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E-raamat: Language of Stories: A Cognitive Approach

(University of British Columbia, Vancouver)
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 13-Oct-2011
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781139124836
  • Formaat - EPUB+DRM
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 13-Oct-2011
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781139124836

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"How do we read stories? How do they engage our minds and create meaning? Are they a mental construct, a linguistic one or a cultural one? What is the difference between real stories and fictional ones? This book addresses such questions by describing the conceptual and linguistic underpinnings of narrative interpretation. Barbara Dancygier discusses literary texts as linguistic artifacts, describing the processes which drive the emergence of literary meaning. If a text means something to someone, she argues, there have to be linguistic phenomena that make it possible. Drawing on blending theory and construction grammar, the book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. The examples come from a wide spectrum of texts, primarily novels and drama, by authors such as William Shakespeare, Margaret Atwood, Philip Roth, Dave Eggers, Jan Potocki and Mikhail Bulgakov"--

"The relationship between language and literature is a contentious issue. On the one hand, it may simply be described as a relationship between raw material and a finished product - language provides the basis on which creative and unique works of literature emerge. On the other hand, once we look at meaning, the dividing lines begin to fade - it is difficult to define a sharp boundary separating the meaning of literary works and the meaning of other texts. One way of downplaying the obvious links is to claim that fiction engages knowledge much broader and culturally specific than every-day use of language does. But that would be an exaggeration. One could not follow an ordinary discussion of, say, climate change if one did not have any prior knowledge of the issue"--

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Arvustused

'Drawing on key developments in cognitive linguistics, including construction grammar and blending theory, this accessible, well-organized, and richly synthetic study outlines exciting new directions for research on narrative.' David Herman, Ohio State University 'For anyone who still needs to be convinced of the rich value of the cognitive turn in arts and humanities, this book provides it. It is erudite and elegant, readable and significant, and it succeeds by the force of its argument and the texture of its analysis. It is both precise and breathtaking in its range.' Peter Stockwell, Chair in Literary Linguistics, University of Nottingham 'A brilliant and original book on language and stories as twin creations of the human mind. Dancygier elegantly offers new insights into the way we think.' Mark Turner, Institute Professor and Professor of Cognitive Science, Case Western Reserve University 'Barbara Dancygier's new approach to defining narrative viewpoint presented in her book The Language of Stories: A Cognitive Approach is very convincing and comprehensible. This book makes an important contribution to literary linguistics and at the same time outlines innovative directions for research on narrative. Dancygier's study is of interest to linguists and literary scholars, is suitable for scientists and for students. It's a remarkable and highly recommendable book.' Natalia Shchyhlevska, Language and Dialogue 'What I appreciated most in The Language of Stories [ was] Dancygier's attention to small lexical and grammatical textual choices and her rigorous attempt to follow the effect of these details through to the macro-level of meaning construction.' Elke D'hoker, English Text Construction

Muu info

This book describes the conceptual and linguistic underpinnings of narrative interpretation.
List of figures
ix
Acknowledgements x
Introduction 1(3)
1 Language and literary narratives
4(27)
1.1 Where does narrative meaning come from?
6(2)
1.2 Literary analysis and linguistic analysis
8(3)
1.3 Literature, language, and human nature
11(5)
1.4 Literary texts and communication
16(5)
1.5 Why is fiction special?
21(2)
1.6 Narrative and grounding
23(6)
1.7 Approaching narratives
29(2)
2 Blending, narrative spaces, and the emergent story
31(27)
2.1 Applying blending to fictional narratives
32(3)
2.2 Narrative spaces as mental spaces
35(5)
2.3 Narrative spaces - an example
40(13)
2.4 Emergent story
53(5)
3 Stories and their tellers
58(29)
3.1 Narrators, narrative spaces, and viewpoint
60(4)
3.2 Types of teller and epistemic viewpoint
64(12)
3.3 Second-person narratives
76(3)
3.4 The teller, the author, and the character
79(1)
3.5 Multiple tellers
80(4)
3.6 Narrative space embedding
84(2)
3.7 Narrative viewpoint and narrative spaces
86(1)
4 Viewpoint: representation and compression
87(30)
4.1 Viewpoint and representation
91(5)
4.2 Viewpoint compression
96(4)
4.3 Decompression for viewpoint
100(2)
4.4 Fictive vision, causation, and change
102(4)
4.5 The micro level, the macro level, and viewpoint compression
106(2)
4.6 Speech, thought, and multiple levels of representation
108(4)
4.7 Narrative thought and intersubjectivity
112(5)
5 Referential expressions and narrative spaces
117(22)
5.1 Compression, decompression, and cross-space mappings
118(1)
5.2 Proper names, frame metonymy, and the status of a character
119(2)
5.3 Role-value mappings as cross-space connectors
121(7)
5.4 Common nouns
128(1)
5.5 Personal pronouns, viewpoint, and the narrator
129(7)
5.6 Deictic / and the construal of subjectivity
136(3)
6 Fictional minds and embodiment in drama and fiction
139(32)
6.1 Deictic ground in literary discourse
139(2)
6.2 Mental spaces, physical spaces, and dramatic narratives
141(5)
6.3 Materiality of the stage and fictional minds
146(18)
6.4 From dramatic narratives to novelistic narratives
164(4)
6.5 Fictional minds, bodies, and brains
168(3)
7 Speech and thought in the narrative
171(24)
7.1 Types of discourse spaces in the narrative
172(2)
7.2 Speaking for thinking
174(4)
7.3 Levels of embedding in thought representation
178(5)
7.4 Viewpoint compression and constructional compositionality
183(12)
8 Stories in the mind
195(10)
8.1 The linguistics of literature
195(5)
8.2 The storyworld reality
200(1)
8.3 Blending and narrative analysis
201(2)
8.4 A bridge to the truth
203(2)
Notes to the text 205(5)
References 210(13)
Literary works cited 223(2)
Index 225
Barbara Dancygier is an Associate Professor in the Department of English at the University of British Columbia, Canada. Her publications include Conditionals and Prediction (Cambridge, 1999) and Mental Spaces in Grammar (with Eve Sweetser, Cambridge, 2005).