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E-raamat: Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China

  • Formaat: 409 pages
  • Ilmumisaeg: 04-Oct-2004
  • Kirjastus: University of California Press
  • Keel: eng
  • ISBN-13: 9780520937246
  • Formaat - PDF+DRM
  • Hind: 39,00 €*
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  • Formaat: 409 pages
  • Ilmumisaeg: 04-Oct-2004
  • Kirjastus: University of California Press
  • Keel: eng
  • ISBN-13: 9780520937246

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In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese - often in the name of enlightenment, rationality, and utopian plenitude - this book places its arguments along two related axes: history and representation, modernity and monstrosity. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment.
ACKNOWLEDGMENTS vii
INTRODUCTION 1(14)
1. Invitation to a Beheading 15(26)
2. Crime or Punishment? 41(36)
3. An Undesired Revolution 77(40)
4. Three Hungry Women 117(31)
5. Of Scars and National Memory 148(35)
6. The Monster That Is History 183(41)
7. The End of the Line 224(38)
8. Second Haunting 262(31)
NOTES 293(50)
BIBLIOGRAPHY 343(28)
GLOSSARY 371(12)
INDEX 383


David Der-wei Wang is Dean Lung Professor of Chinese Studies at Columbia University. He is the author of Fin-de-Siecle Splendor: Repressed Modernity of Late Qing Fiction, 1849--1911 (1997) and Fictional Realism in Twentieth-Century China: Mao Dun, Lao She, Shen Congwen (1992). He is the coeditor of Chinese Literature in the Second Half of a Modern Century: A Critical Survey (2000).