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E-raamat: Mastering the Nikon D7100

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Young, an information technology engineer, photographer, and author of other photography books, details the features and functions of the Nikon D7100 HD-single lens reflex camera for advanced enthusiasts, from basic setup to each of the menus. He also describes autofocus, AF-area, and release modes; metering, exposure modes, and the histogram; white balance; live view photography; movie live view; and speedlight flash. He includes configuration recommendations for each setting as a starting point. Distributed by O'Reilly Media. Annotation ©2014 Ringgold, Inc., Portland, OR (protoview.com)

Mastering the Nikon D7100 by Darrell Young provides a wealth of experience-based information and insights for owners of the new D7100 camera. Darrell is determined to help the user navigate past the confusion that often comes with complex and powerful professional camera equipment.

This book explores the features and capabilities of the camera in a way that far surpasses the user's manual. It guides readers through the camera features with step-by-step setting adjustments; color illustrations; and detailed how, when, and why explanations for each option. Every button, dial, switch, and menu configuration setting is explored in a user-friendly manner, with suggestions for setup according to various shooting styles.

Darrell's friendly and informative writing style allows readers to easily follow directions, while feeling as if a friend dropped in to share his knowledge. The learning experience for new D7100 users goes beyond just the camera itself and covers basic photography technique.

Foreword xiv
Camera Body Reference xvi
Color and Wording Legend xxi
Basic Camera Setup
2(14)
Learning about the Nikon D7100
4(2)
What Is the Purpose of This Book?
6(1)
Things to Know When Reading This Book
7(1)
Downloadable Resources Website
7(1)
Five Steps for First-Time Camera Configuration
8(3)
Accessing the Camera Menus
11(1)
Camera Functions for Initial Configuration
12(2)
Settings Recommendations
14(1)
Author's Conclusions
14(2)
Playback Menu
16(38)
Delete
18(6)
Playback Folder
24(2)
Hide Image
26(3)
Playback Display Options
29(7)
Copy Image(s)
36(6)
Image Review
42(1)
After Delete
43(1)
Rotate Tall
44(2)
Slide Show
46(3)
DPOF Print Order
49(3)
Author's Conclusions
52(2)
Shooting Menu
54(90)
User Settings U1 and U2
56(2)
Configuring the Shooting Menu
58(1)
Reset Shooting Menu
59(1)
Storage Folder
60(2)
File Naming
62(2)
Role Played by Card in Slot 2
64(2)
Image Quality
66(8)
Image Size
74(2)
Image Area
76(3)
JPEG Compression
79(2)
NEF (RAW) Recording
81(4)
White Balance
85(3)
Set Picture Control
88(9)
Manage Picture Control
97(8)
Color Space
105(3)
Active D-Lighting
108(3)
HDR (High Dynamic Range)
111(3)
Auto Distortion Control
114(2)
Long Exposure NR
116(3)
High ISO NR
119(2)
ISO Sensitivity Settings
121(10)
Remote Control Mode (ML-L3)
131(2)
Multiple Exposure
133(3)
Interval Timer Shooting
136(2)
Movie Settings
138(4)
Author's Conclusions
142(2)
Custom Setting Menu
144(100)
Using the Camera's Help System
145(1)
The User Settings and the Custom Setting Menu
146(1)
Using the Custom Setting Menu
147(94)
a Autofocus
148(11)
b Metering/Exposure
159(8)
c Timers/AE Lock
167(8)
d Shooting/Display
175(19)
e Bracketing/Flash
194(20)
f Controls
214(22)
g Movie
236(5)
Modified Custom Setting Notice
241(1)
Author's Conclusions
242(2)
Setup Menu
244(50)
Format Memory Card
247(2)
Save User Settings
249(2)
Reset User Settings
251(1)
Monitor Brightness
252(1)
Clean Image Sensor
252(2)
Lock Mirror Up for Cleaning
254(2)
Image Dust Off Ref Photo
256(3)
Flicker Reduction
259(1)
Time Zone and Date
259(3)
Language
262(2)
Auto Image Rotation
264(1)
Battery Info
265(1)
Image Comment
266(1)
Copyright Information
267(2)
Save/Load Settings
269(3)
Virtual Horizon
272(1)
Non-CPU Lens Data
272(4)
AF Fine-Tune
276(4)
HDMI
280(2)
GPS
282(5)
Wireless Mobile Adapter
287(1)
Network
288(1)
Eye-Fi Upload
289(2)
Firmware Version
291(1)
Author's Conclusions
292(2)
Retouch Menu
294(52)
Retouched File Numbering
297(1)
Accessing the Retouch Functions - Two Methods
297(1)
Playback Retouching
297(1)
Using Retouch Menu Items Directly
298(1)
D-Lighting
298(2)
Red-Eye Correction
300(1)
Trim
301(1)
Monochrome
302(2)
Filter Effects
304(7)
Color Balance
311(2)
Image Overlay
313(2)
NEF (RAW) Processing
315(8)
Resize
323(2)
Quick Retouch
325(1)
Straighten
326(1)
Distortion Control
327(2)
Fisheye
329(2)
Color Outline
331(1)
Color Sketch
332(2)
Perspective Control
334(2)
Miniature Effect
336(2)
Selective Color
338(1)
Edit Movie
339(4)
Side-by-Side Comparison
343(1)
Author's Conclusions
344(2)
My Menu and Recent Settings
346(180)
My Menu
348(5)
Recent Settings
353(1)
Author's Conclusions
353(1)
Metering, Exposure Modes, and Histogram
354(3)
Section 1 Metering
355(2)
3D Color Matrix Metering II
357(1)
Center-Weighted Metering
358(1)
Spot Metering
359(2)
Section 2 Exposure Modes
361(1)
Programmed Auto (P) Mode
361(3)
Shutter-Priority Auto (S) Mode
364(2)
Aperture-Priority Auto (A) Mode
366(1)
Manual (M) Mode
367(2)
Settings Recommendation for Exposure Mode Selection
369(1)
Auto Exposure (AUTO) Mode
369(2)
SCENE and EFFECTS Modes
371(15)
U1 and U2 User Settings
386(1)
No Flash Mode
387(1)
Section 3 Histogram
387(1)
Understanding the Histogram
388(9)
Author's Conclusions
397(1)
White Balance
398(1)
How Does White Balance Work?
399(1)
Color Temperature
400(1)
Manual White Balance Using the WB Button
401(1)
Manual White Balance Using the Shooting Menu
402(2)
Manual Color Temperature (K) with the WB Button
404(1)
Manual Color Temperature (K) with the Shooting Menu
405(1)
Measuring Ambient Light Using PRE
406(2)
Fine-Tuning White Balance
408(3)
Editing the PRE White Balance Comment Field
411(1)
Using the White Balance from a Previously Captured Image
412(1)
Protecting a White Balance Preset Manual Value
413(1)
Auto White Balance
414(2)
Should I Worry about White Balance If I Shoot in RAW Mode?
416(1)
White Balance Tips and Tricks
417(1)
Author's Conclusions
417(1)
Autofocus, AF-Area, and Release Modes
418(28)
Section 1 Autofocus in Viewfinder Photography
419(15)
Section 2 Autofocus in Live View Photography
434(7)
Section 3 Release Modes
441(5)
Custom Settings for Autofocus (a1--a7)
446(1)
Author's Conclusions
446(2)
Live View Photography
448(1)
Using Live View Photography Mode
449(3)
Live View Photography Mode Screens
452(3)
Using the i Button in Live View Photography Mode
455(6)
Closing Notes on Live View Photography Mode
461(2)
Live View Camera Protection System
463(1)
Author's Conclusions
464(2)
Movie Live View
466(1)
Understanding D7100 Video Standards
467(1)
Containers and Their Formats
468(2)
Basic HD Video Information
470(3)
Selecting Movie Live View Mode
473(1)
Movie Live View Still Images
474(1)
Movie Live View Screens
475(7)
Preparing to Make Movies
482(1)
Using the i Button in Movie Live View Mode
483(13)
Final Settings Before Recording Video
496(5)
Selecting an Exposure Mode
501(1)
Recording a Video with Your D7100
502(4)
Creating Commercial Video
506(1)
Displaying Movies
506(3)
Author's Conclusions
509(1)
Speedlight Flash
510(1)
Light Is a Photographer's Friend!
511(1)
What Is a Guide Number?
511(3)
Flash Modes
514(6)
Flash Compensation
520(1)
Nikon Creative Lighting System (CLS)
520(6)
Author's Conclusions 526(2)
Credits for Nikonians'
Chapter Opening Images		 528(3)
Index 531
Darrell Young (DigitalDarrell) is a professional nature and event photographer and an active member of Nikon Professional Services, Professional Photographers of America, and the North American Nature Photography Association. He's been an avid photographer since 1968 when his mother gave him a Brownie Hawkeye camera.

Darrell has used Nikon cameras and Nikkor lenses since 1980. He has an incurable case of Nikon Acquisition Syndrome (NAS) and delights in working with Nikon's newest digital cameras.

Living in the foothills of Great Smoky Mountains National Park has given him a real concern for environmental issues and a deep interest in nature photography.

He loves to write, as you can see in the Resources area of the Nikonians.org community. He joined the community in 2000 and his literary contributions led to an invitation to become the Founding Member of the Nikonians Writers Guild.
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