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E-raamat: Instant Digital Audio: VASST Instant Series

  • Formaat: PDF+DRM
  • Ilmumisaeg: 15-Dec-2005
  • Kirjastus: CMP Books
  • Keel: eng
  • ISBN-13: 9781136063824
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 15-Dec-2005
  • Kirjastus: CMP Books
  • Keel: eng
  • ISBN-13: 9781136063824
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The rapid drop in costs of digital audio recording and production tools has led to widespread adoption by "non-audio" people. Multimedia producers, including videographers and graphic designers producing for the Web and other media, need to learn the many details of producing digital audio. Hot topics include selecting and using recording hardware including microphones, headphones, and monitors; how to use postproduction-editing software; and how to deliver the finished audio in an array of media/formats.

Instant Digital Audio presents digital audio principals and techniques for the non-audio specialist. Videographers and multimedia producers who are new to audio learn how to select the hardware and software that they need and how to use it. Straightforward explanations supplemented with ample screenshots and technical data address recording and production topics including microphones and relevant applications, best practices in recording audio, and how to feed audio into the computer for editing. Postproduction topics include setting up a studio, acquisition and editing techniques, filtering, and restoration.
Hardware setups
1(16)
Surround Sound
2(10)
Wiring
12(4)
Mixers
16(1)
Setting up the room for Great Audio
17(14)
Microphone Types and Placement
31(46)
Microphone Types
32(6)
Omni-Directional mic pattern
38(1)
Bi-directional (Sometimes called a ``Figure of 8 mic'')
39(1)
Uni-directional
40(2)
Uni-Directional mic pattern
42(5)
Lavaliere mics
47(2)
Handheld/Stick mics
49(1)
Boundary mics
50(4)
The Ribbon mic
54(1)
Reading Frequency Response Charts
54(5)
Microphone Placement
59(1)
Shotgun Microphones
60(1)
Stick (or Handheld) Mics
61(1)
Lavaliere Microphones
62(2)
Large Diaphragm Microphones
64(1)
Boundary Microphones
65(1)
Stereo Microphones
66(1)
Placement is critical
66(11)
Recording, Levels and All
77(12)
Sampling Rates
83(1)
Controlling Levels
84(5)
Understanding Analog vs Digital Metering
89(10)
Taking Measure: Metering
89(4)
The Peak Meter
93(2)
Why Do I Care?
95(4)
Connecting Microphones to a Camcorder
99(6)
Low Impedance vs. High Impedance
100(1)
Wireless Systems
101(1)
Alternative Connection Formats
102(3)
Effective Mic Boom Techniques
105(6)
Length of Boompole
106(1)
Boom the Mic from Above
107(1)
Boom the Mic from Below
107(1)
Noise from Cables
108(2)
Holding the Boom
110(1)
Position of Mic
110(1)
Monitoring Audio on a Production
111(12)
Monitors
112(2)
Positioning
114(1)
Subwoofers
115(4)
Headphones
119(1)
There are several types of headphones to use in these situations
120(3)
Mixing Techniques
123(8)
Mixing in the Field
124(2)
Mixing in the Post-Room
126(1)
Using a Mixer
127(1)
Using an NLE
128(3)
Plug-In Tools for Nonlinear Editing Systems
131(14)
What Do Plug-Ins Do?
132(2)
Which Ones Do I Need?
134(1)
Using Compressors, Reverbs, EQ, Gates, and Other Tools
134(2)
Reverbs
136(3)
Noise Gates
139(2)
Getting Optimal Voiceovers with Plug-Ins
141(3)
Other Plug-Ins
144(1)
Getting Good Field Audio with Plug-Ins
144(1)
Noise Reduction
145(16)
Getting good sound before requiring noise reduction
146(2)
What types of noise reduction are available
148(2)
What Is Noise?
150(11)
Scouting the Location for Audio Problems
161(8)
Ambient Noise
162(1)
Room Noise
163(1)
Machinery Noise
164(1)
Subject/Crew Noise
165(1)
Gear Noise
166(3)
Simple, Practical Solutions for Difficult Edits
169(4)
Editing on Consonants
170(1)
Alternative Editing Points
170(2)
Noise Gates
172(1)
Understanding wireless systems
173(30)
Connecting Microphone and Camcorder
173(1)
Cabled Microphones
174(6)
Unbalanced Cabling
180(2)
Connecting Balanced Cables to Unbalanced Inputs
182(1)
Other Considerations When Working with Mic Cables
183(2)
Phantom Power-Ghosts in the Machine?
185(1)
Wireless Systems
186(8)
How to Use a Wireless System
194(6)
What About Handheld Wireless?
200(1)
Multiple Wireless Transmitters
200(3)
ACIDizing Digital Audio
203(16)
ACIDized Audio
203(3)
Sound Forge
206(4)
Creating One-shots
210(1)
ACID Pro
210(3)
Creating One-shots
213(1)
Tweaking Your Samples
213(1)
Loop Tuner
214(5)
Tips and Tricks for Looped Audio
219


Douglas Spotted Eagle is a recognized world leader in the Vegas product knowledgebase. He has authored numerous articles for Vegas and its sister applications. He also hosts two web sites for users of Vegas and related products and contributes to Videography, Studio, Parachutist, and Worship Video among other publications.