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E-raamat: LaSalle Quartet: Conversations with Walter Levin

  • Formaat: 420 pages
  • Ilmumisaeg: 17-Apr-2014
  • Kirjastus: The Boydell Press
  • Keel: eng
  • ISBN-13: 9781782042907
  • Formaat - EPUB+DRM
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  • Formaat: 420 pages
  • Ilmumisaeg: 17-Apr-2014
  • Kirjastus: The Boydell Press
  • Keel: eng
  • ISBN-13: 9781782042907

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The definitive study of the LaSalle Quartet, for forty years the premier exponent of 'the new music' for string quartet.

The LaSalle Quartet (1946-1987) was the premier exponent of 'the new music' for string quartet. Founded in 1946 at the Julliard School in New York, it became famous for its performances of works by the Second Viennese School and its commissioning of many new pieces by contemporary post-war composers. As a result, the quartets by Lutoslawski, Ligeti and Nono have since entered the standard repertory, sitting comfortably next to those by Schoenberg, Berg andWebern. The LaSalle Quartet's brilliant advocacy of the quartets by Alexander Zemlinsky resulted in best-selling recordings for Deutsche Grammophon. In an informative and critical dialogue between new and old, the LaSalleQuartet was also an incisive interpreter of the classical quartet repertory; many of its recordings are still in print. Its record as a teaching quartet is equally impressive, numbering among its students at the University of Cincinnati the Alban Berg, Brahms, Prazak, Artis, Buchberger, Ponche and Vogler Quartets. The LaSalle Quartet's founder and first violinist, Walter Levin, is himself a highly influential teacher whose students have included the conductor James Levine and the violinist Christian Tetzlaff, as well as many third-generation string quartets. This book, based on extensive interviews with Walter Levin conducted by Robert Spruytenburg over five years, is in equal measure autobiography, history of the Quartet, reminiscences of the contemporary composers who figured so prominently in its career, and penetrating commentary on the LaSalle Quartet's wide-ranging repertory. All these aspectsare artfully woven into a uniquely valuable, informative and entertaining document of musical life in the twentieth century.

ROBERT SPRUYTENBURG lives in Basel. He was introduced to Walter Levin in 1988 and took part inhis chamber music courses. Since 2003, Spruytenburg has been working on the LaSalle Quartet's archives located at the Paul Sacher Foundation in Basel. He is a frequent contributor to classical music programmes for Swiss radio.

Arvustused

An absolutely magnificent book! The information is totally fascinating ... A thoroughly engaging book for professionals students and amateurs alike. * STRINGENDO * Charming, revealing and compelling ... an essential addition to the literature on 20th-Century music, one that should be on the reading list of all string players who aspire to a professional career. Warmly recommended. [ Five stars out of five, Editor's choice] * CLASSICAL MUSIC *

List of Illustrations
ix
The Members of the LaSalle Quartet 1946--1988 xii
Foreword to the German Edition xiii
Foreword to the English Edition xix
Translator's Note xx
Notes on the Text and on Recordings xxi
Part I Walter Levin: from Berlin to New York
1 Berlin
3(13)
2 Decisive Musical Influences
16(7)
Menuhin, Heifetz, Flesch
16(3)
Opera and Song
19(1)
Toscanini
20(3)
3 Palestine
23(25)
4 En Route to America
48(4)
5 New York
52(11)
6 Evi Marcov-Levin
63(11)
7 Arturo Toscanini
74(5)
Part II The LaSalle Quartet
8 The Members of the Quartet
79(15)
9 The History of the LaSalle Quartet
94(36)
Juilliard
94(4)
Colorado College
98(8)
Cincinnati
106(12)
Darmstadt
118(5)
Tours
123(5)
Disbanding
128(2)
10 Working Together
130(9)
11 The Instruments
139(7)
12 Recording
146(9)
13 Teaching
155(22)
Part III The Music: Repertory, Commissions, Premieres
14 Ideas and Repertory
177(18)
Basic Principles
177(3)
Revivals: Wolf, Spohr, Donizetti, Verdi
180(5)
Zemlinsky
185(8)
Marginal Works and French Repertory
193(2)
15 Classical and Romantic Composers
195(22)
Haydn
195(3)
Mozart
198(3)
Beethoven
201(7)
Romantics: Schubert, Schumann, Brahms
208(9)
16 Modern Classics
217(19)
Bartok
217(6)
The Second Viennese School
223(13)
17 Commissions and Premieres
236(82)
Witold Lutoslawski
236(10)
Gyorgy Ligeti
246(11)
Luigi Nono
257(12)
Franco Evangelisti
269(5)
Mauricio Kagel
274(3)
Gottfried Michael Koenig
277(2)
Henri Pousseur
279(1)
Krzysztof Penderecki
280(2)
Giuseppe Englert
282(3)
Pierre Boulez and Karlheinz Stockhausen
285(2)
Herbert Brun
287(2)
Wolf Rosenberg
289(3)
Michael Gielen
292(7)
Friedhelm Dohl
299(2)
Earle Brown
301(2)
Robert Mann
303(1)
Gerhard Samuel
303(3)
William DeFotis
306(1)
Laszlo Kalmar
307(1)
Hans Erich Apostel
308(4)
Igor Stravinsky
312(1)
Observations on the Commissions
313(5)
18 Other 20th Century Composers
318(19)
Artur Schnabel
318(3)
Matyas Seiber
321(1)
Theodor W. Adorno
322(4)
Ernst Toch and Ernst Krenek
326(2)
Elliott Carter
328(1)
Wallingford Riegger and Roger Sessions
329(1)
John Cage
330(4)
Leon Kirchner
334(1)
Gunther Schuller
334(3)
19 Questions of Interpretation
337(23)
Tempo Changes over the Years
337(9)
Bartok's Tempo Indications
346(1)
Tempo in Berg's Opus 3
347(3)
Studio vs. Live Performance Tempi
350(2)
Repeats in Sonata-form First Movements
352(3)
Expressive Interpretation of the Second Viennese School
355(5)
The Conscience of the String Quartet
Afterword
360(7)
Werner Grunzweig
Appendices
I Complete Repertory Alphabetically by Composer
367(5)
II Composers Ranked by Performance Frequency
372(2)
III Works Ranked by Performance Frequency
374(5)
IV Commissions and Premieres
379(3)
V Discography
382(2)
VI Choosing a New Piece
384(2)
Selected Bibliography 386(4)
Index 390