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E-raamat: Made in Hungary: Studies in Popular Music

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Made in Hungary: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Hungarian popular music. The volume consists of essays by scholars of Hungarian music, and covers the major figures, styles, and social contexts of pop music in Hungary. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Hungarian popular music. The book first presents a general description of the history and background of popular music in Hungary, followed by essays that are organized into thematic sections: Scenes, Culture and Identities; History, Politics and Remembering; and Artists, Receptions and Audiences.

Acknowledgments vii
List of Illustrations
ix
Series Foreword xi
Introduction: The Study of Popular Music in Hungary 1(12)
Emilia Barna
Part I Scenes, Cultures and Identities
13(46)
1 Setting Up a Tent in the "New Europe:" The Sziget Festival of Budapest
15(12)
Anna Szemere
Kata Marta Nagy
2 Taming the Extreme: Hungarian Black Metal in the Mainstream Publicity
27(10)
Attila Gyulai
3 Learned Helplessness of a Cultural Scene: The Hungarian Contemporary Jazz Scene through the Eyes of Its Participants
37(10)
Reka Szabo
4 A Translocal Music Room of One's Own: Female Musicians within the Budapest Lo-Fi Music Scene
47(12)
Emilia Barna
Part II History, Politics and Remembering
59(38)
5 The Songs Remain the Same: Structures of Cultural Politics of Retro in Hungarian Pop Music
61(8)
Ferenc Hammer
6 "Hungarian in Form, Socialist in Content:" The Concept of National Dance Music in Stalinist Hungary (1949--56)
69(8)
Adam Ignacz
7 Paper Mohawk: On a Missing Hungarian Punk Monograph
77(10)
Norbert Vass
8 "Nothing But the Music ...:" The History of Hungarian Funk Music
87(10)
Jozsef Havasreti
Part III Artists, Receptions and Audiences
97(80)
9 The Insecure Village Girl Who Found Success, and Her Gentle Deconstructions: Bea Palya
99(12)
Andras Ronai
10 "Gloomy Sunday:" The Hungarian "Suicide Hymn" between the Myths and Interpretations
111(12)
Agnes Patakfalvi-Czirjak
11 "This Kind of Music Informs You about the Present State of the World:" DJ Palotai's Position within the Contemporary Hungarian Underground Culture
123(10)
Sandor Kalai
12 The Way They Were: Subcultural Experiences of Emo Fans from a Retrospective Aspect
133(12)
Adam Guld
13 The Growth of the Hungarian Popular Music Repertoire: Who Creates It and How does It Find an Audience?
145(10)
Daniel Antal
14 Coda: "My Genes in My Suitcase, My Forehead in the Atmosphere:" Perceptions of Hungarian Popular Music and Its Research Abroad
155(22)
Anna Szemere
Afterword: "A Dozen Songs Put in the Right Order:" A Conversation with Yonderboi
165(12)
Andras Ronai
Emilia Barna
Tamas Tofalvy
Select Bibliography of Hungarian Popular Music 177(2)
Notes on Contributors 179(4)
Index 183
Emília Barna is Assistant Professor at the Budapest University of Technology and Economics. She is a founding member and Chair of IASPM Hungary, editor of Zenei Hálózatok Folyóirat (Music Networks Journal), and Advisory Board Member of IASPM@Journal.

Tamás Tófalvy is Assistant Professor at the Budapest University of Technology and Economics. He was the founding Chair and is the current Vice-Chair of IASPM Hungary.
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