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E-raamat: Interpretation and Visual Poetics in Medieval and Early Modern Texts: Essays in Honor of H. Wayne Storey

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Interpretation and Visual Poetics in Medieval and Early Modern Texts: Essays in Honor of H. Wayne StoreySuurem pilt
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Focusing on literary and non-literary works alike, Interpretation and Visual Poetics in Medieval and Early Modern Texts places visual and material aspects of literary study at the center of the interpretive process. The essays in this collection explore new and traditional areas of research from hermeneutics, to codicology and history of the book, to cultures of sound and the digital humanities. They address the texts themselves, as well as their early manuscripts and subsequent printed and digital editions. The contributors collectively cover a time span of over 1000 years, and begin with the Mediterranean, focusing on texts produced in Italy and the Languedoc regions, then radiate outward to analyse the texts material containers (manuscripts, print, and digital editions) that are now housed worldwide.





Contributors are: Michelangelo Zaccarello, Daniel OSullivan, Valerio Cappozzo, Jelena Todorovi, Christopher Kleinhenz, Mirko Tavoni, Isabella Magni, Francesco Marco Aresu, Dario Del Puppo, Beatrice Arduini, Giovanni Spani, Furio Brugnolo, Teodolinda Barolini, Alessandro Vettori, Marcello Ciccuto, Marco Veglia, Michael Papio, and Anthony Nussmeier.
List of Figures
vii
Introduction 1(16)
Beatrice Arduini
Isabella Magni
Jelena Todorovic
PART 1 Materiality and Visual Poetics
1 Historical Notes on Textual Scholarship: The Lectio Brevior Potior Rule
17(18)
Michelangelo Zaccarello
2 Transcription and Musical Memory in the Occitan Chansonnier in Paris, BnF French 795
35(14)
Daniel E. O'Sullivan
3 Editing the Somniale Danielis: The Earliest Italian Version of a Dream Book
49(22)
Valerio Cappozzo
4 Revisiting the Trespiano Fragment (Ca) of the Vita Nova
71(11)
Jelena Todorovic
5 Hysteron Proteron, Teleology, and Dante's Commedia
82(12)
Christopher Kleinhenz
6 The Vision of God (Paradiso xxxm) and Its Iconography
94(28)
Mirko Tavoni
7 Editing the Albi[ z]zi Memorial Book
122(20)
Isabella Magni
8 A Dantean (and Alfierian?) Incunable in the Olin Library at Wesleyan University (Middletown, CT)
142(16)
Francesco Marco Aresu
9 What Did Late Medieval Italy Sound Like?
158(17)
Dario Del Puppo
PART 2 Hermeneutics and Literary Criticism
10 Dolente me: son morto edag[ g]io vita!The Sonnet Corona of `Disaventura' by Monte Andrea da Firenze
175(14)
Beatrice Arduini
11 The Battle of Campaldino: Strategy, Tactics, and a Brief Medical History
189(15)
Giovanni Spani
12 Continuation and Conclusion of an Interpretation of Dante's Vita nuova xxn, 9-16 (Voi cheportate la sembianza umile and Se tu cotui c'hai trattato sovente)
204(13)
Furio Brugnolo
13 Voi che 'ntendendo it terzo del movete. A Dramatization of "utrum de passione in passionem possit anima transformari": Conflict, Compulsion, Consent, Conversion
217(26)
Teodolinda Barolini
14 Sodomy and Exile: Dante and Brunetto
243(15)
Alessandro Vettori
15 A Reuse of Antiquity, Dante's Way: The Brazen Bull of Phalaris
258(10)
Marcello Ciccuto
16 Panfilo's Mark (on Decameron 1.1)
268(20)
Marco Veglia
17 Was Pronapides an Orphic?
288(16)
Michael Papio
18 Jacopo Corbinelli's De vulgari eloquentia (1577) and the Retorica di Ser Brunetto Latini in volgarfiorentino (1546)
304(15)
Anthony Nussmeier
Bibliography and Works Cited 319(30)
Index 349
Beatrice Arduini, Ph.D. (2008), University of Washington, is Associate Professor of Italian Studies. Her work centers on Medieval Italian literature, particularly manuscript culture and early book history.



Isabella Magni, Ph.D. (2017), Rutgers University, is Postdoctoral Associate in Italian and Digital Humanities. She is co-principal investigator of the Petrarchive project and editor of the Italian Paleography website. She has published on Dante, Petrarca and digital philology.





Jelena Todorovi, Ph.D. (2009), University of Wisconsin-Madison, is Associate Professor of Italian. She has published on Dante, Petrarca, Boccaccio, and on medieval Italian, Occitan, and Latin literatures, cultures, and cultural exchanges.
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