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E-raamat: Modern American Drama: Playwriting in the 1950s: Voices, Documents, New Interpretations

(Rhode Island College, USA)
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The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material.

The major writers and their works to receive in-depth coverage in this volume include:
* William Inge: Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957);
* Stephen Sondheim, Arthur Laurents and Jerome Robbins: West Side Story (1957) and Gypsy (1959);
* Alice Childress: Just a Little Simple (1950), Gold Through the Trees (1952) and Trouble in Mind (1955);
* Jerome Lawrence and Robert Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959).

Arvustused

The social history and theatrical overview are entertaining and informative. * British Theatre Guide *

Muu info

This volume offers a detailed account of the cultural, social, political and economic context for the theatre produced in 1950s America, and offers an indepth study of the work of four of the decade's major playwrights.
List of Tables and Boxes
viii
Biographical Note and Notes on Contributors ix
General Preface Brenda Murphy and Julia Listengarten xi
1 Introduction to the 1950s Susan C. W. Abbotson
1(38)
Domestic life
3(5)
Society
8(5)
Political events
13(4)
Popular culture
17(9)
Media
26(7)
Science and technology
33(6)
2 American Theatre in the 1950s Susan C. W. Abbotson
39(60)
Introduction
39(7)
Notable playwrights of the decade
46(8)
Ethnic drama and plays of Otherness
54(3)
Key theatre practitioners beyond the playwrights
57(14)
Political drama
71(8)
African-American theatre
79(5)
Musical theatre
84(5)
Television drama
89(3)
Off-Broadway, Off-Off-Broadway, regional and college theatre
92(4)
Community and children's theatre
96(3)
3 William Inge: Come Back Little Sheba (1950), Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957) Susan C. W. Abbotson
99(28)
Introduction
99(4)
Inge's theatre
103(3)
Come Back Little Sheba (1950)
106(4)
Picnic (1953)
110(4)
Bus Stop (1955)
114(5)
The Dark at the Top of the Stairs (1957)
119(4)
Conclusion
123(4)
4 Stephen Sondheim: West Side Story (1957) and Gypsy (1959), with Collaborators Jerome Robbins and Arthur Laurents Stuart Hecht
127(38)
Stephen Sondheim
127(3)
The collaborative process and musical theatre
130(1)
Jerome Robbins
131(4)
Arthur Laurents
135(2)
West Side Story (1957)
137(9)
Gypsy (1959)
146(14)
Conclusion
160(5)
5 Alice Childress: Florence (1949), Gold Through the Trees (1952) and Trouble in Mind (1955) Soyica Diggs-Colbert
165(24)
Introduction
165(1)
Childress's theatre
166(2)
Florence (1949)
168(5)
Gold Through the Trees (1952)
173(7)
Trouble in Mind (1955)
180(9)
6 Jerome Lawrence and Robert E. Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959) Alan Woods
189(22)
Introduction
189(2)
Inherit the Wind (1955)
191(10)
Auntie Mame (1956)
201(4)
The Gang's All Here (1959)
205(4)
Conclusion
209(2)
Afterword Susan C. W. Abbotson
211(22)
William Inge
211(5)
Stephen Sondheim
216(6)
Alice Childress
222(5)
Jerome Lawrence and Robert E. Lee
227(6)
Documents: Popular Writings from the 1950s
233(24)
From `The Spirit of the Age' in Company Manners by Leo Kronenberger (1955)
233(6)
From `Introduction' to The Power of Positive Thinking by Norman Vincent Peale (1952)
239(2)
From The Bride's Cookbook by Poppy Cannon (1954)
241(1)
From The Crack in the Picture Window by John Keats (1956)
242(1)
From The Vanishing Adolescent by Edgar Z. Friedenberg (1959)
243(1)
From 100 Things You Should Know About Communism and Education (1951)
244(1)
Extracts from House Committee on Un-American Activities hearings 1952-1956
245(5)
Theatre in the 1950s
250(7)
Notes 257(26)
Bibliography 283(10)
Index 293
Susan C. W. Abbotson is Associate Professor of Modern and Contemporary Drama at Rhode Island College, Providence, USA. She is the author of A Critical Companion to Arthur Miller (2007), Masterpieces of 20th-Century American Drama (2005), Thematic Guide to Modern Drama (2003), and Student Companion to Arthur Miller (2007), and is editor of the Student Edition of The Crucible (Methuen Drama, 2010).