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E-raamat: Intermedial Shakespeares on European Stages

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Intermedial Shakespeares on European Stages argues that digital intermediality over the past decade has refashioned Shakespearean performance in Europe. Defining intermediality as a reflexive interrelationship between live and digital media on stage, the book examines stagings of Shakespeare in Germany, Italy, the Netherlands, Poland, and the UK, and situates them in their linguistic and cultural contexts. It focuses on the ways in which text and author, time and space, actor and audience have been redefined in performances that incorporate digital media. It also traces transformations in cultural practices related to shifts in staging techniques in intermedial Shakespeare productions. It addresses the implications of digital coding of data, virtual reality, and global communication networks.

Arvustused

In Intermedial Shakespeare on European Stages , Aneta Mancewicz sets contemporary Shakespeare performance at the center of an emerging, "intermedial" critique of theatrical production. Rather than understanding the stage as a secondary medium for the replication of dramatic writing, Mancewicz sees contemporary Shakespeare to stage an inter-exchange between textual, live-acting, and recorded media of performance. Shakespearean drama, here, is not so much presumed as negotiated by performance, and Mancewicz engages the conceptual work of intermediation through rigorous readings of some of the most demanding of recent Continental stage productions. Tracing the theoretical work of contemporary Shakespeare performance, Intermedial Shakespeare on European Stages opens a valuable perspective on the interplay between Shakespearean drama and our changing modes and means of production. - W. B. Worthen, Barnard College, Columbia University, USA

List of Illustrations
viii
Series Editors' Preface x
Acknowledgements xi
Introduction 1(19)
1 Drama: Intermedial Texture
20(33)
2 Time and Space: Intermedial Stratigraphy
53(28)
3 Actors and Audiences: Intermedial Mirror
81(27)
4 New Media as Old Media
108(38)
5 Digital Intermediality without Digital Technology
146(20)
Conclusion 166(4)
Appendix: Table of Performances 170(2)
Notes 172(10)
References 182(12)
Index 194
Aneta Mancewicz is Lecturer in Drama at the Kingston University, UK. She was Marie Curie Research Fellow at the Royal Central School of Speech and Drama. She is the Editor for Europe at the Global Shakespeares Video and Performance Archive, Massachusetts Institute of Technology, USA and co-convener of the Intermediality working group of the International Federation for Theatre Research.
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