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E-raamat: Iconology of Abstraction: Non-figurative Images and the Modern World

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This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language.



This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language.

The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy.

The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.

 

List of figures
viii
List of contributors
xi
Acknowledgments xv
Introduction: Do Abstract Images Need New Iconology? 1(18)
Kresimir Purgar
1 Prolegomena: Why Pictures Are Signs: The Semiotics of (Non)representational Pictures
19(12)
Winfried Noth
PART I History and Theory of Abstraction
31(56)
2 The Founding of Abstraction: Wilhelm Worringer and the Avant-Garde
33(15)
Anselm Treichler
3 The Iconology of Malevich's Suprematist Crosses
48(15)
Marie Gasper-Hulvat
4 Anthropomorphism and Presence: (Non)referentiality in the Abstraction of Objecthood
63(14)
Blazenka Perica
5 Representational Abstract Pictures
77(10)
Regina-Nino Mion
PART II Philosophy of Abstraction
87(54)
6 What is Abstraction in Photography?
89(15)
Diarmuid Costello
7 Abstraction and Transperceptual Space
104(10)
Paul Crowther
8 The Visualization of Temporality in the Abstract Paintings of Barnett Newman
114(12)
Claude Cernuschi
9 Rethinking Abstraction Post-phenomenologically: Michel Henry and Henri Maldiney
126(15)
Bruno Lessard
PART III Redefining Abstraction--Analog vs. Digital
141(78)
10 Visual Music and Abstraction: From Avant-Garde Synesthesia to Digital Technesthesia
143(17)
Michael Betancourt
11 Ecology and Climatology in Modern Abstract Art
160(16)
Linn Burchert
12 Digital Abstraction: Interface between Electronic Media Art and Data Visualization
176(17)
Birgit Mersmann
13 Toward a Transsensorial Technology of Abstraction (Ekstraction)
193(15)
Clemens Finkelstein
14 Digital Landscapes of the Internet: Glitch Art, Vaporwave, Spectacular Cyberspace
208(11)
Dario Vuger
PART IV Abstraction in Science and Technology
219(50)
15 The Material Site of Abstraction: Grid-Based Data Visualization in Brain Scans
221(14)
Silvia Casini
16 Reference and Affect: Abstraction in Computation and the Neurosciences
235(13)
Michael Reinsborough
17 Reality Effect of (Abstract) Maps in the Post-digital Era
248(12)
Ana Peraica
18 Coda: Visualizing the End of Visibility: M87* Event-Horizon Image
260(9)
Yanai Toister
Index 269
Kreimir Purgar is Associate Professor in the Academy of Arts and Culture at J. J. Strossmayer University, Osijek, Croatia.
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