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E-raamat: Light Inside: Abakua Society Arts and Cuban Cultural History

  • Formaat: PDF+DRM
  • Sari: Routledge Revivals
  • Ilmumisaeg: 15-Aug-2019
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000001341
  • Formaat - PDF+DRM
  • Hind: 48,09 €*
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  • Formaat: PDF+DRM
  • Sari: Routledge Revivals
  • Ilmumisaeg: 15-Aug-2019
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000001341

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Originally published in 2003, The Light Inside is a ground-breaking study of an Afro-Cuban secret society, its sacred arts, and their role in modern Cuban cultural history. Enslaved Africans and creoles developed the Abakuá Society, a system of men’s fraternal lodges, in urban Cuba beginnings in 1836. Drawing on years of fieldwork in the country, the book’s novel approach builds on close readings of dazzling Abakuá altars, chalk-drawn signs, and hooded masquerades. It looks at the art history of Abakuá altars, not only tracing changing styles but also how they evolve through cycles of tradition and renovation. The Light Inside reflects the essence of the artists’ creativity and experience: through adornment, altars project the powerful spirituality of Abakuá practice, an aesthetic strategy. The book also traces a biography of Abakuá objects – their shifting forms and meanings – as they participated in successive periods of Cuban cultural history. The book constructs close rhetorical and visual analyses of changing representations of the Abakuá, spanning nineteenth-century arts and letters, modern ethnographic texts, museum displays, paintings, and late twentieth century commercial kitsch. This interdisciplinary work combines art history, African Diaspora, cultural studies and cultural anthropology with Latin American.



Originally published in 2003, The Light Inside is a ground-breaking study of an Afro-Cuban secret society, its sacred arts, and their role in modern Cuban cultural history.

List of Illustrations Acknowledgements Part I: "The Light Inside":
Abakuá Society Arts and Modern Cuban Cultural History Introduction: Meanings,
Methods, and the Cultural Biography of Things Abakuá
2. The Abakuá Society
and the African Society Diaspora
3. Abakuá Altar Arts: Ekue, Representation,
and the Banner of Reglas Efori Eñongo
4. Cloth and Signs: West African Ukara
and the Iconography of Reglas Efori Eñongo
5. Altars, Offices, and Multiple
Meanings
6. "Symbolic Drums:" Innovations and Inventions
7. The Íremes and
Their Sacos Part II: El Nañígo "Graduates"
8. Pictures, Performances, and the
Police: Changing Contexts for Costumbrista Arts
9. Struggle over Possession
of the Secret: The Museuming of the Nañígos "Most Sacred Effects"
10. From
Atavism to Modern Primitivism
11. From Primitivism to Folklore
12. We were
Teaching How to Ask the Black Man About Very Private Personal Things:
Afrocubana, the Triumph of the Revolution, and Socialist Folklore 13: "The
Ethnographic Museum" and the Cuban Revolution
14. Conclusion: The Abakuá
Society and the National Narrative Notes References Index
David H. Brown