Muutke küpsiste eelistusi
  • Formaat - EPUB+DRM
  • Hind: 53,29 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

This book examines illustrations created to accompany fictions written by several of the most popular authors published in Britain and America between 1885 and 1920.

By studying the lavish illustrations that complemented not only initial serializations, but also subsequent publications of fictions by H. Rider Haggard, Rudyard Kipling, James De Mille, Robert Louis Stevenson, and H. G. Wells, the book demonstrates the significance of images to the fin de siècle romance form. In order to make fantastic plots seem possible, graphic artists worked hand in hand with authors to not only fill gaps in audience understanding, but also expand and deepen the meaning of these marvels.

The book will be of interest to scholars working in art history, visual culture, illustration studies, British and American history, and British and American literature.
Introduction
1. Picturing the Past in Robert Louis Stevensons
Historical Romances
2. From Visual Irony to Caricature: Expressive Animals in
Rudyard Kiplings Childrens Fiction
3. Desiring African Women in H. Rider
Haggards Adventure Fiction
4. Picturing Machines in H. G. Wellss Scientific
Romances
5. A Cannibal Vision: Horror, Harpers Weekly, and James De Milles
A Strange Manuscript Found in a Copper Cylinder
Kate Holterhoff received her doctorate from Carnegie Mellon University and is currently an Affiliated Researcher at the Georgia Institute of Technology.