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E-raamat: Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach

(Associate Professor of Musicology, Texas Tech University)
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 02-Aug-2017
  • Kirjastus: Oxford University Press Inc
  • Keel: eng
  • ISBN-13: 9780190631208
  • Formaat - EPUB+DRM
  • Hind: 19,01 €*
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 02-Aug-2017
  • Kirjastus: Oxford University Press Inc
  • Keel: eng
  • ISBN-13: 9780190631208

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Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.

Arvustused

I would recommend this book as an addition to the library of any teacher or student of medieval music, medieval-curious musician, or experienced medieval professional who would like to reflect on their mediebal music practice. * Leah Stuttard, Music and Letters * This book is a gift, born of the experience, artistry, and memory of a leading practitioner and teacher of medieval music. It is full of learning lightly worn, and invaluable advice born of long experience. Scholars will appreciate its practical approach, and performers will respect and admire its deep learning. * Thomas Forrest Kelly, Morton B. Knafel Professor of Music, Harvard University * Finally, instructions for recreating the most basic technique in the performance of Medieval music - improvisation. Improvisation and Inventio in the Performance of Medieval Music is a welcome and long-awaited addition to early music performance practice. Angela Mariani sets a new standard for early music performance! * Timothy McGee, University of Toronto *

Muu info

Winner of Winner of the Texas Tech University First Place President's Faculty Book Award.
List of Figures
ix
List of Tables
xi
List of Examples
xiii
List of Practices
xv
Preface and Acknowledgments xvii
1 The Process of Inventio
1(14)
2 Living and "Imagined" Models: A New Oral Tradition
15(13)
3 Notation and Memoria: What's Not on the Page
28(28)
4 Mode: The Vocabulary of Melody
56(32)
5 Inventing Melody: Old Instruments, New Voices
88(46)
6 Inventing Organum: Memoria and Formula
134(23)
7 Playing Poetry: The Rhetoric of Invention
157(34)
8 The Long Memory: A Reflection on Teaching Medieval Music
191(6)
Appendix: Mode Models 197(24)
Selected Bibliography 221(6)
Index 227
Angela Mariani is Associate Professor of Musicology and director of the Collegium Musicum at the Texas Tech University School of Music. She studied medieval music with Thomas Binkley, Benjamin Bagby, and Barbara Thornton, and was a founding member of Altramar medieval music ensemble, who toured internationally and recorded seven CDs for the Dorian label. Since 1991, she has hosted the nationally-syndicated public radio program Harmonia. In 2017 she was the recipient of Early Music America's Thomas Binkley Award, given for outstanding achievement in performance and scholarship by a university early music ensemble director.