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ix | |
Acknowledgements |
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x | |
Introduction |
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1 | (3) |
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1 Language and literary narratives |
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4 | (27) |
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1.1 Where does narrative meaning come from? |
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6 | (2) |
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1.2 Literary analysis and linguistic analysis |
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8 | (3) |
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1.3 Literature, language, and human nature |
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11 | (5) |
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1.4 Literary texts and communication |
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16 | (5) |
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1.5 Why is fiction special? |
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21 | (2) |
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1.6 Narrative and grounding |
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23 | (6) |
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1.7 Approaching narratives |
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29 | (2) |
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2 Blending, narrative spaces, and the emergent story |
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31 | (27) |
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2.1 Applying blending to fictional narratives |
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32 | (3) |
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2.2 Narrative spaces as mental spaces |
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35 | (5) |
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2.3 Narrative spaces - an example |
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40 | (13) |
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53 | (5) |
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3 Stories and their tellers |
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58 | (29) |
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3.1 Narrators, narrative spaces, and viewpoint |
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60 | (4) |
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3.2 Types of teller and epistemic viewpoint |
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64 | (12) |
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3.3 Second-person narratives |
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76 | (3) |
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3.4 The teller, the author, and the character |
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79 | (1) |
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80 | (4) |
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3.6 Narrative space embedding |
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84 | (2) |
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3.7 Narrative viewpoint and narrative spaces |
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86 | (1) |
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4 Viewpoint: representation and compression |
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87 | (30) |
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4.1 Viewpoint and representation |
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91 | (5) |
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4.2 Viewpoint compression |
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96 | (4) |
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4.3 Decompression for viewpoint |
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100 | (2) |
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4.4 Fictive vision, causation, and change |
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102 | (4) |
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4.5 The micro level, the macro level, and viewpoint compression |
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106 | (2) |
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4.6 Speech, thought, and multiple levels of representation |
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108 | (4) |
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4.7 Narrative thought and intersubjectivity |
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112 | (5) |
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5 Referential expressions and narrative spaces |
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117 | (22) |
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5.1 Compression, decompression, and cross-space mappings |
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118 | (1) |
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5.2 Proper names, frame metonymy, and the status of a character |
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119 | (2) |
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5.3 Role-value mappings as cross-space connectors |
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121 | (7) |
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128 | (1) |
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5.5 Personal pronouns, viewpoint, and the narrator |
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129 | (7) |
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5.6 Deictic / and the construal of subjectivity |
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136 | (3) |
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6 Fictional minds and embodiment in drama and fiction |
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139 | (32) |
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6.1 Deictic ground in literary discourse |
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139 | (2) |
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6.2 Mental spaces, physical spaces, and dramatic narratives |
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141 | (5) |
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6.3 Materiality of the stage and fictional minds |
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146 | (18) |
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6.4 From dramatic narratives to novelistic narratives |
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164 | (4) |
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6.5 Fictional minds, bodies, and brains |
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168 | (3) |
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7 Speech and thought in the narrative |
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171 | (24) |
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7.1 Types of discourse spaces in the narrative |
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172 | (2) |
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7.2 Speaking for thinking |
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174 | (4) |
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7.3 Levels of embedding in thought representation |
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178 | (5) |
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7.4 Viewpoint compression and constructional compositionality |
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183 | (12) |
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195 | (10) |
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8.1 The linguistics of literature |
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195 | (5) |
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8.2 The storyworld reality |
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200 | (1) |
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8.3 Blending and narrative analysis |
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201 | (2) |
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8.4 A bridge to the truth |
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203 | (2) |
Notes to the text |
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205 | (5) |
References |
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210 | (13) |
Literary works cited |
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223 | (2) |
Index |
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225 | |