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xi | |
Editors preface and acknowledgments |
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xiii | |
Note on translations, cross-references and documentation |
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xv | |
Introduction |
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1 | (26) |
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Chapter 1 Psychological pathways: Emotion and memory |
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27 | (204) |
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"Memories inwrought with affection": Emotion and memory in realism |
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29 | (1) |
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1 In the wake of revolution |
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29 | (2) |
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2 The long eighteenth century |
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31 | (12) |
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2.1 Prejudice and passion |
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31 | (4) |
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2.2 "The vulgar practice of the moment" |
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35 | (3) |
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2.3 The thrill of the new |
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38 | (5) |
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3 First transformation: Social vision descends into social frustration |
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43 | (18) |
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3.1 Between legal contract and national identity |
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43 | (7) |
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3.2 National illusions and realities of war |
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50 | (4) |
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3.3 Revolution as emotion |
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54 | (7) |
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4 Second transformation: Self-fulfillment turns into self-disillusionment |
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61 | (15) |
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4.1 Self-education in a blind alley |
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61 | (3) |
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64 | (5) |
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4.3 Passions for or against life? |
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69 | (7) |
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5 Third transformation: From frail friendship to haunted homes |
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76 | (20) |
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76 | (5) |
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5.2 The delicate balance of friendship |
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81 | (6) |
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87 | (9) |
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6 Fourth transformation: Alienating settings yield sublime awe |
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96 | (19) |
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6.1 Landscape and cityscape |
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96 | (9) |
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6.2 The natural and the technological sublime |
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105 | (10) |
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7 Coda: Turning the century |
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115 | (20) |
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116 | (4) |
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7.2 "At the heart of a vast enigma" |
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120 | (4) |
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7.3 Into the twentieth century |
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124 | (11) |
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The interplay between emotion and memory: Stendhal, Zola, Musil |
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135 | (16) |
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Situations of sympathy: Eroding emotions and everyday life in the realist novel |
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151 | (18) |
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The poetics of disgust in realist fiction: Emile Zola and Son Oksanen |
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169 | (16) |
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Attunement: Mood and memory in Goethe, Flaubert and Dickens |
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185 | (16) |
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Spanish and Latin American memory novels |
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201 | (16) |
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History and untold memories: New historical realism in Assia Djebar's cinema |
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217 | (14) |
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Chapter 2 Referential pathways: Objects and bodies |
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231 | (134) |
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Coordinated by Simon J. James |
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Material matters: The surfaces of realist fiction |
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233 | (1) |
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1 Surfaces: The outsides of realism |
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234 | (6) |
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2 Objects: The material in the fictional |
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240 | (6) |
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3 Clothing: Presenting the self |
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246 | (4) |
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4 The body as object: The material of the self |
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250 | (3) |
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5 Physical beauty: Valuing bodies |
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253 | (3) |
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6 Producing the self: Environments |
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256 | (4) |
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7 Framing the self: Beautiful environments |
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260 | (2) |
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8 Abstracting the object: Money |
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262 | (2) |
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264 | (7) |
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Curating realism in a world of objects: Collecting in Charles Dickens and Arthur Conan Doyle |
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271 | (16) |
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287 | (16) |
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Realism and allegory: Balzac, Dickens and James |
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303 | (14) |
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"Distance avails not": Representing the modern masses |
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317 | (20) |
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Toward affective realism: Performing the reverse side of the face |
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337 | (14) |
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351 | (14) |
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Chapter 3 Formal pathways: Genre and form |
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365 | (198) |
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Coordinated by Steen Bille Jorgensen |
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Dynamics of realist forms |
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367 | (1) |
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1 Introduction: New forms, new realities |
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367 | (6) |
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1.1 Reflexiveness and composition |
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368 | (3) |
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371 | (2) |
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2 Giving form to social reality |
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373 | (20) |
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2.1 Beyond traditional formal models |
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373 | (5) |
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2.2 Poetry and everyday life |
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378 | (8) |
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386 | (7) |
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3 Popular culture and formal innovation |
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393 | (19) |
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3.1 New audiences and the democratization of culture |
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393 | (3) |
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3.2 Popular forms and new aesthetic ideals |
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396 | (8) |
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3.3 Literary models and systemic worldviews |
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404 | (8) |
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4 Critical positions between fiction and reality |
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412 | (22) |
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4.1 Prefaces and the battle of realism |
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412 | (6) |
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4.2 Theatricality and irony |
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418 | (6) |
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4.3 Narrative masks: Women's writing and female readership |
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424 | (10) |
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434 | (12) |
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5.1 Scale, perception and reading |
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434 | (5) |
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439 | (7) |
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6 Concluding perspective: Beyond realism? |
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446 | (19) |
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6.1 Collage novels and language poetry |
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448 | (3) |
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451 | (4) |
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455 | (3) |
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458 | (3) |
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461 | (4) |
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7 The questioning continues |
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465 | (8) |
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Forms of realism in children's literature |
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473 | (16) |
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Early theatrical realism on page and stage: Zola, Ibsen, Strindberg |
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489 | (14) |
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Poetry, Pessoa and realism |
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503 | (16) |
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The making of the historical narrative in the Swahili utenzi: The realism of a poetic form |
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519 | (16) |
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Photography and dissent in John Lewis's graphic novel March |
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535 | (14) |
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The visions of John Ball: Iain Bell's opera In Parenthesis |
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549 | (14) |
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Chapter 4 Geographical pathways: Worlding realism |
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563 | (200) |
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Coordinated by Svend Erik Larsen |
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565 | (1) |
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565 | (7) |
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2 Literature of migration |
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572 | (8) |
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2.1 Reconceptualizing migration |
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574 | (6) |
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580 | (8) |
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3.1 Realism of projection |
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580 | (4) |
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584 | (4) |
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588 | (25) |
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4.1 Cosmopolitan dialogues through new media |
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589 | (4) |
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4.2 Voices at first-hand: Soldiers |
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593 | (6) |
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599 | (2) |
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601 | (2) |
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4.5 Writing back from the colonies |
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603 | (10) |
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5 "A second tradition" for "translated men" |
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613 | (15) |
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5.1 Place: Troubled homes |
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614 | (14) |
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6 Language: In the contact zones |
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628 | (20) |
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6.1 Translation as cultural interaction |
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630 | (5) |
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6.2 Tackling the language barriers |
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635 | (13) |
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7 Coda: Different realities, alternative realist practices |
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648 | (19) |
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7.1 African spirits and digital identities |
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650 | (3) |
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7.2 Trapped in cyberspace |
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653 | (3) |
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656 | (11) |
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Varieties of theatrical realism after Ibsen |
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667 | (18) |
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Is there a notion of `realism' in traditional China? |
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685 | (18) |
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Worlding of realism: The case of Naguib Mahfouz |
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703 | (18) |
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The real magic in Miguel Angel Asturias's magical realism: Legends of Guatemala and The President |
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721 | (16) |
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Narrate or describe: Documentation and the tasks of realism |
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737 | (14) |
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751 | (12) |
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Notes on contributors |
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763 | (4) |
Index |
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767 | |