Muutke küpsiste eelistusi

E-raamat: How Women Must Write: Inventing the Russian Woman Poet

  • Formaat - PDF+DRM
  • Hind: 56,09 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Olga Peters Hasty’s How Women Must Write provides an insightful analysis of the emergence of women poets in Russia during the late nineteenth and early twentieth centuries, a period of quickly shifting social, political, and cultural conditions.


How Women Must Write studies how women who write poems were invented in late nineteenth and early twentieth-century Russia by women poets themselves, readers who derived poets of their own design from women’s poems, and male poets who fabricated women and wrote poems on their behalf. These distinct vantage points on how the Russian woman poet is constituted foreground the complex interactions between writing women and their readers within ever-shifting social, political, and cultural power structures. 

Hasty’s exploration takes us from an emphatically male Romantic age to a modernist period preoccupied with women’s creativity but also its containment. Each chapter studies an episode from Russian cultural history. The first part explores the successes and vulnerabilities of Karolina Pavlova and Evdokiia Rostopchina, who lay the groundwork for women writing after them. The second part examines two women invented by men: Cherubina de Gabriak and Briusov’s Nelli, who reflect the establishment’s efforts to retain command over women’s writing in the Silver Age. Last, Hasty examines Marina Tsvetaeva’s and Anna Akhmatova’s challenges to male authority. 

Illuminating these writers and characters not as passive victims of gender-driven limitations and disincentives but rather as purposeful actors realizing themselves creatively and advancing the woman poet’s cause, How Women Must Write will appeal to the general reader as well as to specialists in Russian literature, women’s studies, and cultural history. 
 

Arvustused

This stimulating, valuable new book asks us to rethink the Russian tradition in light of its remarkable women poets and the stories of how they were invented. The case studies are well chosen and varied. Concepts like reader-imposed censorship and the masquerades of gender suggest new vantage points on many other poets as well. The rereading of Tsvetaevas gendered poetics and the analysis of Briusovs Nelli are especially strong, as is the splendid work on the dynamics of competition and connection between women poets. Stephanie Sandler, coauthor of History of Russian Literature

Hasty eloquently describes the impediments that nineteenth- and twentieth-century women poets encountered in their attempts to gain admission to the Russian poetic tradition on equal terms with men. Her case studies, revealing the strategies that women poets developed to resist the gender norms, expectations, and male fantasies of the traditions gatekeepers, add an important, previously overlooked aspect to the history of Russian poetry. Diana Greene, author of Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth Century

Preface ix
Acknowledgments xiii
Introduction 3(14)
PART I CONTENTIONS
Chapter One Karolina Pavlova versus Evdokiia Rostopchina
17(26)
Chapter Two Evdokiia Rostopchina versus the Male Tradition
43(26)
PART II FEMALE IMPERSONATIONS
Chapter Three The Cherubina de Gabriak Mystification
69(23)
Chapter Four Briusov's Nelli
92(23)
PART III RESISTANCE
Chapter Five Marina Tsvetaeva versus Male Authority
115(30)
Chapter Six Marina Tsvetaeva and Anna Akhmatova
145(32)
Conclusion 177(6)
Notes 183(40)
Index 223
OLGA PETERS HASTY is a professor in the Department of Slavic Languages and Literatures at Princeton University. She is the author of Tsvetaevas Orphic Journeys in the Worlds of the Word and Pushkins Tatiana and, with Susanne Fusso, of America through Russian Eyes, 18741926.