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E-raamat: Lighting Dance: A Study of Technical, Philosophical, and Psychological Shadows

  • Formaat: EPUB+DRM
  • Ilmumisaeg: 15-Oct-2020
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000627374
  • Formaat - EPUB+DRM
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 15-Oct-2020
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000627374

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Lighting Dance pioneers the discussion of the ability of lighting design to foreground shadow in dance performances.

Through a series of experiments integrating light, shadow, and improvised dance movement, it highlights and analyses what it advances as an innovative expression of shadow in dance as an alternative to more conventional approaches to lighting design. Different art forms, such as painting, film, and dance pieces from Loie Fuller, the Russell Maliphant Dance Company, Elevenplay, Pilobolus, and the Tao Dance Theater served to inspire and contextualise the study. From lighting to psychology, from reviews to academic books, shadows are examined as a symbolic and manipulative entity. The book also presents the dance solo Sombreiro, which was created to echo the experiments with light, shadow, and movement aligned to an interpretation of cultural shadow (Jung 1954, in Samuels, Shorter, and Plaut 1986; Casement 2006; Ramos 2004; Stein 2004; and others).

The historical development of lighting within dance practices is also outlined, providing a valuable resource for lighting designers, dance practitioners, and theatre goers interested in the visuality of dance performances.
List of figures
x
Foreword xii
Acknowledgements xiv
Introduction 1(12)
1 Without light there is no shadow
13(27)
Introduction
13(1)
Dance lighting
14(11)
A brief history of dance lighting
14(4)
Pioneer choreographers/lighting designers
18(4)
Partnerships between choreographers and lighting designers
22(3)
Why, how, and what shadow
25(8)
Research questions and aims of the study on shadow
25(1)
The iterative-cycle method and active imagination
26(3)
Key terms of the research
29(4)
Conclusion
33(7)
2 Shadowing dance
40(12)
Introduction
40(1)
Shadow in dance performances
40(9)
Loie Fuller: a pioneer choreographer in the exploration of shadow
40(3)
Shadow (2014) by Elevenplay: a contemporary exploration of shadow in dance
43(2)
Similarities between Shadowland (2009) by Pilobolus and shadow puppetry
45(4)
Conclusion
49(3)
3 The behaviour of shadows in artforms
52(20)
Introduction
52(1)
Shadows that add characteristics to the caster
53(9)
Shadows that add volume
53(5)
Shadows that add characterization
58(2)
Shadows that add anticipation
60(2)
Shadows that disorient the recognition of the caster
62(6)
Shadows that disorient location
62(2)
Shadows that disorient shape
64(1)
Shadows that disorient movement
65(3)
Conclusion
68(4)
4 Theories of shadows and their possible applications in dance practice
72(16)
Introduction
72(1)
Shadows in daily life
73(12)
The physicality of shadows
73(4)
The projection of shadows
77(4)
The symbolism of shadows in culture
81(4)
Conclusion
85(3)
5 Playing with shadows
88(28)
Introduction
88(2)
Dancer, light, and surface in the creation of shadows
90(10)
Working with the movement of a dancer to create shadows
90(3)
Working with movement of light to create shadows
93(4)
Working with the movement of a shadow's surface
97(3)
Shadows as autonomous entities
100(13)
Shadow as a mass
100(6)
Three-dimensional shadows
106(3)
Shadow's colour and boundaries
109(4)
Conclusion
113(3)
6 Sombreiro, a shadowy dance performance
116(36)
Introduction
116(1)
Cultural shadows
117(14)
A journey back home: searching shadows in Bahian culture (Brazil)
117(3)
Street festivities of Bahia: Yemanja and carnival of Maragojipe
120(5)
Protesting shadows
125(6)
Shadows beyond the blockage of lights
131(14)
Shadows and dancing movement
131(6)
Shadows and spatial arrangements
137(4)
Shadows and atmosphere
141(4)
Conclusion
145(7)
Afterword (closing remarks) 152(2)
Appendix 1 Additional information about the application of chiaroscuro in theatre practices 154(3)
Appendix 2 Additional information on Yemanja festivity 157(2)
Appendix 3 Additional information about Maragojipe's carnival 159(1)
Appendix 4 Additional information about underpaid Brazilian workers 160(2)
Appendix 5 Additional information about Gyula Csapo's songs 162(2)
Appendix 6 A manual to work with light and shadow in dance practices 164(3)
The experiments 167(25)
Index 192
Flaviana Xavier Antunes Sampaio is a Professor at the Bahia Southwest State University, Brazil. She has studied Dance at Bachelor's, Master's, and Ph.D. level, and has been researching dance lighting since 2004. Her works have been presented in the UK, Japan, Brazil, and Czech Republic.