Introduction: Mass Violence and Memory in the Digital Age---Memorialization Unmoored |
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1 | (18) |
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Memorialization and the State |
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3 | (1) |
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Memorialization Unmoored from the State |
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4 | (3) |
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Memorialization Unmoored from Physical Space |
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7 | (2) |
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Memorialization Unmoored from Prevailing Ethical Norms |
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9 | (3) |
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12 | (4) |
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16 | (3) |
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Memorialization in Rwanda: The Legal, Social, and Digital Constructions of the Memorial Narrative |
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19 | (26) |
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The Emergence of a New National Narrative |
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21 | (2) |
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Legal Construction and Classification of Memorials |
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23 | (5) |
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Social and Cultural Construction of Memorials |
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28 | (4) |
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32 | (3) |
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35 | (7) |
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42 | (3) |
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Breaking the Silence: Memorialization and Cultural Repair in the Aftermath of the Armenian Genocide |
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45 | (26) |
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45 | (20) |
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65 | (4) |
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69 | (2) |
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Let Them Speak: An Effort to Reconnect Communities of Survivors in a Digital Archive |
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71 | (24) |
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Introducing Let Them Speak |
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71 | (2) |
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From Community of Survivors to Community of Testimonies and Memories |
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73 | (1) |
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Fortunoff Video Archive: A Community Project with an Ethical Approach |
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74 | (9) |
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How LTS Works: Finding Connections, Commonalities, and Heterogeneity Inclusion of the Voiceless |
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83 | (4) |
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Making Testimonies Accessible: Past and Present |
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87 | (2) |
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Conclusion: Avoiding Digital Inhumanities |
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89 | (5) |
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94 | (1) |
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(Re)Producing the Past Online: Oral History and Social Media-Based Discourse on Cambodian Performing Arts in the Aftermath of Genocide |
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95 | (28) |
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Of Forgetting and Remembrance |
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98 | (4) |
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Online Archival Collections: Reconnecting the Past with the Present |
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102 | (5) |
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Sociocultural Identity and Virtual Public Spaces on Social Media Sites |
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107 | (8) |
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115 | (5) |
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120 | (3) |
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From the Material to the Digital: Reflections on Collecting and Exhibiting Grief at the 9/11 Memorial Museum |
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123 | (18) |
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126 | (2) |
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128 | (6) |
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134 | (3) |
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137 | (1) |
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138 | (3) |
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Teaching and Learning in Virtual Places of Exception: Gone GITMO and the Guantanamo Bay Museum of Art and History |
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141 | (34) |
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Introduction: The First Glimpse |
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141 | (2) |
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Locating Guantanamo in Virtual Place |
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143 | (2) |
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Gone GITMO: Immersive Experiences in a Digital Place of Exception |
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145 | (13) |
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The Guantanamo Bay Museum of Art and History: "Disturbing" the Narrative of the Place of Exception |
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158 | (9) |
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Virtual Linkages to Suffering |
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167 | (3) |
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170 | (5) |
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The Slow Rise of Social Movement Organizations for Memorialization in Haiti: Lutte Contre Impunite, Devoire de Memoire-Haiti and Digitizing the Record on Atrocities |
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175 | (22) |
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177 | (5) |
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Documenting and Digitizing Haiti's Mass Atrocities |
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182 | (1) |
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NGO Digitization Activities of Memorialization |
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183 | (6) |
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Unfavorable Environment for Nongovernmental Actors |
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189 | (1) |
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190 | (4) |
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194 | (3) |
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"Rebuilding the Jigsaw of Memory": The Discourse of Portuguese Colonial War Veterans' Blogs |
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197 | (28) |
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197 | (1) |
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Colonial War: The Mists of Memory |
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198 | (3) |
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The Virtualized Memory of War |
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201 | (4) |
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"(Re) constructing the Jigsaw of Memory": War Veterans in the Blogipelago |
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205 | (3) |
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208 | (4) |
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Fragments of Memory: Narratives and Visual Representations on the Blog |
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212 | (6) |
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218 | (3) |
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221 | (4) |
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225 | (12) |
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226 | (5) |
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231 | (3) |
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234 | (2) |
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236 | (1) |
Index |
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237 | |