Getting Started |
|
ix | |
|
1 Introduction to Adobe After Effects CC |
|
|
3 | (56) |
|
|
4 | (1) |
|
Downloading, Unpacking, and Organizing |
|
|
5 | (2) |
|
Managing Files for Video Production |
|
|
7 | (4) |
|
Using After Effects on a PC or Mac |
|
|
11 | (2) |
|
Identifying Job Requirements |
|
|
13 | (1) |
|
|
13 | (4) |
|
Locating a Project and Editing Its Settings |
|
|
17 | (1) |
|
|
18 | (8) |
|
Exploring the Composition Panel |
|
|
26 | (6) |
|
Editing Composition Settings |
|
|
32 | (3) |
|
Exploring the Timeline Panel |
|
|
35 | (5) |
|
|
40 | (5) |
|
Adding a Gradient to a Shape |
|
|
45 | (4) |
|
Exploring the Preview and Timeline Panels |
|
|
49 | (2) |
|
|
51 | (3) |
|
Exploring Key After Effects Preferences |
|
|
54 | (1) |
|
Comparing After Effects and Premiere Pro |
|
|
55 | (2) |
|
|
57 | (1) |
|
|
57 | (2) |
|
|
59 | (54) |
|
Identifying Job Requirements |
|
|
59 | (1) |
|
|
60 | (4) |
|
Exploring the Project Panel |
|
|
64 | (3) |
|
Creating a New Composition |
|
|
67 | (2) |
|
Adding Footage to a Composition |
|
|
69 | (2) |
|
|
71 | (1) |
|
|
72 | (1) |
|
Applying an Effect to a Layer |
|
|
72 | (2) |
|
|
74 | (2) |
|
Drawing a Mask with a Shape Tool |
|
|
76 | (2) |
|
Animating Flashing Lights |
|
|
78 | (5) |
|
|
83 | (7) |
|
|
90 | (2) |
|
|
92 | (2) |
|
Customizing Transformations |
|
|
94 | (2) |
|
Nesting One Composition in Another |
|
|
96 | (1) |
|
Using Illustrator Graphics in a Composition |
|
|
97 | (2) |
|
Applying Advanced Rotation |
|
|
99 | (1) |
|
|
99 | (2) |
|
Parenting to Coordinate Two Layers |
|
|
101 | (1) |
|
Adding Audio to a Composition |
|
|
102 | (1) |
|
Reviewing Symbols in the Project and Composition Panels |
|
|
103 | (1) |
|
Proofing and Exporting a Composition |
|
|
104 | (7) |
|
|
111 | (2) |
|
3 Using Animation Presets |
|
|
113 | (32) |
|
|
113 | (1) |
|
Previewing and Applying an Effects Preset |
|
|
114 | (3) |
|
|
117 | (4) |
|
|
121 | (1) |
|
Practicing with Effects Presets |
|
|
122 | (2) |
|
Animating Text Along a Path |
|
|
124 | (6) |
|
|
130 | (2) |
|
|
132 | (4) |
|
Applying a Lightning Animation Preset |
|
|
136 | (3) |
|
Exporting the Composition |
|
|
139 | (2) |
|
Diving Deeper into Workspaces |
|
|
141 | (2) |
|
|
143 | (2) |
|
4 Time Remapping and Tracking |
|
|
145 | (56) |
|
Starting the Action Sports Logo Project |
|
|
145 | (3) |
|
Relinking to Missing Files |
|
|
148 | (2) |
|
Working Faster Using Proxies |
|
|
150 | (9) |
|
Importing an Image Sequence |
|
|
159 | (1) |
|
Copyright and Permissions |
|
|
160 | (1) |
|
Setting Up a Composition for Social Media |
|
|
161 | (4) |
|
Creating an Animated Shape for a Logo |
|
|
165 | (2) |
|
Adding Text to the Action Sports Logo |
|
|
167 | (4) |
|
Editing a Pre-Comp and Animating More Text |
|
|
171 | (3) |
|
Creating the Rally Car Intro Composition |
|
|
174 | (3) |
|
Time Remapping the Rally Car Layer |
|
|
177 | (1) |
|
Applying Multiple Effects to a Layer |
|
|
178 | (2) |
|
Finishing the Rally Car Video |
|
|
180 | (1) |
|
Creating the Snowboard Intro Composition |
|
|
181 | (1) |
|
Applying Automatic Effects |
|
|
181 | (2) |
|
Playing a Layer Backward and Forward |
|
|
183 | (2) |
|
Finishing the Snowboard Logo |
|
|
185 | (1) |
|
Creating the Paddleboard Intro Composition |
|
|
186 | (1) |
|
|
187 | (6) |
|
Setting Up Text as a Track Matte |
|
|
193 | (2) |
|
|
195 | (1) |
|
Exporting Multiple Items at Once |
|
|
196 | (2) |
|
|
198 | (3) |
|
|
201 | (50) |
|
Starting the Compositing Project |
|
|
202 | (2) |
|
Creating the Green Screen Composition |
|
|
204 | (2) |
|
|
206 | (3) |
|
Using the Keylight Effect |
|
|
209 | (5) |
|
Applying an Effect to the Background |
|
|
214 | (3) |
|
Applying Luma Key to the Foreground |
|
|
217 | (4) |
|
|
221 | (1) |
|
Exporting a Photoshop Document |
|
|
222 | (1) |
|
Reviewing Photographic Composition Terms |
|
|
223 | (2) |
|
Starting the Talking Dog Composition |
|
|
225 | (1) |
|
Creating and Animating an Elliptical Mask |
|
|
226 | (5) |
|
Practicing Basic Mask Creation |
|
|
231 | (1) |
|
Starting the Track Matte Composition |
|
|
231 | (1) |
|
|
232 | (2) |
|
Applying a Layer Style and Animation |
|
|
234 | (1) |
|
Starting the Drive-In Composition |
|
|
235 | (1) |
|
Revealing a Video in Parts by Using Masks |
|
|
236 | (3) |
|
Adding a Gradient Overlay to Text |
|
|
239 | (1) |
|
Copying and Pasting Masks to a Text Layer |
|
|
240 | (3) |
|
Using Adjustment Layers and Splitting a Layer |
|
|
243 | (3) |
|
Connecting Premiere Pro and After Effects with Dynamic Link |
|
|
246 | (3) |
|
|
249 | (2) |
|
6 Animating Characters and 3D Layers |
|
|
251 | (24) |
|
|
252 | (3) |
|
|
255 | (2) |
|
Animating the Dog with Puppet Animation |
|
|
257 | (4) |
|
Creating a Custom Shape to Animate |
|
|
261 | (2) |
|
Rotating a Layer in 3D Space |
|
|
263 | (2) |
|
|
265 | (6) |
|
Reviewing Timeline Panel Switches |
|
|
271 | (1) |
|
Animating Text Along a Path from Illustrator |
|
|
271 | (2) |
|
|
273 | (2) |
|
7 Working in the Industry |
|
|
275 | (19) |
|
Studying the Principles of Design and Animation |
|
|
275 | (8) |
|
Refining Animation with Interpolation |
|
|
283 | (3) |
|
Tuning Animation with the Graph Editor |
|
|
286 | (4) |
|
Respecting Intellectual Property Rights |
|
|
290 | (3) |
|
Top 10 Tips for Taking the ACA Exam |
|
|
293 | (1) |
|
|
293 | (1) |
ACA Objectives Covered |
|
294 | (6) |
Index |
|
300 | |
Glossary (online) |
|