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E-raamat: Intimate Commentaries on Tadeusz Kantor's Theatre

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  • Ilmumisaeg: 05-May-2026
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781040533475
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 05-May-2026
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781040533475

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Intimate Commentaries on Tadeusz Kantor’s Theatre is a collection of Michal Kobialka’s essays, written between 1986 and 2025, that provide a comprehensive understanding of Kantor’s theatre practice.



Intimate Commentaries on Tadeusz Kantor’s Theatre is a collection of Michal Kobialka’s essays, written between 1986 and 2025, that provide a comprehensive understanding of Kantor’s theatre practice.

The book is divided into three parts, each focusing on a specific area of Tadeusz Kantor’s theatre practice. Part One explores Kantor’s radical departure from, or rupture within, the known and accepted representational categories not only of the 20th, but also of the 21st century. Part Two focuses on Kantor’s productions, which disrupted the preestablished artistic conventions in order to infiltrate and shatter the prevailing political, ideological, and cultural systems of power. Part Three sheds light on Kantor’s 1949-1990 theatre experiments with objects, matter, space, reality of the lowest rank, an autonomous work of art, zero zones, the impossible condition, and complex mnemotechnics, which reflected his unwavering belief that theatre was an answer to, rather than a representation of, reality. The three parts elucidate the central argument of this book, that Kantor’s theatre is an example of refractory art in its double sense: as a negation of the status quo and as a deviation from the dominant artistic conventions in service to any official cultural system and its culture industry.

Intimate Commentaries on Tadeusz Kantor’s Theatre will be of interest to scholars and students of theatre and performance, performance theory, theatre history, Polish theatre, and avant-garde art in the 20th century.

Part I: Topography of Representation
1. From the Beginning in his Credo
Was . . .
2. Tadeusz Kantors Objects and Machines: Materialism of the
Encounter
3. Tadeusz Kantors Happenings: Reality, Mediality, and History
4.
Of Memory and History: Tadeusz Kantors Theatre of Minima Moralia Part II:
Cairological Time
5. Of the Memory of a Human Unhoused in Being
6. Delirium
of the Flesh: 'All the Dead Voices' in the Space of the Now
7. Of Last Things
in Memento Mori: Silence, Eternity, and Death
8. Valences of the Avant-Garde:
Of Tadeusz Kantors Machine of Love and Death and Spatial Dialectics Part
III: Refractory Art
9. A Note on Working through Crisis: Theorizing Polish
Socialist Realism, 1945-49
10. Historical Events and Historiography of
Tourism
11. The Meaning of Working through the Past: Of Awkward Objects and
Collateral Memories
12. Specters of the Past: An Installation in the Times of
Disquiet Epilogue. Tadeusz Kantors Theatre of Personal Confessions: Notes on
Late Style
Michal Kobialka is Professor of Theatre Arts at the University of Minnesota, USA. He has published widely on theatre and performance historiography as well as on Tadeusz Kantors theatre. His most recent book publication is Staging Difficult Pasts: Transnational Memory, Theatre, and Museums (Routledge, 2024), which he co-edited with Maria M. Delgado and Bryce Lease.