Muutke küpsiste eelistusi
  • Formaat - PDF+DRM
  • Hind: 59,79 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Raamatukogudele

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

This book explores the works of Humanist/Absurdist American playwright Jack Gelber (1932-2003), whose groundbreaking, immersive play The Connection (produced by The Living Theatre in 1959) served as the link between the Art Theatre/Beat Generation and the Off-Off Broadway movement.



Jack Gelber: Consider This

explores the works of American playwright Jack Gelber (1932–2003), whose groundbreaking, immersive play The Connection

(produced by The Living Theatre in 1959) served as the link between the Art Theatre/Beat Generation and the Off-Off-Broadway movement.

With The Connection, Gelber provided a Pirandellian framework in which actors playing junkies demonstrated what it was like to wait for a fix. This play forever cemented Gelber’s status in the American theater, and yet his subsequent works have been overlooked. This study, the first monographlength work dedicated to Gelber’s plays, will consider Jack Gelber’s theatrical works as important social humanist absurdist parables that force the audience to consider how the systems we create are flawed, to the extent that some addictions are permissible (even championed), and how we have an obligation to recognize that our social structures are upheld by, to use Gelber’s word, “phonies.” Gelber provides no easy answers. Rather, his plays attempt to shake audiences out of passive spectatorship both in the theater and (as is the hope) in their lives. The plays of Gelber will be analyzed closely, supplemented (where possible) with critical reactions to the plays as produced, while contextualizing each work within its own socioeconomic moment.

This book will appeal to scholars, professors, students, and other historians who have an interest in American playwriting.

Introduction

1 The Connection and The Apple: Gelbers Work with the Living Theatre

2 Square in the Eye and The Cuban Thing: Absurdist Domestic Dramas

3 Sleep, Barbary Jones, and Farmyard: Dreams, Adaptations, and Translations

4 Eat Shit: Jack Gelbers New Play: Rehearsal and Starters

5 Underproduced: Gelbers Work in the 1980s and 1990s: Rio Preserved,
Chambers, Big Shot, Magic Valley,

6 Tough Love: Dylans Line (Jack Gelber's Last Play)

Conclusion: Consider This
John Patrick Bray is a playwright, screenwriter, and freelance anthology editor. He is a Professor and current Graduate Coordinator in the Department of Theatre and Film at the University of Georgia, USA.