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E-raamat: Legacy of Antiquity: New Perspectives in the Reception of the Classical World

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  • Formaat: 295 pages
  • Ilmumisaeg: 26-Sep-2014
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781443867740
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  • Formaat: 295 pages
  • Ilmumisaeg: 26-Sep-2014
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781443867740

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Recent years have seen an increase of interest in classicism and the reception and survival of antiquity. Classical Reception Studies is a rapidly developing field of research and teaching, and a growing number of new scholars are investigating issues of reception of classical texts, ideas, performance, and material culture across different cultural contexts and in different media. This volume adds new perspectives in this growing field of scholarship. This collection of essays explores the uses of the past from a wide range of perspectives. The papers are drawn from a spectrum of cultures and chronological periods; from medieval to modern times, from Italian to Byzantine, from French to British. The characters involved in each case study accessed the past through different means, employing varying combinations of texts, oral traditions, iconographic representations, and visible remains of the landscape.It is a snapshot of a field in movement, illustrative of current directions and hopeful of producing new ones. The legacy of antiquity is omnipresent, and is as multifaceted as suggested by the wide range of the papers. This volume presents new perspectives, dealing with ever-elusive enigmas and opening the way for future research and investigation to all those who seek to explore the constant fascination with the antique.
List of Illustrations
ix
Foreword xv
Acknowledgements xvi
Introduction 1(7)
Lenia Kouneni
Part I Perceptions of Antiquity through the Ages
Chapter One The Crypta Neapolitana: Perception of a Roman Tunnel throughout History
8(22)
Stefano D'Ovidio
Part II Antiquity Seen through Medieval Eyes
Chapter Two "Artificioso vel incantato": Aesthetic Appreciation, Superstition and Antiquity in Late Medieval Italy
30(22)
Lenia Kouneni
Chapter Three Constantine versus Barbarossa: Antique Law and Contemporary Politics in Pisa
52(19)
Henrike Haug
Chapter Four Nereids and Hippocamps: The Marine Thiasos on Late Antique and Medieval Byzantine Ivory and Bone Caskets
71(35)
Anthousa Papagiannaki
Part III Renaissance Approaches to Antiquity
Chapter Five The Metamorphosis of Orpheus in Italian Editions of Ovid's Metamorphoses, 1325--1570
106(19)
Laura Rietveld
Chapter Six Jacopo Ripanda, Trajan's Column and Artistic Fame in Renaissance Rome
125(23)
Kristin A. Arioli
Part IV British Attitudes to Greek and Roman Heritage
Chapter Seven Images from the Peri Hypsous in the Art of Henry Fuseli
148(13)
Benoit Latour
Chapter Eight Archaeology in Alma-Tadema's Painting: The Influence of Pompeii
161(23)
Rosario Rovira-Guardiola
Part V Modernism and Antiquity
Chapter Nine The Avant-garde Classicism of Giorgio de Chirico, 1911--1915
184(32)
Silvia Loreti
Chapter Ten The Beauties: Repetition in Andy Warhol's Paintings and Plato's Ascent to Beauty
216(11)
Rachel Lane Hooper
Chapter Eleven Nike of Paionios: Panionios of Smyrna's New Irredentist Victorious Symbol
227(43)
Spyridon Loumakis
Contributors 270(4)
Index 274
Dr Lenia Kouneni is a Teaching Fellow in the School of Art History at the University of St Andrews, where she teaches courses on aspects of classicism in western art and Byzantine art. She has a BA Hons (Archaeology and Art History) from the University of Athens, Greece. She completed her MLitt in Art History at the University of St Andrews and received her PhD from the same institution in 2009. She has taught at the University of St Andrews and the University of Dundee; she was a Neil Macgregor scholar at the National Gallery, London, and has participated in a number of archaeological excavations in Greece. Her primary research concern is the notion of "influence" and artistic contacts between different cultures. Her doctoral thesis, "Antiquity through Medieval Eyes: The Appropriation of Antique Art in the Trecento", deals with the perception and reception of Greek and Roman antiquity in fourteenth-century Italy. She is also interested in Italo-Byzantine artistic contacts and has published two articles on the influence of Byzantine iconographic types of the Virgin and Child in Italian painting.