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E-raamat: Jazz Improvisation Using Simple Melodic Embellishment

(Ithaca College, USA)
  • Formaat: 322 pages
  • Ilmumisaeg: 19-May-2021
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000384987
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  • Formaat: 322 pages
  • Ilmumisaeg: 19-May-2021
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000384987
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Jazz Improvisation Using Simple Melodic Embellishment teaches fundamental concepts of jazz improvisation, highlighting the development of performance skills through embellishment techniques. Written with the college-level course in mind, this introductory textbook is both practical and comprehensive, ideal for the aspiring improviser, focused not on scales and chords but melodic embellishment. It assumes some basic theoretical knowledge and level of musicianship while introducing multiple techniques, mindful that improvisation is a learned skill as dependent on hard work and organized practice as it is on innate talent.

This jargon-free textbook can be used in both self-guided study and as a course book, fortified by an array of interactive exercises and activities:

  • musical examples
  • performance exercises
  • written assignments
  • practice grids
  • resources for advanced study
  • and more!

Nearly all musical exercises—presented throughout the text in concert pitch and transposed in the appendices for E-flat, B-flat, and bass clef instruments—are accompanied by backing audio tracks, available for download via the Routledge catalog page along with supplemental instructor resources such as a sample syllabus, PDFs of common transpositions, and tutorials for gear set-ups. With music-making at its core, Jazz Improvisation Using Simple Melodic Embellishment implores readers to grab their instruments and play, providing musicians with the simple melodic tools they need to "jazz it up."

List of Figures and Tables
ix
Preface xvii
Acknowledgements xxii
1 Melodic Embellishment: The Concept
1(5)
Thinking
3(1)
Relationship between Composing and Improvising
4(1)
Advanced Exercises
4(1)
Considering the Audience
4(2)
2 The Starting Point: The Melody
6(5)
The Distilled Melody
6(1)
Mike's Original Saints Melody
7(2)
Circled Pitches
9(1)
For Advanced Study
10(1)
3 Rhythmic and Phrasing Variation
11(8)
Variations on the Distilled Saints Melody
11(3)
Variations on Mike's Original Saints Melody
14(2)
Create Your Own Variation
16(1)
For Advanced Study
17(2)
4 Neighbor Tones
19(16)
Single Neighbors
19(2)
Double Neighbors
21(1)
Diatonic Upper and Chromatic Lower Neighbors
21(1)
Practicing Neighbor Tones
22(2)
Applying Neighbor Tones to Melodies
24(1)
Compose Your Own Melody
24(6)
Neighbor Tones Performance Etude
30(4)
For Advanced Study
34(1)
5 Appoggiaturas
35(9)
Embellishing Your Own Melody
40(1)
Performance Etude Featuring Appoggiaturas
41(1)
For Advanced Study
41(3)
6 Passing Tones
44(10)
Practicing Passing Tones
45(2)
Applying Passing Tones
47(3)
Performance Etude Featuring Passing Tones
50(4)
7 Blue Notes
54(8)
Practicing Blue Notes
57(2)
Performance Etude Featuring Blue Notes
59(2)
For Advanced Study
61(1)
8 Enclosures
62(15)
Practicing Enclosures
64(4)
Applying Enclosures to the Distilled Saints Melody
68(1)
Applying Enclosures to Mike's Original Saints Melody
69(3)
Applying Enclosures to Your Own Melody
72(1)
For Advanced Study
73(1)
Performance Etude Featuring Enclosures
74(3)
9 Putting It All Together
77(7)
Your Own Composed Improvisations
80(1)
Improvised Versions
81(1)
For Advanced Study
82(2)
10 Embellishing the Blues
84(12)
Mike's Simple Blues Melodies
84(2)
Rhythmic and Phrasing Embellishments on the Blues
86(1)
Melodic Embellishments on the Blues
87(2)
More Complex Melodic Embellishments
89(2)
Compose Your Own Blues
91(4)
For Advanced Study
95(1)
11 Embellishing a Standard Chord Progression
96(8)
Melodic Arpeggios
96(4)
Embellishing "Who Is This One I Like?"
100(2)
Compose Your Own Simple Melody on "Who Is This One I Like?"
102(2)
12 Using Improvisation to Learn Improvisation
104(6)
Reversing Your Own Process
106(4)
Appendix 1 Exercises Transposed for E Instruments 110(60)
Appendix 2 Exercises Transposed for B Instruments 170(64)
Appendix 3 Exercises Transposed for Bass Clef Instruments 234(60)
About the Author 294(1)
Glossary 295(2)
Index 297
Mike Titlebaum is Associate Professor of Music Performance and Director of Jazz Studies at Ithaca College.