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E-raamat: Modern Conflict and the Senses

Edited by (University of Bristol, UK), Edited by (Imperial War Museum, UK)
  • Formaat: PDF+DRM
  • Ilmumisaeg: 16-Mar-2017
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317402534
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 16-Mar-2017
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317402534

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Modern Conflict and the Senses investigates the sensual worlds created by modern war, focusing on the sensorial responses embodied in and provoked by the materiality of conflict and its aftermath. The volume positions the industrialized nature of twentieth-century war as a unique cultural phenomenon, in possession of a material and psychological intensity that embodies the extremes of human behaviour, from total economic mobilization to the unbearable sadness of individual loss. Adopting a coherent and integrated hybrid approach to the complexities of modern conflict, the book considers issues of memory, identity, and emotion through wartime experiences of tangible sensations and bodily requirements. This comprehensive and interdisciplinary collection draws upon archaeology, anthropology, military and cultural history, art history, cultural geography, and museum and heritage studies in order to revitalize our understandings of the role of the senses in conflict.
List of figures
viii
Notes on contributors xii
Foreword: the engagement of the senses xix
David Howes
Introduction 1(10)
Paul Cornish
Nicholas J. Saunders
Mark Smith
PART I Sensual landscapes
11(144)
1 Sensing war: concept and space in the Imperial War Museum's First World War Galleries
13(16)
Paul Cornish
2 Materiality, space and distance in the First World War
29(14)
Nicholas J. Saunders
3 Assaulting the senses: life and landscape beneath the Western Front
43(18)
Matthew Leonard
4 The scent of snow at Punta Linke: First World War sites as sense-scapes, Trentino, Italy
61(15)
Franco Nicolis
5 Sensorial engagement in tourism experiences on the Western Front
76(17)
Stephen Miles
6 `Dead air': the acoustic of war and peace - creative interpretations of the sounds of conflict and remembrance
93(13)
Paul Gough
Katie Davies
7 Moaning Minnie and the Doodlebugs: soundscapes of air warfare in Second World War Britain
106(17)
Gabriel Moshenska
8 The Cave Mouth: Listening to sound and voice in Okinawan war memory
123(19)
Rupert Cox
Angus Carlyle
9 Emplacing the Italian Resistance: the dystopian fight against Fascism and Nazism (1943-1945)
142(13)
Sarah De Nardi
PART II Sensing bodies
155(150)
10 Odour and ethnicity: Americans and Japanese in the Second World War
157(14)
Susannah Callow
11 Ingestion and digestion on the Western Front
171(12)
Rachel Duffett
12 Trench crap: excremental aspects of the First World War
183(13)
Dominiek Dendooven
13 Sense and sensibility: the power of print in post-war recuperation
196(17)
Jeffrey S. Reznick
14 The `white death': thirst and water in the Chaco War
213(16)
Esther Breithoff
15 Jan Karski, from eye witness to moral witness: what to do with your senses?
229(8)
Annette Becker
16 The sensory signature of being an airman in a Second World War Lancaster bomber aeroplane
237(19)
Melanie Winterton
17 Sounds of horror: sensorial experiences of a Gestapo prison, Begunje (Slovenia)
256(16)
Uros Kosir
18 The uninvited guests who outstayed their welcome: the ghosts of war in the Channel Islands
272(17)
Gilly Carr
19 Sensory deprivation during the Irish Civil War (1922-1923): female political prisoners at Kilmainhan Gaol, Dublin
289(16)
Laura Mcatackney
PART III Sensorial objects
305(70)
20 Sensing the sepoy: objects, letters and songs of Indian Soldiers, 1914--1918
307(20)
Santanu Das
21 War with flowers: the paintings of Albert Heim and the German sensory experience of the Somme, 1914--1916
327(17)
Alastair H. Fraser
22 The senses: battlefield exploration, drawing and sculpture
344(17)
Steve Hurst
23 War, memory and the senses in the Imperial War Museum London, 1920--2014
361(14)
Alys Cundy
Afterword: war on the senses 375(4)
Joanna Bourke
Index 379
Nicholas J. Saunders is Professor of Material Culture at Bristol University and co-director of two long-term First World War projects: the Great Arab Revolt Archaeological Project (Jordan), and the Isonzo Valley Conflict Landscapes Project (Slovenia/Italy). He has published numerous articles and books on the archaeology and anthropology of modern conflict, including Trench Art: Materialities and Memories of War (2003), Matters of Conflict (2004), Killing Time: Archaeology and the First World War (2007), and co-edited with Paul Cornish Contested Objects (2009) and Bodies in Conflict (2014).

Paul Cornish is Senior Curator at the Imperial War Museum, and played a leading role in the museums Regeneration Project for the 2014 Centenary. He has co-organised five IWM-based international and multidisciplinary conferences on modern conflict, has published Machine Guns and the Great War (2009) and The First World War Galleries (2014), and co-edited Contested Objects (2009) and Bodies in Conflict (2014).