This book argues that thought experiments in literature demonstrate how fears and hopes around automation may have more basis in imagination than reality. The volume asks how these understandings of automation can help to understand our technological present, and our increasingly technologized future.
Automation is everywhere: in the supermarket, in home appliances, and on our commutes. While we worry about what automation means for human autonomy now, human societies have long wondered about their replacement by machines. The Human and the Machine in Literature and Culture explores the pervasive – and long-standing – influence of automation on humanity by dismantling the prevalent future-oriented perspective of many automation debates. This collection examines how literature has conceptualized automation over centuries, from utopian visions of a world liberated from work and domestic labour to dystopian futures in which humans are surplus to requirements. We set out social and industrial developments which feed into discourses of automation and its mediation in literary cultures. By bringing together theoretical approaches to real-world automation with readings of its literary interpretations, this volume demonstrates literature’s role as a space for hypothesizing alternate realities, making clear literature’s propensity to inform our attitudes to real-world phenomena.
Arvustused
"The Human and the Machine in Literature and Culture highlights relationships between human agency and automation in literary imaginations. Its investigation of poetics and poetic production offers fresh insight into the value of the unruly and alive humanity that exists beyond the battery of the machines propelling us toward futurity."
-Saba Syed Razvi, Associate Professor English and Creative Writing, University of Houston-Victoria, USA
"The range from medieval Florence and early-modern automata to decadent fiction, twentieth-century detective novels, contemporary poetry and platform labour is impressive, and the essays are consistently attentive to how specific media forms (the telegraph, photography, digital platforms, LLMs) reconfigure what counts as automatic. The repeated invocation of historical examples of moral panic lamplighters striking against electric light in 1907, telegrams allegedly destroying depth of thought in 1858 productively relativises present-day fears around AI, even as Foster and others acknowledge that this time may be different in terms of scale and speed."
Read "Foster, Kate and Crozier, Molly (eds), The Human and the Machine in Literature and Culture: Cultures of Automation" published by The British Society for Literature and Science.
List of Contributors
Acknowledgements
Introduction. Automation: This Time Its (Probably Not) Different
Kate Foster
1.What we need is more automation: Automation Debates in the Postwar
Period
Ben Roberts
2. When the Clock Took the Floor: Technology as Non-Human Actor in Augusto De
Angelis Detective Novel Il Banchiere Assassinato (1935)
Emanuele Stefanori
3. On the Threshold of Life and Death: Guido Cavalcanti and the Medieval
Automaton
Rebecca Reilly
4. Monsters, Mechanics, and Automatic Writing in E.T.A. Hoffmans The
Sandman and Gérard de Nervals Aurélia
Vanessa Weller
5. Forms of Computation in Hjalmar Söderbergs and Thomas Manns Decadent
Short Stories
Laura Alice Chapot
6. Prosthetic Verse: Technology, Embodiment, and Disability in French Poetry
(1984-2024)
Léon Pradeau
7. Postcolonial Agency vs. French Automation in Mounsis Territoire
dOutre-Ville
David Spieser-Landes
8. Humans in the Loop as Post-Literary Ghosts: Discomfort and Disruption on
Amazon Mechanical Turk
Bruno Ministro
9. Bricolage, Wild Thought, and the Automation of Knowledge
Madeleine Chalmers
Coda
Molly Crozier
Index
Kate Foster is a Lecturer in French Studies at the University of Reading, UK. Her research focuses on intersections of human bodies and technology in late nineteenth and early twentieth-century cultures. She is working on a monograph on fictional androids and cyborgs, and developing a new project on technology, disease and cultural history.
Molly Crozier is an early career researcher in French and Comparative Literature. Her research focuses on embodiment, gender and disability in twentieth-century theatre. She is working on a monograph on disability in Samuel Becketts drama. She holds an honorary fellowship at the Institute of Irish Studies, University of Liverpool.
Lisainfo e-raamatute kohta