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E-raamat: Joss Whedon Versus the Corporation: Big Business Critiqued in the Films and Television Programs

  • Formaat: 223 pages
  • Sari: Worlds of Whedon
  • Ilmumisaeg: 27-Oct-2017
  • Kirjastus: McFarland & Co Inc
  • Keel: eng
  • ISBN-13: 9781476631097
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  • Formaat: 223 pages
  • Sari: Worlds of Whedon
  • Ilmumisaeg: 27-Oct-2017
  • Kirjastus: McFarland & Co Inc
  • Keel: eng
  • ISBN-13: 9781476631097
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Screenwriter, director, producer and comic book author Joss Whedon is best known for his television series and films featuring villainous vampires, angry gods and even bloggers who wish to rule the world. Within these works is a prevalent yet commonly overlooked theme—the corporate antagonist. This book examines the effects of this corporate culture on the protagonists of Whedon’s most famous works (including Buffy, Roseanne, the Avengers, Agents of S.H.I.E.L.D. and Dollhouse) to reveal explicit sociopolitical commentaries on corporate control in the real world.

"Screenwriter, director, producer and comic book author Joss Whedon is best known for his television series and films. Within these works is a prevalent yet commonly overlooked theme--the corporate antagonist. This book examines the effects of this corporate culture on the protagonists of Whedon's most famous works to reveal explicit sociopolitical commentaries on corporate control"--

Giannini, an independent scholar who researches new technology and product placement and their effect on narratives, as well as religion, socioeconomics, and corporate culture in television and film, investigates the effects of corporate culture on characters in Joss Whedon’s works, particularly Angel, Firefly, Buffy the Vampire Slayer, Agents of S.H.I.E.L.D., Dollhouse, The Cabin in the Woods, Dr. Horrible’s Sing-Along Blog, Serenity, The Avengers, The Avengers: Age of Ultron, and Roseanne. She considers the corporation as an antagonist and looks at how corporatism is portrayed and critiqued in his work, including his relationship with Marvel studios. Annotation ©2017 Ringgold, Inc., Portland, OR (protoview.com)
Preface 1(4)
Introduction. The Scariest Monsters of All: Corporate Culture in the Works of Joss Whedon 5(17)
Part I Antagonists, Complicity and Insidious Movements: An Overview of Corporate Culture in the Works of Joss Whedon
One "Evil white folks really do have a mecca": The Corporate Antagonist in Angel and Firefly
22(23)
Two A Stranger Comes to a (Small) Town: Buffy, Roseanne and the Long Reach of Corporate Culture
45(16)
Three Who Owns the Show? The Avengers, Agents of S.H.I.E.L.D. and Marvel vs. Mutant Enemy
61(19)
Four In the Belly of the Beast: Dollhouse, The Cabin in the Woods and Dr. Horrible's Sing-Along Blog
80(16)
Part II Subverting Tropes, Corporations and Media: A Dollhouse Case Study
Five "That is their business, but that is not their purpose": Dollhouse as a Subversive Text
96(14)
Six Curiosity or Arrogance? Dollhouse and the Troubled Relationship with Corporate-Sponsored Technology
110(17)
Seven "We're pimps and killers, but in a philanthropic way": Interrogating Corporate and Governmental Politics
127(30)
Eight "Call us what you want, just not family": Undermining Whedon Tropes in the Dollhouse
157(19)
Conclusion. Whedon as Corporate Critique, or Can TV Change the World? 176(7)
Chapter Notes 183(4)
Bibliography 187(13)
Television and Filmography 200(9)
Index 209
Erin Giannini served as an editor and contributor at PopMatters, and has written numerous articles about topics from corporate culture in genre television to production-level shifts and their effects on television texts. She lives in Albuquerque, New Mexico. Sherry Ginn is a retired educator currently living in North Carolina. She has authored books examining female characters on science fiction television series as well as the multiple television worlds of Joss Whedon. Edited collections have examined sex in science fiction, time travel, the apocalypse, and the award-winning series Farscape, Doctor Who, and Fringe.