.

In The House of Broken Things, motherhood is a spell, a terrible power, an intelligence, and transformative in all its complexity and ambivalence. These poems move like myth, invoking the ghosts of The House of Broken Things, where 'Broken mothers and damaged fathers / slept the sleep of those who do not / have time to think, and fractured children / dreamt the things you might expect / that fractured children dream.'

Moore's unflinching collection is an astonishing portrait of a mother. Her body as tender, contested territory. Her instincts fierce. Her mind alive with memories of her own childhood, marvelled by love for her young daughter, sharpened with foreboding for her safety in a broken world that has so often made to break her, too. There are truths our daughters must know, and there are burdens we must never pass on. To make them strong, must we also teach them to be afraid?

Calling the spirits of Anne Sexton, Emily Brontë, Adrienne Rich and others, she conjures an intimate atmosphere of haunted domesticity, the poems questioning and incantatory as a lullaby whispered to a cradled baby. Throughout, fears, griefs and anxieties are paired with moments of great tenderness, wit and revelation: brokenness can feel like a trap, but these poems always offer a way out.

The House of Broken Things is a thrilling new work from one of our boldest and most exciting poets.

Arvustused

Moore's new collection constructs an ambitious architecture for exploring intergenerational trauma and motherhood -- Kit Fan * Guardian 'Best recent poetry' * Absolutely gripping . . . Moore's dazzling catalogue of poems swivels the spotlight onto her male subjects with a lyricism and genius "as high and bright as a lantern". This book is a revolutionary and subversive requisition of the female gaze, and it will be canonical -- Fiona Benson, on All The Men I Never Married These are terrifically assured poems - sensual, perceptive, entertaining - which bridge the gap between feeling and utterance with a genuine lyric gift -- Carol Ann Duffy, on If We Could Speak Like Wolves

Kim Moore's most recent collection All the Men I Never Married (Seren, 2021) won the 2022 Forward Prize for Best Collection. Her first collection The Art of Falling (Seren, 2015) won the Geoffrey Faber Memorial Prize. She also writes non-fiction, publishing What the Trumpet Taught Me (Smith/Doorstop, 2022) and Are You Judging Me Yet? Poetry and Everyday Sexism (Seren, 2023). She is a Senior Lecturer in Creative Writing at Manchester Metropolitan University and Deputy Programme Leader of the MA and MFA in Creative Writing.