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E-raamat: Moving Pictures and Renaissance Art History

  • Formaat: EPUB+DRM
  • Sari: Film Culture in Transition
  • Ilmumisaeg: 01-Oct-2025
  • Kirjastus: Amsterdam University Press
  • Keel: eng
  • ISBN-13: 9781040784006
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  • Formaat: EPUB+DRM
  • Sari: Film Culture in Transition
  • Ilmumisaeg: 01-Oct-2025
  • Kirjastus: Amsterdam University Press
  • Keel: eng
  • ISBN-13: 9781040784006
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Film, like the printed imagery inaugurated during the Renaissance, spread ideas – not least the idea of the power of visual art – across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, from the 1920s to the mid-1960s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, between the demands of narrative and those of visual composition, spurred new ways of addressing the compelling nature of the visual. The twentieth century also saw the development of the discipline of art history; transfusions between cinematic practice and art historical postulates are part of the story told here. it should appeal both to those interested in Renaissance art and to the public for film. Does not favor Hollywood but does include it. It is wide-ranging without being superficial in its treatment. Often turns to lesser known works by well-known directors. Scholarly yet accessible
Foreword 11(6)
Prologue 17(24)
1 The New and the Old in the Art of Cinema
41(128)
2 The Machine Aesthetic
169(124)
3 Competing with Text
293(186)
4 After Eve 4og Epilogue
479(34)
Bibliography 513(24)
List of Films 537(22)
Index 559
Patricia Emison is Professor at the University of New Hampshire. A contributor to various exhibitions of early modern engravings, etchings, and woodcuts, she is also the author of The Italian Renaissance and Cultural Memory (2012), The Shaping of Art History: Meditations on a Discipline (2008), and Creating the 'Divine' Artist from Dante to Michelangelo (2004), as well as a chapter on 'Ideas: Philosophy, Religion, History', in A Cultural History of Memory, vol. 3, M. Tamm and A. Arcangeli, eds. (2020).