| Preface |
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xiii | |
| Acknowledgments |
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xv | |
| Introduction |
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1 | (16) |
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Roaring Twenties: The Beginnings of Radio Broadcasting |
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3 | (8) |
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Audio Stories in Twenty-First-Century Media |
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11 | (6) |
| 1 A Theory of Masterful Stories |
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17 | (28) |
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Story Principles and Techniques from Radio's Golden Age |
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21 | (15) |
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26 | (7) |
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Qualities Unique to the Medium of Radio |
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33 | (1) |
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34 | (2) |
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Early Radio Program Production Theory |
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36 | (9) |
| 2 Golden Age Radio Plays: Examining 120 Case Studies |
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45 | (15) |
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Stating the Central Research Question |
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47 | (1) |
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Using Multiple Research Methods |
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48 | (7) |
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55 | (5) |
| 3 Radio's Earliest Plays: Inventing the Medium's Storytelling Form in the 1920s and 1930s |
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60 | (51) |
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63 | (4) |
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Drawn from Literature: The Leatherstocking Tales |
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67 | (1) |
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68 | (4) |
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68 | (4) |
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Yiddish Theater and Radio's The Goldbergs |
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72 | (8) |
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74 | (1) |
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Maremoto: Earliest Fact-Based Narrative? |
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75 | (2) |
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Whistling in a Dressing Room |
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77 | (1) |
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Pioneer Physician Elizabeth Blackwell |
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77 | (1) |
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78 | (2) |
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Developing Convincing Radio Sound Effects |
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80 | (2) |
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80 | (2) |
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Narrative Structure: Stream of Consciousness |
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82 | (1) |
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83 | (2) |
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84 | (1) |
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Dramatic Structure and the Role of a Host or Narrator |
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85 | (2) |
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85 | (1) |
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86 | (1) |
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Adapting the Book: A Comparison of the Opening of the Film and Radio Play |
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87 | (6) |
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90 | (2) |
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92 | (1) |
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93 | (1) |
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Using Perspective in Radio Plays |
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93 | (8) |
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94 | (1) |
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94 | (3) |
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The Count of Monte Cristo |
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97 | (2) |
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99 | (1) |
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Ghost Corps: Ordered to Aswan |
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100 | (1) |
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Puzzles of the Mind: Sherlock Holmes, Radio's Detective |
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101 | (1) |
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101 | (10) |
| 4 Radio Hits Its Dramatic Stride: The Early 1940s |
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111 | (42) |
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Factually Based or Inspired Dramatized Nonfiction |
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111 | (9) |
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112 | (2) |
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114 | (2) |
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116 | (1) |
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117 | (1) |
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118 | (1) |
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119 | (1) |
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Historical and Data-Driven Dramatizations |
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120 | (2) |
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Rancho San Jose de Buenos Ayres |
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120 | (2) |
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William Mulholland and the Southland Water System |
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122 | (1) |
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122 | (4) |
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123 | (1) |
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124 | (1) |
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125 | (1) |
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126 | (1) |
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Emotions at Play: Desperation and Dread |
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126 | (3) |
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127 | (1) |
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128 | (1) |
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128 | (1) |
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129 | (1) |
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Thrillers: Horror and Terror |
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129 | (11) |
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130 | (1) |
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Lord of the Witch Doctors |
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131 | (1) |
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132 | (1) |
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133 | (1) |
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134 | (1) |
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134 | (1) |
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135 | (1) |
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136 | (1) |
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136 | (1) |
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The House in Cypress Canyon |
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137 | (1) |
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138 | (1) |
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138 | (1) |
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139 | (1) |
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139 | (1) |
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140 | (1) |
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The Last Letter of Dr. Bronson |
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140 | (1) |
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140 | (1) |
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Masterpieces of Conflict and Mystery |
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141 | (3) |
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141 | (1) |
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142 | (1) |
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143 | (1) |
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Sherlock Holmes and the Disappearing Scientists |
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143 | (1) |
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From the Holmes Casebook: A Left-Brain Homework Assignment |
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144 | (1) |
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144 | (9) |
| 5 Classics Continued Post-World War II: From the Mid to Late 1940s |
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153 | (43) |
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154 | (9) |
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154 | (2) |
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156 | (1) |
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The Story of Silent Night |
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157 | (3) |
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160 | (2) |
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162 | (1) |
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Radio's Hard-Boiled and Noir Fiction |
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163 | (5) |
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163 | (2) |
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165 | (1) |
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A .22 Rifle for Christmas |
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165 | (2) |
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The Hurdy-Gurdy Murder Case |
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167 | (1) |
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Examining History through Imagination |
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168 | (10) |
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168 | (1) |
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169 | (2) |
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171 | (1) |
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Pollock and the Porroh Man |
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171 | (1) |
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Fall of the House of Usher |
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172 | (1) |
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173 | (1) |
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Leiningen versus the Ants |
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174 | (1) |
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The Origin of the Lone Ranger |
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175 | (1) |
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176 | (1) |
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177 | (1) |
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Reimagining the Contemporary World |
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178 | (4) |
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The Thing on the Fourble Board |
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178 | (1) |
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178 | (2) |
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180 | (1) |
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180 | (1) |
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180 | (1) |
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181 | (1) |
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182 | (1) |
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182 | (5) |
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182 | (1) |
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183 | (1) |
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183 | (1) |
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184 | (1) |
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Incident at Arroyo Grande |
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185 | (2) |
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187 | (9) |
| 6 Post-World War II Radio Drama: Early to Mid 1950s |
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196 | (37) |
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Diversity Defines the Decade |
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197 | (4) |
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197 | (1) |
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Night Beat's A Case of Butter |
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198 | (1) |
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199 | (1) |
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200 | (1) |
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201 | (1) |
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201 | (3) |
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201 | (1) |
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202 | (2) |
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Science Fiction and Fantasy |
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204 | (5) |
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204 | (1) |
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205 | (1) |
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206 | (2) |
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208 | (1) |
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209 | (6) |
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209 | (3) |
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The Whistler: Seattle, Take Three |
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212 | (1) |
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The Crime of Bathsheba Spooner |
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212 | (1) |
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213 | (2) |
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Escaping into the Mid 1950s |
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215 | (1) |
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215 | (1) |
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215 | (1) |
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216 | (1) |
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216 | (1) |
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Drawn from the Historical Record |
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216 | (6) |
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The Diary of Captain Scott |
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217 | (1) |
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217 | (1) |
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218 | (1) |
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Britt Ponset's Christmas Carol |
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219 | (1) |
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220 | (1) |
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221 | (1) |
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222 | (1) |
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Inspired by Contemporary or Historical Circumstance |
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222 | (4) |
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223 | (1) |
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224 | (2) |
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226 | (7) |
| 7 End of an Era: Exemplary Plays from the 1950s and Beyond |
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233 | (23) |
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234 | (2) |
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The Prophecy of Bertha Abbott |
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234 | (1) |
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Treasure Chest of Don Jose |
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235 | (1) |
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236 | (1) |
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Criminal Justice: Tales of Law and Order and Mystery |
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236 | (2) |
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237 | (1) |
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238 | (1) |
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Fantasy and Science Fiction |
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238 | (2) |
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238 | (1) |
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239 | (1) |
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240 | (4) |
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241 | (1) |
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242 | (1) |
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243 | (1) |
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244 | (3) |
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Occurrence at Owl Creek Bridge |
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244 | (1) |
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245 | (1) |
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246 | (1) |
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247 | (4) |
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247 | (1) |
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248 | (2) |
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250 | (1) |
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251 | (5) |
| 8 Concluding Reflections on Stories from Golden Age Radio |
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256 | (25) |
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Race, Gender, and Diversity in Old Time Radio |
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259 | (2) |
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The End of the Golden Age: Separating from the Listeners |
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261 | (1) |
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262 | (7) |
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267 | (1) |
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268 | (1) |
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268 | (1) |
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268 | (1) |
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Storytelling Techniques and Principles |
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269 | (1) |
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270 | (5) |
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275 | (6) |
| Appendix A: Codebook and Data |
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281 | (66) |
| Appendix B: Second-Person Opening |
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347 | (1) |
| Appendix C: List of Interviews Conducted for the Book |
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348 | (1) |
| Appendix D: Cronkite's Radio Play Selections in the Book |
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349 | (2) |
| Index |
|
351 | |