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E-raamat: Innovative Jacquard Textile Design Using Digital Technologies

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(Hong Kong Polytechnic University), (Zhejing Sci-Tech University, China)
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Innovative Jacquard Textile Design Using Digital TechnologiesSuurem pilt
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Ng (Institute of Textiles and Clothing, Hong Kong Polytechnic U., China) and Zhou (College of Materials and Textiles, Zhejiang Sci-Tech U., China) present a novel design concept and associated principles and methods for producing complex jacquard textiles, with their intricate weaves, through a layered-combination design that "differs from the traditional plane design method in that the mixed colour numbers on the face of the created digital jacquard fabric could be up to mega level in theory." They describe the limitations of existing design methods for Chinese brocade and Western tapestry, explain their new methodology in detail, and present examples of the design creations it enables. Annotation ©2013 Book News, Inc., Portland, OR (booknews.com)

Jacquard weaving machines are capable of producing particularly intricate weave designs. Traditional design techniques for jacquard fabrics are highly skilled, labor-intensive and depend on a degree of trial and error. This book reviews the application of digital textiles both to speed up the process and increase the range and complexity of jacquard textile designs, including the use of color as well as novel stimulative effects in fabric design.

Beginning with an authoritative introduction to jacquard textile design, the authors review the development of jacquard fabrics and textile design methods, followed by principles and methods and structural digital design. Other chapters explore colorless and colorful digital design of jacquard textiles, digital design of novel simulative, shot and double-face effects in jacquard textiles. The conclusion discusses current issues and future trends in digital jacquard textile design.
Author contact details ix
Woodhead Publishing Series in Textiles xi
Key terms and definitions xix
Foreword xxiii
1 Introduction to jacquard textile design
1(7)
1.1 Introduction
1(2)
1.2 The use of digital technologies in jacquard textile design
3(3)
1.3 The organisation of this book
6(1)
1.4 References
7(1)
2 The development of jacquard fabrics and textile design methods
8(19)
2.1 Introduction
8(1)
2.2 The development of jacquard textile technology and design
8(2)
2.3 The development of digital technologies for jacquard textile design
10(5)
2.4 Design methods for traditional multi-coloured jacquard fabric
15(8)
2.5 Conclusion
23(1)
2.6 References and further reading
23(4)
3 Principles and methods of digital jacquard textile design
27(22)
3.1 Introduction
27(1)
3.2 Limitations of traditional jacquard textile design
27(2)
3.3 Digital innovation in jacquard textile design
29(4)
3.4 Design principles and methods for colourless and colourful digital jacquard textile design
33(12)
3.5 Conclusion
45(1)
3.6 References and further reading
45(4)
4 Structural digital design of jacquard textiles
49(31)
4.1 Introduction
49(1)
4.2 Gamut weaves and weave-database design
49(11)
4.3 Compound structure design
60(7)
4.4 Full-colour compound structure design
67(10)
4.5 References and further reading
77(3)
5 Colourless and colourful digital design of jacquard textiles
80(30)
5.1 Introduction
80(1)
5.2 Colour mixture theory for digital jacquard textiles
80(2)
5.3 Structure and colour in digital jacquard fabrics
82(2)
5.4 Colour mode changes in digital jacquard textile design
84(1)
5.5 Colour mixing in digital jacquard textile design
85(1)
5.6 Design of colourless digital jacquard fabrics
86(6)
5.7 Design of colourful digital jacquard fabrics
92(14)
5.8 Conclusion
106(1)
5.9 References and further reading
106(4)
6 Digital design of novel simulative effects in jacquard textiles
110(37)
6.1 Introduction
110(1)
6.2 Design of black-and-white simulative effect fabrics
110(3)
6.3 Design principles and methods for single-layer and compound structures
113(4)
6.4 Design illustrations for single-layer and compound structures
117(9)
6.5 Design of colourful simulative effect fabrics
126(6)
6.6 Design illustrations for colourful simulative effect fabrics
132(9)
6.7 Simulation design from colourful to black-and-white effects
141(1)
6.8 Conclusion
142(2)
6.9 References and further reading
144(3)
7 Digital design of shot-effect and double-face effect jacquard textiles
147(27)
7.1 Introduction
147(1)
7.2 Design of figured shot-effect fabrics
147(4)
7.3 Design illustrations with objective and abstract motifs
151(6)
7.4 Design of figured double-face effect fabrics
157(5)
7.5 Design illustrations for full-colour and layer-figured double-face effect fabrics
162(8)
7.6 Conclusion
170(1)
7.7 References and further reading
171(3)
8 Applications of digitally designed jacquard textiles
174(9)
8.1 Introduction
174(1)
8.2 Case study 1: digital images on bags
174(1)
8.3 Case study 2: curtains
175(1)
8.4 Case study 3: rainbow fabrics
176(1)
8.5 Case study 4: seamless woven garments
177(2)
8.6 References and further reading
179(4)
9 Current issues and future trends in digital jacquard textile design
183(10)
9.1 Introduction
183(1)
9.2 Advances in theory
183(2)
9.3 Advances in applied research
185(3)
9.4 Current limitations and future research
188(1)
9.5 References and further reading
189(4)
Appendices
193(22)
A1 Gamut weaves and weave-databases
195(6)
A1.1 Gamut weaves and weave-databases for 12-thread satin
195(4)
A1.2 Gamut weaves and weave-databases for 16-thread satin
199(1)
A1.3 Gamut weaves and weave-databases for 24-thread satin
200(1)
A2 Technical specifications for jacquard textiles
201(3)
A2.1 Fabric technical specification with lower warp density
201(2)
A2.2 Fabric technical specification with higher warp density
203(1)
A3 Examples of digital jacquard textile designs
204(11)
A3.1 Design creation with smooth colour shading effect (lower warp density)
204(1)
A3.2 Design creations with colourful simulative effect (lower warp density)
205(1)
A3.3 Design creation with changeable colour layer effect (higher warp density)
206(1)
A3.4 Design creations with moveable colour layer effect (lower warp density)
207(1)
A3.5 Design creations from true-colour to black-and-white (higher warp density)
208(1)
A3.6 Design creation with figured shot-effect (objective design with lower warp density)
209(1)
A3.7 Design creation with figured shot-effect (abstract design with higher warp density)
210(1)
A3.8 Design creation with figured double-face effect (lower warp density)
211(1)
A3.9 Design creations with layer figured double-face effect (higher warp density)
212(1)
A3.10 Design creations with print-like effect (silk design with higher warp density)
213(2)
Index 215
Dr Frankie Ng is Associate Professor at the Institute of Textiles and Clothing of The Hong Kong Polytechnic University, China. A respected specialist in the field, Dr Ng has published widely in this area and also holds design and technology patents and awards. Professor Jiu Zhou is Chair Professor of Textile Design and Head of the Textile Department at the College of Materials and Textiles, Zhejiang Sci-Tech University, China. He has more than 20 years of academic research experience in the field of textile design and has published over 50 papers and patents related to textile design.
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