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E-raamat: Liyuanxi - Chinese 'Pear Garden Theatre'

(University of Sydney, Australia), Series edited by (Royal Central School of Speech & Drama, University of London, UK)
  • Formaat: 192 pages
  • Sari: Forms of Drama
  • Ilmumisaeg: 17-Nov-2022
  • Kirjastus: Methuen Drama
  • Keel: eng
  • ISBN-13: 9781350157408
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  • Formaat: 192 pages
  • Sari: Forms of Drama
  • Ilmumisaeg: 17-Nov-2022
  • Kirjastus: Methuen Drama
  • Keel: eng
  • ISBN-13: 9781350157408
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"This book offers an engaging introduction to the Hokkien music drama known as liyuanxi ('Pear Garden Theatre'), heir and current expression of one of China's oldest unbroken xiqu ('Chinese opera') traditions. In examining the form, Josh Stenberg considers its history prior to the 20th century, reforms during the Communist era, and accounts for its prominence today. He examines the aesthetics and technique that characterize the form, considers the contribution of some of its key exponents and provides a range of case studies of various plays performed in the repertoire"--

This book offers a stimulating introduction to the Hokkien music drama known as liyuanxi ('pear garden theatre'), heir and current expression of one of China's oldest unbroken xiqu ('Chinese opera') traditions. It considers the genre's history prior to the 20th century, its signal successes before and after the Cultural Revolution, and its national prominence today. Beginning with an analysis of the form's aesthetics and techniques, it proceeds to an overview of its rich and distinctive narrative repertoire, including several dramas unique to the genre.

Josh Stenberg illustrates liyuanxi's distinctive musical and narrative qualities and presents the performance art's place, not only in Chinese drama and theatre history, but also in the culture of the historic port city of Quanzhou and the broader Hokkien region and diaspora. This study focuses on the work of the only professional theatre troupe in the genre, the Fujian Province Liyuanxi Experimental Theatre (FPLET), and examines the practice of director and leading actor Zeng Jingping, whose performances have focused attention on the genre's expression of women's desires and ambitions, and on her colleague, playwright Wang Renjie. It argues that new scripts engage with the issues of contemporary China while respecting the genre's traditions and conventions, and have led to rewritings of traditional repertoire by younger female authors. Stenberg's book skilfully demonstrates how a traditional theatre can adapt and thrive in a contemporary society, providing an indispensable introduction while whetting the appetite for the genre's exhilarating live performances.

Arvustused

This is a very important book on a unique genre of Chinese opera that, I believe, will benefit students of world theater. * Liana Chen, George Washington University, USA *

Muu info

An engaging introduction to the Hokkien music drama known as liyuanxi ('pear garden theatre'), heir and current expression of one of Chinas oldest unbroken xiqu ('Chinese opera') traditions.
List of figures
vii
Series preface ix
Preface xiv
Acknowledgements xvi
Introduction: Liyuanxi in the family of Chinese theatres 1(15)
Quanzhou and Hokkien culture and identity
5(6)
Origin of the genre name and role of Marshal Tian
11(3)
Three tendencies of liyuanxi
14(2)
1 Liyuanxi history
16(42)
Early history and textual heritage
16(8)
Liyuanxi in the modern era
24(15)
Liyuanxi and society
39(8)
Diasporic liyuanxi
47(11)
2 Performance foundations and style
58(18)
Aesthetics and technique
58(3)
Stage motion
61(2)
Role types
63(3)
Liyuanxi speech, music and prosody
66(4)
Make-up, costumes, stages
70(2)
Watching `The Great Melancholy'
72(4)
3 Repertoire
76(31)
Overview
76(8)
Traditional romantic play: Chen San and Wuniang
84(4)
Traditional ghost play: Zhu Wen and the Lucky Coins
88(2)
Traditional humorous play: Zhu Maichen
90(5)
Contemporary tragic play: The Chaste Woman's Lament
95(4)
Contemporary humorous play: Scholar Dong and Madam Li
99(3)
Revising for gender: The Imperial Stele
102(5)
Conclusions 107(3)
Notes 110(35)
Bibliography 145(17)
Index 162
Josh Stenberg is a lecturer in Chinese Studies at the School of Languages and Cultures in the University of Sydney, Australia. For the last fifteen years, he has worked for, on, and with xiqu (Chinese opera) companies and performers.