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E-raamat: Mine Okubo: Following Her Own Road

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  • Formaat: 224 pages
  • Sari: Mine Okubo
  • Ilmumisaeg: 01-Jul-2018
  • Kirjastus: University of Washington Press
  • Keel: eng
  • ISBN-13: 9780295997629
  • Formaat - EPUB+DRM
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  • Formaat: 224 pages
  • Sari: Mine Okubo
  • Ilmumisaeg: 01-Jul-2018
  • Kirjastus: University of Washington Press
  • Keel: eng
  • ISBN-13: 9780295997629

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"To me life and art are one and the same, for the key lies in one's knowledge of people and life. In art one is trying to express it in the simplest imaginative way, as in the art of past civilizations, for beauty and truth are the only two things which live timeless and ageless." - Miné Okubo

This is the first book-length critical examination of the life and work of Miné Okubo (1912-2001), a pioneering Nisei artist, writer, and social activist who repeatedly defied conventional role expectations for women and for Japanese Americans over her seventy-year career. Okubo's landmark Citizen 13660 (first published in 1946) is the first and arguably best-known autobiographical narrative of the wartime Japanese American relocation and confinement experience.

Born in Riverside, California, Okubo was incarcerated by the U.S. government during World War II, first at the Tanforan Assembly Center in California and later at the Topaz War Relocation Center in Utah. There she taught art and directed the production of a literary and art magazine. While in camp, Okubo documented her confinement experience by making hundreds of paintings and pen-and-ink sketches. These provided the material for Citizen 13660. Word of her talent spread to Fortune magazine, which hired her as an illustrator. Under the magazine's auspices, she was able to leave the camp and relocate to New York City, where she pursued her art over the next half century.

This lovely and inviting book, lavishly illustrated with both color and halftone images, many of which have never before been reproduced, introduces readers to Okubo's oeuvre through a selection of her paintings, drawings, illustrations, and writings from different periods of her life. In addition, it contains tributes and essays on Okubo's career and legacy by specialists in the fields of art history, education, women's studies, literature, American political history, and ethnic studies, essays that illuminate the importance of her contributions to American arts and letters.

Miné Okubo expands the sparse critical literature on Asian American women, as well as that on the Asian American experience in the eastern United States. It also serves as an excellent companion to Citizen 13660, providing critical tools and background to place Okubo's work in its historical and literary contexts.

Arvustused

"Whereas the social and historical value of this [ Citizen 13660] body of work is well established, the critical re-readings gathered in Mine Okubo: Following Her Own Road aim to interrogate and to expand the ways in which Citizen 13660 has come to be understood more than sixty years after its postwar publication. Whether a reader agrees wholly or in part with the particulars of the seven central essays, what remains incontestable is the value of such projects in eliciting new and sometimes provocative thoughts on the small but steadily growing body of discourse on Asian American art and visual culture."

(Journal of American Ethnic History) "It's hard not to like Mine Okubo as we come to know her though this first book-length study of her life and work: feisty, eccentric, and deeply committed to her art. A slim, beautifully produced volume, Mine Okubo: Following Her Own Road is both a tribute to the artist, who died in 2001, and an important step in remedying the dearth of scholarship on her work . . . . this collection offers less the 'definitive version' of her life and work, and more an incitement to re-view it in new ways that throw its power and charm into relief."

(Rain Taxi) "Robinson and Creef have produced a fine and wonderful tribute to the life and work of Mine Okubo. . . . There is something for everyone in this remarkably compact but dense volume. . . . The editors have produced a very 'smart' and beautiful retrospective of her life, giving us a sense of Okubo's rightful place in Japanese American history, as well as the larger canvas of American history."

(Nichi Bei Times)

Muu info

A multifaceted look at a landmark Asian American artist and author of Citizen 13660.
Preface ix
Greg Robinson
Elena Tajima Creef
Color Plates xiv
Following her Own Road: The Achievement of Mine Okubo 3(9)
Elena Tajima Creef
PART I. AN ARTISTIC AND LITERARY PORTFOLIO
A Selection of Drawings and Paintings
12(23)
Mine Okubo
Riverside
35(4)
Mine Okubo
Fay Chiang
An Artist's Credo: A Personal Statement
39(1)
Mine Okubo
An Evacuee's Hopes---and Memories
40(6)
Mine Okubo
Statement Before the Commission on Wartime Relocation and Internment of Civilians
46(4)
Mine Okubo
Letters from Mine Okubo to Isamu Noguchi
50(2)
Letters From Mine Okubo To Dr. Roy W. Leeper
52(15)
PART II. SCHOLARLY ESSAYS
Gestures of Noncompliance: Resisting, Inventing, and Enduring in Citizen 13660
67(15)
Vivian Fumiko Chin
Mine Okubo's War: Citizen 13660's Attack on Government Propaganda
82(17)
Heather Fryer
To Keep a Record of Life: Mine Okubo's Autographic Manga and Wartime History
99(12)
Kimberley L. Phillips
Mine Okubo's Citizen 13660 and Her Trek Artwork: Space, Movement, Image, Text, and Their Sites of Production
111(20)
Lynne Horiuchi
Mine Okubo's Illustrations for Trek Magazine: Sites of Resistance
131(14)
Laura Card
Paradoxes of Citizenship: Re-Viewing the Japanese American Internment in Mine Okubo's Citizen 13660
145(14)
Stella Oh
Birth of a Citizen: Mine Okubo and the Politics of Symbolism
159(20)
Greg Robinson
PART III. REMINISCENCES AND TRIBUTES
Holding Center: Tanforan Race Track, Spring 1942
179(1)
James Masao Mitsui
A Remembering
180(1)
Sohei Hohri
A Tribute To Mine Okubo
181(4)
Greg Robinson
A Memory of Genius
185(6)
Shirley Geok-lin Lim
A Partial Chronology of Mine Okubo's Life and Work 191(4)
Selected Bibliography 195(4)
Contributors 199(4)
Illustration Credits 203(2)
Index 205
Greg Robinson is associate professor of history at the Université du Quebéc a Montréal. Elena Tajima Creef is associate professor of women's studies at Wellesley College. Other contributors are Laura Card, Fay Chiang, Vivian Fumiko Chin, Heather Fryer, Masumi Hayashi, Sohei Hohri, Lynne Horiuchi, Clemens Kalischer, Shirley Geok-lin Lim, James Masao Mitsui, Stella Oh, Kimberley L. Phillips, and Irene Poon.